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Music and Culture in Late Renaissance Italy
 
 
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Music and Culture in Late Renaissance Italy [Hardcover]

Iain Fenlon (Author)

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Book Description

0198164440 978-0198164449 February 13, 2003
This collection of essays is unified by a number of concerns: one is the way in which musical activity of all kinds was instrumentalized by those in power, in Italy, during the Sixteenth Century. A second expressed through the chornological concentration on the second half of the century, is with a period which is still often regarded as one of decline and degeneracy after the achievements of the Quattrocento and the decades before the calam�t� d'Italia. This book implicitly argues that Italian culture did not lose its vigor after 1530, but underwent a transformation, as both individuals and institutions reacted to new economic, political, and religious circumstances.

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Editorial Reviews

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"Fortunately, few reviewers, if any, would find Iain Fenlon's book hard to read since his arguments are expressed in a graceful prose that renders his subject matter entirely accessible to readers...Fenlon has established himself, over two decades, as one of the ablest practitioners in historical musicology and multidisciplinary studies...this produces rich, provocative results for readers...colleagues from other disciplines interested in the place of music in early modern Italian society could hardly do any better than consult Fenlon's stimulating and evocative essays...Fenlon's essays exemplify an unusually creative and imaginative engagement with musico-historical materials. As offerings not only to fellow musicologists but also to those in allied disciplines, they are among the finest examples of the discipline's art and craft; they are recommended with uncommon enthusiasm."-- Notes


"The richness and diversity of his field of vision become that much more obvious and valuable...in a single volume."--Early Music


About the Author


Iain Fenlon is Reader in Historical Musicology at the University of Cambridge and the editor of Early Music History. His publications include: Music and Patronage in Sixteenth-Century Mantua; The Early Sixteenth Century Madrigal (with James Haar); The Song of the Soul: Understanding 'Poppea' (with Peter Miller); Music, Print and Culture in Renaissance Italy; and Music, Ceremony and Identity in Counter-Reformation Venice (forthcoming, Yale University Press).

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Inside This Book (learn more)
First Sentence:
The public rituals of early modern Venice, particularly those that relate to the state and its figurehead, the doge, were invariably religious before they were political. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
rito patriarchino, delle laudi spirituali, tinque voci, alli vesperi, salmi spezzati, costumi teatrali, commedia rappresentata, renovatio urbis, quattro voci, sei voci, quatuor vocibus, tre voci, sacrae cantiones, quatuor vocum, primo libro, totius anni, scuole grandi, quarto libro, libro primo, secondo libro, istitutioni harmoniche, della cultura veneta, cinque voci, music printing, rivista musicale italiana
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Santa Barbara, Santa Maria, San Marco, Grand Duke, Scipione Gonzaga, Carlo Borromeo, Duke Alfonso, San Lorenzo, Federico Cattaneo, Holy Land, Renaissance Venice, Duke Guglielmo Gonzaga, Holy League, Accademia Venetiana, Luca Marenzio, San Celso, Sua Altezza, Council of Trent, Gran Duca, Pitti Palace, San Carlo, Syndics of Cambridge University Library, Bianca Cappello, Corpus Christi, Giulio Romano
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