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Music of the Baroque [Hardcover]

David Schulenberg (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)


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Hardcover, February 8, 2001 --  
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Music of the Baroque Music of the Baroque 3.0 out of 5 stars (2)
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Book Description

0195122321 978-0195122329 February 8, 2001
An ideal instructional package for courses in music history and literature, Music of the Baroque and its accompanying anthology of scores offer a lively and detailed introduction to European music from 1600 through 1750. In contrast to other texts in this area, Music of the Baroque provides a more integrated presentation of Baroque music and its performance practices and place in society. Engaging and accessible, this unique text features an in-depth examination of over forty selected musical compositions. It discusses selected works from the principal traditions of the period, emphasizing their distinctive features and placing them within their larger historical contexts. Close analysis of individual works is enriched by material on the social and cultural context of the music, the biographies of representative musicians, and developments in musical style and performance practice.
Music of the Baroque considers representative examples of both instrumental and vocal works, sacred as well as secular. Offering models for musical criticism and analysis in a variety of compositional styles, the book also provides substantial discussions of original instrumentation and historical performance practices for many works. Schulenberg analyzes familiar works like Monteverdi's Orfeo and a Bach cantata and also discusses lesser-known compositions, including works by Barbara Strozzi and Elisabeth-Claude Jacquet de La Guerre. The opening chapter on late Renaissance and the closing chapter on galant music provide bridges to earlier and later periods of European music history.
Features
* Focuses on many individual works whose scores are included in the accompanying anthology
* Analyzes compositions in depth while also placing them within their historical and cultural contexts
* Pays special attention to historical performance practice
* Recognizes the role of women both as composers and as performers
* Balances current perspectives on Baroque music with more traditional views
* Incorporates numerous pedagogical aids including:
* synopses of operatic works
* biographical timelines for major composers
* numerous illustrations, musical examples, and analytical tables
* highlighting and explanations of technical terms upon first appearance
* carefully formulated definitions of each new concept
Designed for undergraduate and graduate students, Music of the Baroque is also essential reading for anyone who desires an up-to-date introduction to the serious study of Baroque music.


Editorial Reviews

Review


"[A]n extraordinarily well-conceived textbook and anthology.--Music & Letters


About the Author

David Schulenberg is at University of South Dakota.

Product Details

  • Hardcover: 368 pages
  • Publisher: Oxford University Press, USA (February 8, 2001)
  • Language: English
  • ISBN-10: 0195122321
  • ISBN-13: 978-0195122329
  • Product Dimensions: 9.5 x 6.3 x 1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #693,590 in Books (See Top 100 in Books)

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Average Customer Review
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Very useful anthology, June 23, 2009
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I wouldn't dream of paying list for it, but in light of used copies being available quite inexpensively, this is a little treasure of a book, most useful for anyone with a technical, say a composer's, interest in how they did that magic we call baroque music. This apparently is the score resource for a textbook. There are keyboard pieces, opera scores, religious works, small and full chamber ensembles. Mostly it uses modern notation, but there are a few facsimiles and an unmeasured prelude. The source of each score is discussed, as are performance issues. The choice of composers is of course arbitrary (41 scores in 360 pages) but very plausible. The stage is set by 8 pre-baroque scores: Pelstrina, Monteverdi et al. The printing is good, the format is handy, yet (for the most part) legible. I'd say this is just about perfect. Find a nice used copy for a few dollars, and you can't go wrong.
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0 of 9 people found the following review helpful:
1.0 out of 5 stars UNACCEPTABLE, January 24, 2011
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This review is from: Music of the Baroque (Hardcover)
I ORDERED ONE DAY SHIPPING FOR THIS TEXTBOOK AND IT STILL HAS NOT ARRIVED. THIS IS UNACCEPTABLE. ANY OTHER SELLER ON AMAZON WOULD BE SLAPPED WITH A NEGATIVE REVIEW AND POSSIBLY AN A-Z CLAIM. MY CUSTOMERS COUNT ON ME AND THEREFORE I COUNT ON YOU TO PROVIDE THE SERVICES YOU ADVERTISE. IF YOU CAN'T DELIVER ON WHAT YOU ADVERTISE, THEN DON'T OFFER IT. BUYER BEWARE!!! AMAZON DOES NOT ADHERE TO THE STANDARDS AND PRACTICES THEY DEMAND FROM OTHER ONLINE SELLERS!! I HOPE THIS REACHES OTHER SHOPPERS!! BEWARE!!!!!!!
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Inside This Book (learn more)
First Sentence:
This book explores the music of the Baroque, the predominant culture of western Europe from the early seventeenth century through the mid-eighteenth century. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
nel seno amato, polychoral works, monodic works, polychoral style, seconda pratica, unmeasured prelude, polyphonic madrigals, prima pratica, sacred vocal works, virtuoso figuration, ritornello form, musical rhetoric, ritornello theme, polychoral music, strophic arias, galant style, stile antico, sacred concertos, aria style, capo form, stile concitato, chorale cantatas, stringed keyboard instrument, continuo part, simple recitative
Key Phrases - Capitalized Phrases (CAPs): (learn more)
French Baroque, Roman Catholic, Alessandro Scarlatti, South Dakota, Giovanni Gabrieli, North German, Music Museum, Royal Academy, Simon Spicer, America's Shrine, Well-Tempered Clavier, Emanuel Bach, Claudio Monteverdi, Barbara Strozzi, Corelli's Opus, Brandenburg Concertos, Carl Philipp Emanuel, Exposition Episode, Monteverdi's Orfeo, Twenty-Four Violins, Domenico Scarlatti, King Louis, Middle Ages, New Testament, New York
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