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The Museum of Unconditional Surrender
 
 
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The Museum of Unconditional Surrender [Paperback]

Dubravka Ugresic (Author), Celia Hawkesworth (Translator)
4.0 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

New Directions Paperbook February 2002

Critically acclaimed experimental, literary fiction by the famous Croatian exile author.

The Museum of Unconditional Surrender—by the renowned Yugoslavian writer Dubravka Ugresic—begins in the Berlin Zoo, with the contents of Roland the Walrus's stomach displayed beside his pool (Roland died in August, 1961). These objects—a cigarette lighter, lollipop sticks, a beer-bottle opener, etc.—like the fictional pieces of the novel itself, are seemingly random at first, but eventually coalesce, meaningfully and poetically.

Written in a variety of literary forms, The Museum of Unconditional Surrender captures the shattered world of a life in exile. Some chapters re-create the daily journal of the narrator's lonely and alienated mother, who shops at the improvised flea-markets in town and longs for her children; another is a dream-like narrative in which a circle of women friends are visited by an angel. There are reflections and accounts of the Holocaust and the Yugoslav Civil War; portraits of European artists; a recipe for Caraway Soup; a moving story of a romantic encounter the narrator has in Lisbon; descriptions of family photographs; memories of the small town in which Ugresic was raised.

Addressing the themes of art and history, aging and loss, The Museum is a haunting and an extremely original novel. In the words of the Times Literary Supplement, "it is vivid in its denunciation of destructive forces and in its evocation of what is at stake."

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Editorial Reviews

From Publishers Weekly

Ugresic has designed this fragmented narrative of war-ravaged contemporary Eastern Europe carefully, so that her portrait of the stalwart but traumatized citizens, offered as a series of closeups, is not entirely available until the very last piece has fallen into place. The bulk of the book's narratives describe the lives of characters in various socioeconomic cubbyholes in major Central and Eastern European cities such as Berlin and Moscow; these translucent and occasionally magic-realist stories of transformation illustrate the repercussions of change within the private sphere convincingly and sometimes whimsically. In one episode, four young women playing cards are visited by a man claiming to be an angel. He gives a small feather to three of the four; upon swallowing the feather, these woman find that their lives are changed. In a pair of linked narratives, an elderly mother wonders about her middle-aged daughter, living far away from her; the daughter, in turn, imagines her mother's immigration from Bulgaria to Yugoslavia in 1946. Ugresic balances close observation of private moments with prescient (if seemingly randomly offered) sociological and historical insights, peppering the book with eye-catching quotes by Shklovsky, Nabokov and others that help to describe how the independent existences of city dwellers might reflect the lives of entire countries. Ugresic pries deeply into the lives of her subjects, using many personal and luminous details to make this muralistic work all the more affecting. As the book progresses, images repeat and harmonize across narrative boundaries to create a grim but uplifting picture.

Copyright 2002 Cahners Business Information, Inc.

Review

An epiphany of literature conditioned ahd shaped by social interaction and emancipatory in its responses. -- Context, Matthew Goulish, Spring 2003

Like Nabokov, Ugresic affirms our ability to remember as a source for saving our moral and compassionate identity. -- Washington Post

Ugresic pries deeply into the lives of her subjects...to make this muralistic work all the more affecting. -- Publishers Weekly, 15 January 2002

[A] brilliant, enthralling spread of story-telling and high-velocity reflections....She is a writer to follow. A writer to be cherished. -- Susan Sontag

Product Details

  • Paperback: 256 pages
  • Publisher: New Directions (February 2002)
  • Language: English
  • ISBN-10: 0811214931
  • ISBN-13: 978-0811214933
  • Product Dimensions: 7.8 x 4.9 x 0.7 inches
  • Shipping Weight: 9.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #105,065 in Books (See Top 100 in Books)

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Customer Reviews

5 Reviews
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4 star:
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3 star:    (0)
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Average Customer Review
4.0 out of 5 stars (5 customer reviews)
 
 
 
 
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Sensitive and Moving Picture of Exile, December 24, 2000
By 
This book deserves high marks -- well written, well translated, it gives an unusual and sensitive picture of the life of an exile from the former Yugoslavia. But exiles are not always displaced people: they can be elderly, alone, disoriented, misunderstood -- all prey to an inner exile. Ms. Ugresic's intriguing juxtaposition of stories shows the many different ways in which people construct their own biographies or those of others, but ultimately share many of the same emotions and insoluble problems. There are a lot of wise and touching observations in this "collection" of pieces which ultimately form a moving and poetic whole.
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14 of 16 people found the following review helpful:
5.0 out of 5 stars Pretentious? Look who's talking., June 29, 2001
I have become skillful at avoiding books written on the topic of my former homeland and its vicissitudes. After 10 years of exile and statelessness, a refugee is supposed to have grown a thick skin... Ugresic gets me. I cry and I shiver when I read her. I feel as if going through a dark tunnel while holding somebody's hand. However, I don't know (and I don't want to know)if a person with a permanent citizenship and a stable state of mind would like it.
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8 of 9 people found the following review helpful:
4.0 out of 5 stars History of a sickness, May 16, 2003
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This review is from: The Museum of Unconditional Surrender (Paperback)
Umberto Eco once said (in his book called The name of the rose):"Only thing that makes a man different than the animal is his ability to laugh" Different author (which doesen't have anything to do with the literature, at least not in the one they call clasic), once said:"There is only one kind of sickness that only humans can suffer from, and it is called - nostalgia."
And this is the book, about it. This is the book, about the feeling you get when you lie at your bed late at night, thinking about all the places and person you have visited and got to know and like, this is the book about irreversibility of the time, and book about stupid mass making stupid mistakes.
Wraped in a form where exile is the main focus, with added retrospective of the war which held place on Balcan in the 90's, told with beautiful language skill (I read the book in the original language, wasn't to difficul considering that I'm native speaker of it :), so I cannot judge the quality of translation,) this book is a masterpiece.
Four stars because fourth part of the book is really bad when compared to rest, with flat prosaic skills, and simple sentences.
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Inside This Book (learn more)
First Sentence:
1. 'Ich bin mude, ' I say to Fred. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
bin müde, little feather
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Berlin Wall, East Berlin, Herr Schroeder, Bairro Alto, Black Sea, New York, West Berlin, East European, Mickey Mouse, Viktor Shklovsky, Auntie Pupa, Second World War, East German, Eastern Europe, Joseph Brodsky, Lucy Skrzydelko, Odön von Horváth, Prenzlauer Allee, Avenida da Liberdade, Café Einstein, Ivan Dorogavtsev, Maxim Gorky, New Guinea, Peter Handke, Solar System
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