Music Matters: A New Philosophy of Music Education (Hardcover)

~ David J. Elliott (Author) "What is music?..." (more)
Key Phrases: praxial philosophy, artistic music making, nonsyntactic parameters, New York, Peter Kivy, Daybreak Express (more...)

Editorial Reviews

Review

"A very provocative book. This is an important addition to the music education library."--Steven J. Morrison, University of Washington

"This book will help guide music education into the next century!"--Scott Emmons, University of Wisconsin-Milwaukee

"Music education historians will find much food for thought in Elliott's book....[H]is is a true philosophy of music education, not a philosophy of music or a rationale for music education masquerading as a philosophy....His work must be cheered as by far the most sophisticated philosophy of music education to date. It takes into account many of the positive things that are being achieved by music education, and points the way toward improvements in the future. [It] may cause music education historians to consider the role of paradigms in the philosophy of music education, in their own historical research, and in historical research in general."--Jere T. Humphreys, Arizona State University, in The Bulletin of Historical Research in Music Education

"David J. Elliott's Music Matters should prove to be a watershed in the history of our profession, because the author dramatically takes issue with some of the most cherished assumptions of mainstream philosophy in music education today....Elliott is exceptionally well- and widely-read, incorporating a wealth of information from diverse sources....[He] has produced a book that will stimulate discussion well into the future. It should be read by all music educators..."--Music Educators Journal

"Brilliant, thought-provoking, stimulating! Should be required reading for all music education students and teachers."--Robert Garofalo, Catholic University of America

"A readable, thought-provoking resource for reflection on the philosophical basis of Musical Education."--Doris Herlein, Grand Valley State University

"Graduate students in our program are all in-service music teachers. They find Music Matters very accessible. Ideas presented by Elliott provoked thoughtful discussions about the role of music education in today's schools."--Margaret Schmidt, St. Cloud State University

"Bravo, David Elliott! You've provided an important addition to the required reading list of those sincerely interested in the teaching/learning process in music!"--Bernard Dobroski, Dean, Northwestern University School of Music

"It is a delight as well as a benefit to the profession to have a philosophical foundation that is both comprehensive and still focused on music education."--Thomas Goolsh, University of Washington

"[This text] escapes the growing dilemmas of past important past works, and brings a useful organization of newer views to a philosophy of music education for the coming generation."--James Rouintree, Anderson University

Product Description

There is a mystery about music. On one hand, music making and music listening have occupied a prominent place in every culture since the dawn of recorded history and people everywhere continue to engage in a variety of musical experiences as part of their daily lives. Yet questions about the nature and value of music and its importance as a subject of education remain perplexing to many thinkers and are still hotly debated, even today. As a result, while music has been part of the school curriculum since antiquity, its profound contribution to general education has never been harnessed--until now.

What is music? Does music deserve a place in general education? If so, why? Music Matters builds new answers to these basic questions through a wide-ranging examination of music as a diverse human practice. The result is a ground-breaking philosophy of music education that provides critically reasoned perspectives on the nature and significance of performing, listening, musicianship, multiculturalism, creativity, consciousness, curriculum development, and more. Indeed, Music Matters is exceptional for the attention it pays to many aspects of music and education that previous music education doctrine either misses or ignores altogether. Following an incisive critique of past thinking, this important text develops a multidimensional concept of music that explains why music making and listening are unique forms of thinking and unique sources of the most important kinds of knowing that human beings can gain. In a richly detailed narrative that examines a wealth of recent philosophical and psychological research, the author constructs a compelling philosophical foundation that allows teachers to affirm to themselves and others that music deserves a central place in the education of all people. Among the many working ideas of this new philosophy is a distinctive concept of "curriculum-as-practicum" that explains how music educators can fulfill their educational mandate.

Invaluable as a core text for courses on foundations of music education or philosophy of music education at both the undergraduate and graduate level, Music Matters provides educators with critically reasoned perspectives on the "why, what, and how" of music teaching and learning, arguing convincingly that music is one of the most vital, dynamic, and practical pursuits in the human repertoire and, therefore, fundamental to the full development of the individual and collective self.

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Product Details

• Hardcover: 400 pages
• Publisher: Oxford University Press, USA (February 9, 1995)
• Language: English
• ISBN-10: 019509171X
• ISBN-13: 978-0195091717
• Product Dimensions: 9.3 x 6.3 x 1.4 inches
• Shipping Weight: 1.5 pounds (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (14 customer reviews)
• Amazon.com Sales Rank: #109,805 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

10 of 11 people found the following review helpful:

5.0 out of 5 stars Smart and gutsy, February 19, 2000

By A Customer

Elliott deserves huge credit for having the guts and smarts to expose the fuzzy nonsense handed out to us for years by the old aesthetic ed establishment. Even more, Elliott's philosophy makes perfect sense to real teachers who have to put the National Standards into practice because Elliott's book tells us why and how to make the Standards happen.

11 of 13 people found the following review helpful:

5.0 out of 5 stars Canadians know Multiculturalism, February 4, 2001

By	Cheryl (Surrey BC CANADA) - See all my reviews

It is exciting to finally see American educators recognize the brilliance of Canadian scholars like David J. Elliott. I had the privilege of hearing Dr. Elliott speak at the Canadian Music Educators'Conference Research Forum back in 1991 and his ideas as well as others like Harold Fiske and Robert Walker were a refreshing change from the long-held music education philosophies of American Bennett Reimer and Englishman Keith Swanwick. Elliott was just formulating his ideas back then but he was most inspirational. As a music specialist, I have created a curriculum based on teaching multiculturalism through composition in my elementary program. I'm glad to finally see a multicultural philosophy for the arts that offers an alternative to the Eurocentric Aesthetic viewpoint.

8 of 9 people found the following review helpful:

5.0 out of 5 stars The Best, March 11, 2002

By A Customer

Elliott's bold and brilliant book is far, far ahead of anything else in the field. While the American MENC and its cheerleaders in the so-called Standards movement remain stuck in the vapid "old-think" of Reimer's 19th-century notions, Elliott's book offers exceedingly clear, logical, comprehensive, and practical explanations of music and music education based his own thinking and the best research by today's leading scholars. Thus, this book is a classic in the field. I wish my colleagues in the UK would read this book carefully and soon; if not, we'll be stuck forever with the insular and very poor thinking of "our old Swanwick," and the rest of the world will pass us by.