Music of O'Carolan

Butch Baldassari

Product Details

• Audio CD (June 12, 2007)
• Original Release Date: June 12, 2007
• Number of Discs: 1
• Label: SoundArt Recordings
• ASIN: B000QUTS48
• In-Print Editions: MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
• Amazon.com Sales Rank: #24,542 in Music (See Bestsellers in Music)

Editorial Reviews

Product Description

Again joining forces, Baldassari and Mock turn in a collaborative effort based on the extensive catalog of Irish Harpist/Composer Turlough OCarolan (1670-1737). Mock plays guitars, whistle, concertina and harmonium while Baldassari turns in performances on mandolin, mandola and bouzouki. These ten tracks cast new light on the primitive elegance of OCarolans folky-chamber music.

Customer Reviews

Most Helpful Customer Reviews

8 of 8 people found the following review helpful:

4.0 out of 5 stars The partnership safely succeeds in capturing O'Carolan's muse & lilting mood, July 12, 2007

By	J. Ross "a-music_fan" (Roseburg, OR USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Playing Time - 48:34 -- While the oft-played and beautifully buoyant music of Turlough O'Carolan (1670-1738) is usually presented with harp in the mix, Butch Baldassari and John Mock prove that the splendid Irish melodies can be sensitively interpreted on mandolin, bouzouki, guitar, concertina, whistle and harmonium. The pluck of the mandolin can simulate a harper's melodic right hand, and a guitar's arpeggiated chording can achieve the feeling and warmth of a harper's left. With the exception of "Carolan's Concerto" and "Catherine Nowlan," each 4-5 minute track is a medley incorporating 2-3 tunes apiece. Butch and John masterfully showcase their instruments and demonstrate solid playing on them.

Emphasizing authenticity, the twenty tunes in ten tracks are mostly played with an orthodox, straightforward approach that sticks closely to the melodies. I was hoping for a tad more individualism and innovation from these two impressive Nashville-based master musicians. For example, the genesis of two planxties ("George Brabazon" into "Morgan Magan") gets a little tiring after the same melody comes around multiple times. Perhaps I'm just biased from having often played these common tunes myself. Tastefully rendered with precise notes, Baldassari's mandolin and bouzouki are the only instruments intertwined in the "Carolan's Draught" and "Hewlett" set. If John and Butch had wanted a less conservative and more adventurous O'Carolan set, they could have considered even more varied arrangements, diverse instrumentation, guest artists and incorporation of harmonies. They're simply playing it fairly safe, and that's fine for their vision of the music. But, wouldn't it have been fun and inspiring to perhaps hear each compose and present an original planxty (tribute piece) in the style of O'Carolan? Or, how would some of the tunes sounded with mandocello and perhaps even mandobass multi-tracked into the mix? Harmony and counter-melodies can impart remarkably powerful intensity and contemporary vision into this 300-year-old music. Overall, the partnership safely succeeds in capturing O'Carolan's muse and lilting mood. Favorite tracks were the Planxty Browne set and the medley of "Fanny Power" and "Baptist John." The pair also previously collaborated on the 1998 album "Cantabile: Duets for Mandolin and Guitar," that presented music of Bach, Scarlatti, Beethoven, Sor, Tarrega, and Satie. (Joe Ross, staff writer, Bluegrass Now)