Product Details

• Format: Color, DVD, NTSC
• Language: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Rated: NR (Not Rated)
• Studio: Hal Leonard
• DVD Release Date: March 27, 2007
• Run Time: 149 minutes
• Average Customer Review: 2.0 out of 5 stars  See all reviews (1 customer review)
• ASIN: B000NNU24I
• Amazon Best Sellers Rank: #375,084 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

The true power of Logic Pro 7 music software lies in its virtual instruments, synthesizers, sampling power and its vast array of incredible software plug-ins. The more you know about using these revolutionary music production tools, the better your Logic Pro 7 experience will be. In this extended tutorial program, instructor Andrew Eisele takes you on an in-depth tour of each of Logic Pro 7's virtual instruments, including the ES1, ES2, and EXS24 Sampler, as well as Ultrabeat, and Sculpture. He'll demonstrate advanced sequencing techniques, explain signal flow, and guide you through the functionality of oscillators, modulators and filters--fundamental components of nearly all synthesizers. In the second half of the program, you'll learn about Logic's many standard plug-ins, such as Space Designer, through Andrew's demonstrations so you can begin using these features in your own production work right away. Whether you are a beginner or an experienced user, this DVD will enhance your understanding of Logic Pro 7 software and uncover its true potential.

Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

2.0 out of 5 stars A pedagogical embarrassment, December 17, 2007

By 

R. Burke "just a lerner's permit" - See all my reviews
(REAL NAME)   

This review is from: Music Pro Guides: Logic 7 - Instruments and Plug-Ins (DVD)

An earnest young man sits in front of each Logic instrument and points with his mouse to the onscreen buttons and sliders, naming them, fiddling with them, but explaining almost nothing. His treatment of Sculpture is especially and mind-bogglingly poor, as he flails around the various sections tweaking but never elucidating the mutually-entangled parameters and punching his keyboard. The most he can say for most aspects of most instruments is that they're "really powerful" or "really cool," but he gives not a clue about how the sounds might be used together to make something coherent.

Effective teaching this is definitely not. If, hoping for insight into Logics' instruments' complexities, you spend your money on this, I hope you don't end up, as I have, entirely regretting it.