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Music Like Dirt
 
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Music Like Dirt [Paperback]

Frank Bidart (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

Quarternote Chapbook Series April 15, 2002

Frank Bidart writes of Music Like Dirt, "I wanted to make a sequence in which the human need to make is seen as not only central but inescapable. I wanted not a tract, but a tapestry in which making is seen in the context of the other processes—sexuality, mortality—inseparable from it."

"Bidart has patiently amassed as profound and original a body of work as any now being written in this country. He has given form for our age to what is most urgent and most private in the human soul: the ordeals of solitude and mortality and hunger and, recently, that action through which being speaks: the drive to make or create. Bidart’s poems sound like no one else’s; they look like no one else’s. . . . He is, in the feeling of our jury, one of the great poets of our time."—Louise Glück, jury chair, 2001 Wallace Stevens Award The Academy of American Poets

The inaugural edition in Sarabande's Quarternote Chapbook Series which will feature a select group of poets by invitation only

Frank Bidart's collections of poetry include Desire (1997), which received the 1998 Bobbitt Prize for Poetry from the Library of Congress and the Theodore Roethke Memorial Poetry Prize, and was nominated for the National Book Award, the National Book Critics Circle Award, and the Pulitzer Prize; In the Western Night: Collected Poems 1965-90 (1990); The Sacrifice (1983); The Book of the Body (1977); and Golden State (1973). Among his many honors are the Lila Acheson Wallace/Reader’s Digest Fund Writer’s Award, the Morton Dauwen Zabel Award given by the American Academy of Arts and Letters, the Shelley Award of the Poetry Society of America, and the Lannan Literary Award. He teaches at Wellesley College and lives in Cambridge, Massachusetts.


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Editorial Reviews

From the Publisher

Music Like Dirt is the forty-fifth title to be published by Sarabande Books, a nonprofit literary press headquartered in Louisville, Kentucky. Founded in 1994 to publish poetry and short fiction, Sarabande’s mission is to disburse these works with diligence and integrity, and to serve as an educational resource to teachers and students of creative writing. Since the 1996 debut of the press, our titles have received positive review attention from nationally distinguished media including The New York Times Book Review, Publishers Weekly, Kirkus Reviews, American Book Review, Small Press, The Nation, and Library Journal.

About the Author

Frank Bidart, author of Music Like Dirt (Sarabande Books, 2002), was born in 1939 in Bakersfield, California, and was educated at the University of California, Riverside, and at Harvard University. His collections of poetry include Desire (Farrar, Straus & Giroux, 1997), which received the 1998 Bobbitt Prize for Poetry from the Library of Congress and the Theodore Roethke Memorial Poetry Prize, and was nominated for the National Book Award, the National Book Critics Circle Award, and the Pulitzer Prize; In the Western Night: Collected Poems 1965-90 (1990); The Sacrifice (1983); The Book of the Body (1977); and Golden State (1973). Among his many honors are the Lila Acheson Wallace/Reader’s Digest Fund Writer’s Award, the Morton Dauwen Zabel Award given by the American Academy of Arts and Letters, the Shelley Award of the Poetry Society of America, and the Lannan Literary Award. He teaches at Wellesley College and lives in Cambridge, Massachusetts.

Product Details

  • Paperback: 31 pages
  • Publisher: Sarabande Books; 1 edition (April 15, 2002)
  • Language: English
  • ISBN-10: 1889330787
  • ISBN-13: 978-1889330785
  • Product Dimensions: 9 x 6 x 0.1 inches
  • Shipping Weight: 2.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,018,054 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
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7 of 7 people found the following review helpful:
5.0 out of 5 stars Thrilling to the last drop, April 16, 2002
This review is from: Music Like Dirt (Paperback)
I wish Bidart were more prolific, but on the bright side, each rare collection is an irresistible distillation of some thought-elixir. "Music Like Dirt" treats how humans are essentially art-making, art-sharing creatures. Since this is Bidart, we get both the good and evil consequences of this impulse - the grotesques along with the geniuses - in language that is simple, clear, but also finely wrought and deeply emotional.

Note that this is a chapbook, so even though it's beautifully printed it still has something of a flimsy feeling... It's perfectly sized and shaped to be a little gift to the favorite creative or artistic person in your life.

The real standouts in the collection, "For the Twentieth Century," "Advice to the Players," and "Lament for the Makers," are all available online, albeit coarsened by lousy layout and banner ads. Don't just read them quickly at your desk; print them out and read them somewhere peaceful in solitude, and you will probably end up wanting to buy the book anyway, they're that good.

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1 of 7 people found the following review helpful:
1.0 out of 5 stars "modern" trash, May 29, 2009
By 
This review is from: Music Like Dirt (Paperback)
I was originally assigned to read this collection of "poems" during my final year of high school and I didn't enjoy them much at all. I found that they were cryptic, humorless, and lacking in both wordplay and cleverness.
Still, I thought that four years later upon my completion of college, perhaps there would be more there. I thought that perhaps I was naive and had missed the point. And so I decided to give Music Like Dirt another try.
But after a second reading -- and then a third, I found myself thinking the same things all over again and then wishing I could award 0 stars. This book is a waste of space. It pangs of "art for art's sake" and loses itself in its vagueness. Moreover, the challenge of writing poetry (that is writing in verse as opposed to writing in prose) is the challenge of working within constraints. It is about playing games with words and committing to a form and then using it to flourish. Bidart does none of these things. Instead he comes up with a collection of randomly arranged lines, none of which contain things called literary devices. This is the kind of stuff that is so random and obtuse that one feels as though anyone could do it just as long as they could get over the embarrassment of allowing themselves to show such crap to others. He may as well have pooped on the pages. At least then teachers would be more hesitant to assign it.
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