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4 of 6 people found the following review helpful:
5.0 out of 5 stars tough but worthwhile
This is a sinewy and obtuse text, but when worked through it is brilliantlly insightful. I enjoyed the auhtor's views of the intersection of music and religion through a mystical prism. I found the book challenging, informative, enlightening, and spiritually moving. I recommend it to everyone: performers, composers, listeners, and scholars.
Published on August 19, 2000 by Joshua Cohen

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3 of 3 people found the following review helpful:
3.0 out of 5 stars A good book on the Kabbalah of Music
For some time now I have been looking to see if there is a connection between the art of music and the Kabbalah, now I know there is. Its a good book. For a deeper look at this issue there is a book by DovBer Pinson, Inner Rhythms: The Kabbala of Music.
Published on September 6, 2001


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3 of 3 people found the following review helpful:
3.0 out of 5 stars A good book on the Kabbalah of Music, September 6, 2001
By A Customer
This review is from: Music and Kabbalah (Paperback)
For some time now I have been looking to see if there is a connection between the art of music and the Kabbalah, now I know there is. Its a good book. For a deeper look at this issue there is a book by DovBer Pinson, Inner Rhythms: The Kabbala of Music.
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4 of 6 people found the following review helpful:
5.0 out of 5 stars tough but worthwhile, August 19, 2000
By 
Joshua Cohen (Linwood, New Jersey USA) - See all my reviews
This review is from: Music and Kabbalah (Paperback)
This is a sinewy and obtuse text, but when worked through it is brilliantlly insightful. I enjoyed the auhtor's views of the intersection of music and religion through a mystical prism. I found the book challenging, informative, enlightening, and spiritually moving. I recommend it to everyone: performers, composers, listeners, and scholars.
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1 of 2 people found the following review helpful:
1.0 out of 5 stars Musically disappointing, November 22, 2005
This review is from: Music and Kabbalah (Paperback)
In the first sentence, the author displays a lack of musical knowledge. His comments about the construction of the scale relate only to the Western "equal Temprament" system developed about 250 years ago. this therefore can't relate to a subject that claims to be some 2000 years old and from the Middle East which used/uses a totally different scale construction. I can't comment about the author's knowledge of Kabbalah but the relationship between the two is clearly fallacious. Very disappointing.
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1 of 2 people found the following review helpful:
2.0 out of 5 stars not very useful, November 10, 2005
This review is from: Music and Kabbalah (Paperback)
I read this book in hopes of finding inspiration for composing Kabbalisticly inspired music. However, the book has almost nothing about music that would be useful for actually making or performing music.

Instead, the book focuses on the Kabbalistic analysis of music related words. It's 99% gematria, which I'll define as the practice of discovering relationships between Hebrew words which have equivalent numerical values according to the numerology of the Hebrew alphabet. This is not a textbook definition, but I hope it's sufficient for someone to understand this review.

I have nothing against gematria, but it means to get much out of this book, the reader would have to know the Hebrew alphabet and have some familiarity with gematria. If you were such a reader, I think you could easily come up with your own analyses as good or better than what this book offers. If I say "dog is God spelled backwards", that is not insightful or deep, it's just a silly. Unfortunately, the use of gematria here seemed about as deep to me.

It's not a bad book exactly, just not very useful.
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Music and Kabbalah
Music and Kabbalah by Matityahu Glazerson (Paperback - December 1, 1996)
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