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Product Details
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| 1. Intro |
| 2. Break & Enter |
| 3. Their Law |
| 4. Full Throttle |
| 5. Voodoo People |
| 6. Speedway (Theme From Fastlane) |
| 7. The Heat (The Energy) |
| 8. Poison |
| 9. No Good (Start The Dance) |
| 10. One Love (Edit) |
| 11. The Narcotic Suite: 3 Kilos |
| 12. The Narcotic Suite: Skylined |
| 13. The Narcotic Suite: Claustrophobic Sting |
Break And Enter - despite the 8 minute running time, is by far and away the best track on the album - very hard beats, tough sounds, with a sweet sounding vocal sample gliding over the top - replete with breaking glass and alarms, and awesome kicks starts.
Their Law is the most metal track Prodg. have ever done. Very rocky.
Full Throttle - the closest the album gets to "Experience".
Voodoo People - Good single. Catchy, and fun to sing along to the vocal!
Speedway - goes on a bit, but screams along at a pace similar to the cars in the background...
The Heat(The Energy) - best described by it's title...
Poison - slowest on the album, but still good to chill to.
No Good (Start The Dance) - back to familiar ground. The best out of all the singles that came from this album.
One Love(Edit) - another single, but slightly out of touch with the rest of the album, and I'm not quite sure why...
The Narcotic Suite (3 Kilos, Skylined, Claustrophobic Sting) - is an outstanding bookender to a modern music classic.
The running time - 13 tracks! 78 minutes! - blows away Experience's 12 tracks/60 min, Fat Of The Land's 10/56 and Dirtchamber's meagre 8/51. And the artwork is fantastic - a face rising out of metal makes for a great cover - not to mention the inner sleeve artwork (policemen swarming out from a dark city toward a bridge, and trying to cross it so they can stop a huge hippie festival over the ravine, but stopped by a knive-wielding freak about to cut the bridge ropes, and giving them all the finger! Oops - I've gone on too long.) What more can I say? This album smashed the dangerous The-Second-Album fears of the pop industry by not only being better than its predecessor, but better than anything else pulled off by anybody in Prodigy ever again. This is fantastic - pure technophile's dream. If that's you - get this now.
What else can I say? The music's the best that the band's ever made, and there really isn't a downside. Even the artwork's a lot of fun. Pick this up as soon as you can - you won't be disappointed.
As for the music itself? It takes me to the same place in my head as Hendrix, but makes me want to dance until all my troubles have poured out of me like so much sweat. There are sonic and melodic twists and turns that no one else in this style pulled off, even though they had the same arsenal of sounds and beats at their disposal. There is so much in this album to appreciate beyond the superficial trappings of its genre (trappings Prodigy no doubt helped make common) that to try and describe its sound is missing the point. Like an earlier Prodigy album title implies, it needs to be experienced.
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