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Music in Cuba
 
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Music in Cuba [Paperback]

Alejo Carpentier (Author), Timothy Brennan (Editor)
4.5 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

Cultural Studies of the Americas December 2002
A publishing event: the first English translation of Carpentier's pioneering book on Cuban music.

In the wake of the Buena Vista Social Club, the world has rediscovered the rich musical tradition of Cuba. A unique combination of popular and elite influences, the music of this island nation has fascinated since the golden age of the son‹that New World aural collision of Africa and Europe that made Cuban music the rage in Paris, New York, and Mexico beginning in the 1920s.

Originally published in 1946 and never before available in an English translation, Music in Cuba is not only the best and most extensive study of Cuban musical history, it is a work of literature in its own right.  Drawing on such primary documents as obscure church circulars, dog-eared musical scores pulled from attics, and the records of the Spanish colonial authorities, Music in Cuba sweeps panoramically from the sixteenth into the twentieth century. Carpentier covers European-style elite Cuban music as well as the popular rural Spanish folk and urban Afro-Cuban music.

In a substantial introduction based on extensive original research, Timothy Brennan explores Carpentier's career prior to the writing of his novels. Looking especially at Carpentier's work as a music reviewer, radio producer, and musical theorist, Brennan suggests new ways of thinking about the role of Latin American artists in Europe between the wars and about the central place of radio and music-club cultures in the European avant-gardes.

Perhaps Cuba's most important intellectual of the twentieth century, Alejo Carpentier (19041980) was a novelist, a classically trained pianist and musicologist, a producer of avant-garde radio programming, and an influential theorist of politics and literature. Best known for his novels, Carpentier also collaborated with such luminaries as Igor Stravinsky, Darius Milhaud, Georges Bataille, and Antonin Artaud. Born in Havana, he lived for many years in France and Venezuela but returned to Cuba after the 1959 revolution.

Timothy Brennan is professor of cultural studies, comparative literature, and English at the University of Minnesota.

Alan West-Durán is a freelance translator living in Massachusetts.


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Editorial Reviews

From Library Journal

Franco-Cuban novelist Carpentier (1904-80) was also a musician, music critic, librettist, and radio show producer, well equipped to handle the primary sources he gathered for his 1946 work. His narrative skills are put to happy use in this first English translation as he traces (and perhaps sometimes imagines) how European, West Indian, and African musical influences shaped a uniquely Cuban sound in religious, popular, dance, and art music. A political thinker, Carpentier uncovered major figures in Cuban music history whom other encyclopedias of the time overlooked. Readers, however, should not rely on this book for an up-to-date account of Cuban music lore but instead treat it as a document of its times from a writer who exiled himself from Cuba until after the Castro revolution. Brennan (cultural studies, comparative literature, and English, Univ. of Minnesota) provides useful annotations when needed as well as an introductory critical essay. Recommended for larger libraries. Bonnie Jo Dopp, Univ. of Maryland Libs., College Park
Copyright 2001 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Review

A pioneering chronicle. Remarkable, groundbreaking and indispensable. This first translation is elegantly produced, with an extensive introduction by Timothy Brennan. -- Times Literary Supplement (London)

Remarkable, groundbreaking and indispensable. -- Times Literary Supplement --This text refers to the Hardcover edition.

Product Details

  • Paperback: 312 pages
  • Publisher: Univ Of Minnesota Press (December 2002)
  • Language: English
  • ISBN-10: 0816632308
  • ISBN-13: 978-0816632305
  • Product Dimensions: 8.7 x 6.1 x 0.7 inches
  • Shipping Weight: 13.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #747,998 in Books (See Top 100 in Books)

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9 of 9 people found the following review helpful:
5.0 out of 5 stars Library Journal has it wrong?, October 27, 2006
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This review is from: Music in Cuba (Paperback)
Just some comments about the misleading Library Journal excerpt. I don't know Ms. Bonnie Jo Dopp, from Univ. of Maryland Libs., College Park, but she has to check her facts:
1) Carpentier was not "Franco-Cuban", but Cuban. He did not publish any original books in French, and all of his novels are centered around Latin American themes. His father was French (an architect working in Havana), but his mother was Russian, and he was born probably in Switzerland and definitively grown in Havana;
2) He was not a "musician", although he was very well versed in music, played musical instruments (at least the piano) and used novel audio effects in some radio shows;
3) He was not a "political thinker", whatever that might mean;
4) He did not exile himself from Cuba after Castro's revolution, but labored for Castro's government as the "cultural attache" in Castro's embassy in Paris, and continued holding a home in Havana and publishing in the island, as well as being a prominent member of the Castro-oriented Union of Artists and Writers and the Asamblea del Poder Popular, communist Cuba's mock parliament.
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11 of 12 people found the following review helpful:
4.0 out of 5 stars Highbrow, lowbrow, or just plain cool?, August 9, 2001
This review is from: Music in Cuba (Hardcover)
A pivotal look at the development of Latin American popular music, novelist Alejo Carpentier's historical tract was originally published in 1946, and came out of raging, decades-long intellectual debates about the nature of Cuban and Latin American culture. This is the first English translation of this work and includes a lengthy introductory essay by the editor, explaining the author's role in the Cuban intelligensia... "Music In Cuba" was an attempt to settle some of the controversies about the "legitimacy" of Cuban music, and to resolve the apparent differences between tony, Europhilic art music and the grittier rural style that came to dominate the island's popular imagination. It's an intellectual, somewhat egghead-y book, but rich in cultural depth... The new foreward is also very valuable, giving proper context to Carpentier and his work, and a sense of the academic and philosophical life of Cubans abroad and at home in the early 20th Century.
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