Customer Reviews

Musial: From Stash to Stan the Man (MISSOURI BIOGRAPHY SERIES)

5 star:		(6)
4 star:		(3)
3 star:		(0)
2 star:		(1)
1 star:		(0)

 

 

This book is head and shoulders above the average baseball biography. Most sports biographies fall into one of two categories: either they're superficial, hero-worshiping treatments that present the subject as a faultless paragon and give little space to anything other than the subject's on-field exploits, or they're efforts to tear down the hero image and dig up as much dirt on the athlete as possible.

Giglio's study of Musial avoids both these pitfalls. Since Giglio is a professional historian, rather than a sportswriter, he brings a historian's thoroughness and depth to his research on Musial. We learn a great deal about Musial's ethnic background, his family, and his personal attitudes and character. Although the author emphasizes what a genuinely good man Musial was and is, he presents a nuanced portrait that accepts and analyses his subject's faults and foibles as well as his many virtues.

Unfortunately, there are always a few hard-core sports fans who flee in horror from this kind of book. All they want to read about is their hero's exploits on the playing field. There are others who live and breathe statistics and sneer in contempt when a book about a baseball star isn't full of Sabrmetrics. It's true that this book is statistically unsophisticated, but the author makes no claims that he's writing that kind of book. This is a book about a MAN who PLAYED baseball-- not a "baseball book."

I give it a four-star rating only because the writing is at times a little dry and professorial--but only a little. This is a great read for anyone who dreams of getting to know a baseball immortal, and one of baseball's genuine gentlemen.

Giglio, a professional historian, spent many years researching his subject and produced, in my view, the first serious examination of Musial's life.

Given Musial's well-desrved reputation as a perfect gentleman and role model, many biographical accounts of his life slip into hagiography, but Giglio carefully avoids this trap. He cuts through much of the Musial mythology, and assesses the facts (laboriously compiled from archival research and interviews with many of Musial's contemporaries) in order to present Musial as a real human being.

You wont find much dirt in this book--Musial really was a good guy for the most part. About the only blemish Giglio uncovered from Musial's personal life was that he impregnated his wife 6 months before they were married--a mere peccadillo by contemporary standards, especially considering that Stan and Lil Musial have remained happily married for over 60 years.

Musial's only serious character flaw, according to Giglio, was an unwillingness to take provocative and controversial positions publicly on important issues of his time. For example, although Musial personally detested racism and bigotry, he never publicly condemned racist teammates like Enos Slaughter. According to at least one second-hand account, Musial and Slaughter once came to blows over the matter in private, but Giglio couldn't substantiate this, and publicly Musial has always denied that he and Slaughter, who died just a few weeks ago (12 August 2002), fought over the issue.

The only criticism I have of Giglio's book is his embarrassingly amateurish statistical analysis. In comparing Musial to the other greats of his era (Joe DiMaggio, Ted Williams, Willie Mays, Hank Aaron and Mickey Mantle), Giglio uses a simplistic ranking methodology incorporating some common statistics like batting average, home runs and RBIs among others, but he ignores walks and on-base percentage completely, and he doesn't even attempt to account for fielding statistics or ballpark affects. Anyone familiar with serious scientific analysis of baseball (e.g. the work of Pete Palmer, Bill James or the gang at Baseball Prospectus) will laugh out loud at obvious lack of sophistication in Giglio's analysis. Mercifully, Giglio's statistical analysis only takes up a few pages.

Overall though, I give Giglio high marks for producing an excellent biography of Musial. I feel I know Musial much better than I did before, and ultimately that's the best test of any biography.

James Giglio's recently released book on Stan "The Man" Musial is a winner in my opinion. Anyone can write a book quoting stats and on the field accomplishments, but Giglio goes back to the style that I most appreciate in a biography. He actually started at the beginning. Learning about Stan's childhood, his life in small town Pa. and his acsension into stardom was what I wanted when I bought this book. I always feel I know a little bit more about a person when I get to see what effects that person has had from events along the way. Certainly in Stan Musials case the depression, WWII, and the good years in the 50's and 60's shaped Stan into the man that he is.

I give the book 5 stars and ask Mr. Giglio to find another superstar from yesterday to write about.

This is a wonderful book on probably the most underrated player in baseball history. I was astounded by some of the numbers Musial put up year in and year out- I knew he was good, but this book really did a good job of presenting his accompishments and his persona in an objective way.
This book would have been a 5-star except that the author was unable to collaborate with Musial (for some reason, Musial declined to meet with the author) which left me aspiring for something from Stan the Man himself.
However, even without Musial's cooperation, this book stands on its own. It does Musial justice in that it portrays him as one of the nicest and most genuine players in the history of the game. I do not think it tried to dig up dirt on Stan at all (as one previous reviewer stated); in fact, I don't think it could have been more complementary of Stan!
Though this book isn't one of the best baseball books I have ever read, I certainly think that it is a noteworthy accomplishment of a man who did not and maybe has still yet to receive his due. He is without question one of the top five greatest players in the history of the game, something which he is not always recognized for. I think baseball fans would enjoy this book on Stan Musial.

James Giglio's exhaustive research pays dividends in this biography. A fascinating look at the man who grew up in the grime of Donora, Pennsylvania, a steel town south of Pittsburgh along the Monongehela RIver. While Musial has been one of the great ambassadors of baseball's, personally he is a somewhat mysterious man - read this book and find out why. Giglio's authority on Musial was forefront in ESPN Classic SportsCentury's Stan Musial documentary. With an East Coast press mythifying again and again players like Dimaggio and Mantle, it is refreshing to read about one of the most underrated players in baseball history.

The book covers all phases of Musial's life, including his personal life and post-baseball life. Unlike many baseball bios, it covers some weaknesses in the personal characteristics of this great star, although there were very few in Musial. What I especially liked about the book is that the author contacted and obtained interesting information from numerous former major league players and others who knew Musial. The author had apparently written letters to more than 500 former major leaguers.

I couldn't put the book down. I'd rate it even better than the recent book I read about Ted Willimas, which I rated as the best baseball bio I had ever read. Stan Musial was my favorite ball player wehn I was growing up in the 1950s, and I wasn't disappointed.

If anything, I would have liked to hear even more about Musial's post baseball life, although there's a lot in the book. However, I understand Stan did not cooperate with the author.

The St. Louis Cardinals are a storied Major League Baseball franchise, second only to the New York Yankees in the number of World Series championships they have taken. Like the Yankees, the Cardinals have employed some of the most exceptional ballplayers ever, and the penultimate Cardinal has to be Stan Musial. Although Rogers Hornsby, Dizzy Dean, Bob Gibson, Lou Brock, Ozzie Smith, and a host of other Hall of Famers were Cardinals for the bulk of their careers, it is Stan "The Man" Musial who defines the team and its place in baseball lore. This fine biography by historian James N. Giglio explains why this is the case.

A sore-armed left-handed pitcher whose retreading into an outfielder might have been the most fortunate transformation of any player since Babe Ruth moved from the pitcher's mound to leftfield for good in 1919, he proved to be the greatest Cardinal of them all. In a stunning 22-year career, The Man (and no other identification is necessary) wracked up a .331 career batting average and won the batting title seven times, hit 475 career home runs, hit safely 3,630 times, was named Most Valuable Player in the National League three times, enjoyed perennial all star game appearances, and upon retirement held 17 major league, 29 National League, and nine all-star game records. While Musial played with the Cardinals it won National League Pennants in 1942, 1943, 1944, and 1946, and took three World Series championships in 1942, 1944, and 1946.

His career represented the pinnacle of all the great players produced by the Cardinals farm system. Musial's was also a career of great dignity and poetry both on and off the field, and he remains an icon in St. Louis more than forty years after his retirement.

Equally important, Musial epitomized the American heartland with its virtues of rusticity, small towns, Protestant beliefs, and hard-working. Hailing from the backhills of Pennsylvania's mining country Musial strode across the National League as a giant for more than twenty years, but one who never forgot that hard work, good manners, and honorable actions brought him to greatness. His streak of 895 consecutive games played stood as a National League record until broken by Billy Williams of the Cubs in 1970 and was one record that Musial especially prized, for it demonstrated his commitment to working-class values in the everyday task of showing up and playing the game of baseball. This is a fundamental part of the story told by James Giglio in "Musial."

But there is another side of Musial that Giglio finds less compelling. He was never a crusader and remained apart from the efforts to integrate MLB and to challenge the reserve clause that bound players to one team indefinitely. With his stature in the game and the society around him, with his secure place as one of the premier major leaguers of his era, he might have offered leadership in helping to end those injustices. He failed to do so. To his credit he did not oppose integration, but the Cardinals were one of the teams that put Jackie Robinson through hell in 1947 and Musial was essentially absent from the controversy. Personally detesting segregation, Musial might have mitigated the situation as the team leader. Likewise, Bob Feller asked for his support in forcing changes to the reserve clause to grant free agency for veterans with ten years experience, but Musial backed away in favor of the status quo.

While he was very much a man with quirks and faults, and a real aversion to engaging in controversy, Giglio shows a Stan Musial who was genuinely a nice, upstanding gentleman. Far from the fatally flawed anti-hero so common to Major League Baseball, it is refreshing to read such a book about a great player when so much about the game seems sordid with doping and other new scandals announced almost daily in the media. Of course, I still wish "the Man," as well as hundreds of other MLB players and owners, had recognized the racism present in the game and pressed to end it.

Author James Giglio did not receive the blessings from Stan Musial to write this book, and Stan apparently discouraged others, at least according to the author, from aiding in this book as well. I found the book to be enjoyable and portrays Stan as both the baseball icon he so deservedly is along with frailities that make him human like the rest of us. I found it to be disappointing that he and Joe Garagiola, who are godfathers to each other's children, had a falling out that has apparently ended their friendship over problems involving their Redbird Lanes bowling alley partnership. According to Gigllio, Garagiola has tried to mend the friendship, but Stan wanted no part of it. Stan is not one to get involved in controversial matters such as race relations and the reserve clause which bound players to one team. Musial, while not against integration, did not use his superstar status to speak in support of it. In like manner when Bob Feller wanted him to support revisions to the reserve clause, Musial backpeddled when he (Musial) had suggested free agency after ten years of service and then stated he was satisfied with the status quo. He was in his element when he was in a relaxed atmosphere among people, but controversy made him back off. I did find a few errors in the book, primarily with first names of former players. Hall of Fame Cincinnati manager Bill McKechnie is referred to as "Joe". Former Chicago Cubs catcher Elvin Tappe is referred to as "Ted". Former Brooklyn Dodgers pitchers Chris Van Cuyk and Ben Wade are referred to as "Johnny" and "Jake" respectively. One additional error I found takes place during Stan's retirement party sponsored by the St. Louis chapter of the Baseball Writers Association of America. Ernie Banks spoke and pretended to read a telegram from the NAACP which he said stood for "the National Association for Advancement of Colored Pitchers." Banks actually said, the "National Association for the Advancement of Cubs' Pitching." I have a copy of the highlights of the St. Louis BBWAA on a phonograph record and this portion of the speech is on it. These are errors I caught in the book that I felt should not be there. Four well known players of the time period should have their first names listed correctly, in addition to the error in the speech by Banks. There are probably others, but these are the ones I found. In any case I enjoyed the book, and it was worth my time.

James N. Giglio's comprehensive biography of Stan Musial offers a fine life-view story of one of baseball's brightest stars. Spanning the years from his parent's arrival in America to the recent years, Giglio shows us that with Musial, "what you see (and hear about) is pretty much what you get:" a superstar ballplayer who really is a nice guy in person. With the depth of experience as a researcher and writer, I feel that Giglio has explored all avenues of Musial's life and has written an excellent book of the man's history, character and actions. This isn't to say that Musial was perfect; there are instances of temper, inaction and mistakes, but it make Musial no different than anyone else. As a role model, Giglio shows that Musial can fill the bill; for the book, Giglio enlightens and entertains - a very satisfying read, indeed.

I have read every book written about Stan Musial. I felt when I read this one the author was only interested in finding all the dirt he could find on this most wonderful person. I grew up watching this man play baseball. But most of all, I grew up watching a top rated human being. I really don't care about his personal life since I have met him many times and I don't have to have a book to tell the kind of person Stan Musial was or is. If you want to read dirt, than read Ball Four. That will keep you busy. If you want to read about a true baseball hero, I would suggest you read one of the other books about Stan Musial. They are what you could call real baseball books, ones by people know or knew the game.