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Music Has The Right To Children
 
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Music Has The Right To Children

Boards Of CanadaMP3 Download
4.5 out of 5 stars  See all reviews (191 customer reviews)

Price: $9.99
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Album Savings: $7.83 compared to buying all songs

  • Original Release Date: April 20, 1998
  • Format - Music: MP3
  • Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
 
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  Song Title Time Price  
Play   1. Wildlife Analysis 1:15 $0.99 Buy Track  - Wildlife Analysis
Play   2. An Eagle In Your Mind 6:25 $0.99 Buy Track  - An Eagle In Your Mind
Play   3. The Color Of The Fire 1:45 $0.99 Buy Track  - The Color Of The Fire
Play   4. Telephasic Workshop 6:35 $0.99 Buy Track  - Telephasic Workshop
Play   5. Triangles & Rhombuses 1:50 $0.99 Buy Track  - Triangles & Rhombuses
Play   6. Sixtyten 5:48 $0.99 Buy Track  - Sixtyten
Play   7. Turquoise Hexagon Sun 5:07 $0.99 Buy Track  - Turquoise Hexagon Sun
Play   8. Kaini Industries 0:59 $0.99 Buy Track  - Kaini Industries
Play   9. Bocuma 1:36 $0.99 Buy Track  - Bocuma
Play 10. Roygbiv 2:31 $0.99 Buy Track  - Roygbiv
Play 11. Rue The Whirl 6:39 $0.99 Buy Track  - Rue The Whirl
Play 12. Aquarius 5:58 $0.99 Buy Track  - Aquarius
Play 13. Olson 1:31 $0.99 Buy Track  - Olson
Play 14. Pete Standing Alone 6:07 $0.99 Buy Track  - Pete Standing Alone
Play 15. Smokes Quantity 3:07 $0.99 Buy Track  - Smokes Quantity
Play 16. Open The Light 4:25 $0.99 Buy Track  - Open The Light
Play 17. One Very Important Thought 1:25 $0.99 Buy Track  - One Very Important Thought
Play 18. Happy Cycling 7:52 $0.99 Buy Track  - Happy Cycling
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Customer Reviews

191 Reviews
5 star:
 (137)
4 star:
 (27)
3 star:
 (13)
2 star:
 (8)
1 star:
 (6)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (191 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

36 of 37 people found the following review helpful:
5.0 out of 5 stars Beautiful, strange, mysterious music (reissued), July 22, 2004
This is the album that introduced most of us to Boards of Canada's unique sound back in 1998, now back in a slick digipak reissue from Warp. "Music has the right to children" is probably the best introduction to Boards of Canada's distinctive music. For me, it's still their best overall, and one of my all-time favorite albums: a moody, shifting analogue synth-sample-and-beat fest, by turns funky and melancholy, full of rare beauty. The unusual samples and frequent use of "backwards" elements (and the cryptic packaging) give great touches of mystery and humor to the proceedings, although have also given rise to all kinds of strange ideas about Boards of Canada. Ignore the timid, small-minded conspiracy theorists and paranoids who fret about these things, and enjoy the music!

It's hard to pick a favorite track, but the one that always makes me stop and repeat it is "Rue the Whirl": swirling synths and a decent beat, quite simple in some ways, but it's that repeated organ stab used as a rhythmic device that really gets me. "Telephasic Workshop" is another standout (more rhythmic use of non-percussion sounds), the transition between "Bocuma" and "Roygbiv" still gives me goosebumps, "Aquarius" very fine, but it's all good, it's all great. The original US release added a "bonus track" called "Happy Cycling" from BOC's "Peel Sessions" EP, and it is again included on this reissue for the whole world to hear. This track is fine, but better in its original context on "Peel Sessions"; as a whole, I think the album makes more sense ending as it did originally with "One very important thought" (a track sadly even more relevant now in 2004 than when it first came out). "Happy Cycling" or no, "Music has the right to children" is a great album: BUY IT!
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33 of 35 people found the following review helpful:
5.0 out of 5 stars a hazy and dreamy place, November 29, 2000
By 
Bones (Buffalo NY) - See all my reviews
I've always been a big fan of electronic music, but this album, while retaining all the required bleeps, clicks and beats of the genre, transcends its counterparts by being so subtly beautiful. That's an important thing to remember, however: this album is subtle--no instant gratification or adrenaline rushes that would leave you dancing to a raging beat. It's a gradual kind of listening experience, and concentrates on quiet, persistent melodies that weave in and out of the foreground, and the beats are gradual and soft for the most part--like some of the more gentle songs from aphex twin. The technical excellence is there, like the afore mentioned idm god aphex twin or the likes of autuchre or even orbital. But there is something very candid and childlike in some of these songs-- like roygbiv or aquarius--that remind one of the innocence of childhood, and hazy memories of eating cheerios while watching saturday morning cartoons, catching grasshoppers, and playing in the park immediately come to mind. But other songs like telephasic workshop sound much more grown up (my favorite) begins crackly and muffled like an old favorite record, but gradually works itself up to a beat-intensified frenzy, with really cool voices lapping over one another as they compete with a beat that gradually overtakes them. One of the best electronic albums I have. On a side note, if you like Boards of Canada, and want something similiar but more mellow, try Biosphere or Selected Ambient Works II by Aphex Twin. But if you like something a tad more beat-oriented and deconstructive and desolate, try Autechre. A little more ambient, like the shorter tracks on this album, try Pete Namlook--sure to please!
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29 of 31 people found the following review helpful:
4.0 out of 5 stars Original, November 29, 1999
By 
Giuseppe A. Paleologo "gappy" (Riverdale, NY United States) - See all my reviews
(REAL NAME)   
The first full-length album of BoC is a masterpiece of sorts. The material is accurately chosen and sorted in a way to resemble a "mini suite". The music shows influences from various musicians, but always manages to be original. "Telephasic Workshps" is a bit of "My life in the bust of ghosts" (especially "Mea Culpa"); "Turquoise Exagon Sun" has trip-hop overtones (of the Portishead variety). Electric piano and Moog (with additional sound treatment) are ubiquitous, providing a pleasant progressive (say, Tangerine Dream) and/or electric jazz touch to the songs. And are the numbers in "Aquarius" a little quotation from "Einstein on the Beach" by Glass? Overall, I would play the influence of Autechre (and AFX) down: it is present in the rythm programming, but not overwhelming. BOC is not rythm-driven as Autechre or AFX, but rather melody-driven. In fact, what I most liked in this CD is the beauty of the progression of the chords. The melodies are original and never trivial. Sandison and Eoin seem musicians-turned-musicians and not DJs-turned-musicians. This is what makes a BOC piece so easy to recognize and fresh.

A recommended CD for any fan of high-quality electronica who wants to listen to something different than the usual suspects.

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Boards of Canada's album Music Has the Right to Children was produced by Mike Sandison.
Mike Sandison, Marcus Eoin, and Marcus Eoinhave been a member of Boards of Canada.

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