The Music Machine: Selected Readings from Computer Music Journal [Paperback]

Curtis Roads (Editor)

Book Description

ISBN-10: 0262680785 | ISBN-13: 978-0262680783 | Publication Date: October 8, 1992

Since its inception in 1976, Computer Music Journal has led the field as the essential resource for musicians, composers, scientists, engineers, and computer enthusiasts interested in contemporary electronic music and computer-generated sound.In The Music Machine, Curtis Roads brings together 53 classic articles published in Computer Music Journal between 1980 and 1985, providing a cohesive survey of the major developments in computer music and in the related technology during the last decade. The book includes interviews with major figures in the field and articles devoted to composition, artificial intelligence, and the popular Music Instrument Digital Interface (MIDI). Roads has written an overview of each of the book's seven parts, highlighting the major topics and placing the various articles in a thematic and historical context.Curtis Roads is a composer, a producer, and associate editor of Computer Music Journal.

Editorial Reviews

Review

If you'd like to immerse yourself in a comprehensive overview of the last five years in computer music, this is definitely the place to start." Keyboard

About the Author

Curtis Roads is Associate Professor of Media Arts and Technology, with a joint appointment in the Department of Music, at the University of California, Santa Barbara.

Product Details

• Paperback: 739 pages
• Publisher: The MIT Press (October 8, 1992)
• Language: English
• ISBN-10: 0262680785
• ISBN-13: 978-0262680783
• Product Dimensions: 10 x 6.9 x 1.7 inches
• Shipping Weight: 3.5 pounds (View shipping rates and policies)
• Amazon Best Sellers Rank: #1,063,992 in Books (See Top 100 in Books)

More About the Author

Curtis Roads (b. 1951) holds a joint appointment as Professor and Chairman of the Department of Media Arts and Technology (MAT) and in Music at the University of California, Santa Barbara (UCSB), where he is also Associate Director of the Center for Research in Electronic Art Technology (CREATE). He studied music composition and computer programming at California Institute of the Arts, the University of California, San Diego (BA Summa Cum Laude with Highest Departmental Honors), and the University of Paris VIII (PhD Très honorable avec félicitations). From 1980 to 1986 he was a researcher in computer music at the MIT Media Laboratory. He then taught at the Federico II University of Naples, Harvard University, Oberlin Conservatory, CCMIX (Paris), and the University of Paris 8. He has led masterclasses at the Australian National Conservatory (Melbourne), Prometeo Laboratorio (Parma), Ionian University (Corfu), Goethe Institute (Rome), Kunitachi College of Music (Tokyo), Royal Conservatory (Aarhus), Catholic University (Porto), and the Zürich University of the Arts, among others. He is co-organizer of international workshops on musical signal processing in Sorrento, Capri, and Santa Barbara (1988, 1991, 1997, 2000). He served on the composition juries of the Ars Electronica (Linz) and the International Electroacoustic Music Competition (Bourges, France). Certain of his compositions feature granular and pulsar synthesis, methods he developed for generating sound from acoustical particles. A cofounder of the International Computer Music Association in 1979, he was Editor of Computer Music Journal (The MIT Press) from 1978 to 1989, and Associate Editor 1990-2000. His books include Foundations of Computer Music (1985, The MIT Press), Composers and the Computer (1985, AR Editions), The Music Machine (1989, The MIT Press), Representations of Musical Signals (1991, The MIT Press), The Computer Music Tutorial (1996, The MIT Press), Musical Signal Processing (co-editor, 1997, Routledge), L'audionumerique (1998, Dunod), The Computer Music Tutorial - Japanese edition (2000, Denki Daigaku Shuppan) and Microsound (2002, The MIT Press), which explores the aesthetics and techniques of composition with sound particles. A revised edition of L'audionumerique was published in 2007. A Chinese version of The Computer Music Tutorial is scheduled for publication in 2010 as a national textbook. His music is available on compact discs produced by Asphodel, MODE, OR, the MIT Media Laboratory, and Wergo. His composition Clang-Tint (1994) was commissioned by the Japan Ministry of Culture (Bunka-cho). His electronic music collection POINT LINE CLOUD won the Award of Distinction at the 2002 Ars Electronica and was released as a CD + DVD on the Asphodel label (San Francisco) in 2005. In 2007 he received a National Science Foundation grant for research in algorithms for sound analysis (dictionary-based pursuit). He is currently completing a new book Composing Electronic Music: A New Aesthetic for Oxford University Press, a revised edition of The Computer Music Tutorial for The MIT Press, and a new set of electronic music entitled FLICKER TONE PULSE.