Customer Reviews

Music of the Spheres

5 star:		(37)
4 star:		(6)
3 star:		(4)
2 star:		(1)
1 star:		(2)

 

 

The sad element here is that this majestic piece of musical artistry will go largely ignored in the U.S. Mike Oldfield has created an expansive and inspirational work of great impact here. My first listen was in my car where I was struck by the tone and range of the work. At home, through my surround system (hey, why no 5.1 release???), the music naturally came fully to life and elicited many emotions and feelings. Oddly enough, at times I felt I was hearing the score to an epic film, yet one with quiet and contemplative moments. This is music with purpose, context, and meaning. If Tubular Bells was the prologue, this, then, is the masterwork. I will be buying more than a few copies for my friends.

Mr. Oldfield should "hook-up" with P.B.S. to present this work to a wider audience which may not be aware of its availability (although I could not find it in any store in the hinterland of Pittsburgh) and accessibility (for mature and focused listening pleasure). If P.B.S. can elevate "Celtic Woman" and other third rate warblers to big-seller-status, surely the same promotional effort can be put forth to genius.

Thanks, Mike, for an essential piece of music for the 21st century!!

It's not fair for me to say that I'm no fan of Mike Oldfield's music since, before now, I had never heard anything by him - not even Tubular Bells. I had seen his name tossed around, especially in conjunction with Tubular Bells, but I never felt intrigued enough to seek out anything by him. I more or less disregarded him as a New Ager with zero musical sensibilities.

How wrong I was!

I came about this piece of music by sheer chance, it seems. In fact, I probably wouldn't have purchased the album if Amazon hadn't included it among its recommendations for things I "might also like." I checked out a couple of reviews both here and on iTunes, and it seemed that everybody who had listened to it couldn't say hardly a negative thing about it. Wondering "what gives," I decided to drop a little cash and see precisely what everyone was chattering about.

It turns out, what everyone is chattering about happens to be one of the most spectacular, luscious musical landscapes I've heard in quite a long time - and given that I'm almost constantly purchasing new music ranging from composed music (such as this) to hip-hop/rap, I feel this is quite a compliment.

This music defies physics: time altogether seems to pass by slowly, but not dull. No, far from it: every second is enjoyable! From the warm, celestial textures of the opening "Harbinger" to the soothing, blissful vocal of Hayley Westenra featured on "On My Heart," as I listen to this music I truly feel as if I'm swimming through atmospheres, dancing among the stars, and watching a divine interplay among the heavens. I'm not exaggerating. These metaphors are completely valid! The music vaguely reminds me of some of Aaron Copland's classic works ("Appalachian Spring"), and the way the vocals are utilized reminds me of Howard Shore ("Lord of the Rings") which may or may not prove to be an unfair comparison. There are hints of Oldfield's foray in to New Age as I'm reminded of Adiemus during certain sections, but I definitely don't think this is a bad thing. In all actuality, Oldfield's approach to classically composed music is refreshing given the rather stagnant nature such music has been in: either contemporary composers are selling us watered-down music in the traditional vein, or we're being exposed to unnecessary avant-garde hybrids. It's nice to hear a piece of music by a gentleman who hasn't got his head stuck in the clouds of Julliard.

Even if I never hear another work by Mike Oldfield as long as I live, this one will reign supreme among my other treasured works by the likes of Pärt, Copland, Glass, and even Sibelius.

Mike Oldfield returns with a fantastic work. You can tell the influence of his maturity. The album is like a supreme manifestation of his immortal work Tubular Bells, this time fully orchestrated. Simply it blows you mind.

Mike Oldfield was originally going to call his first album "Opus 1", rather than "Tubular Bells". "Music of the Spheres" is Oldfield's true Opus 1. He has created a wonderful classical piece.

When I heard that Oldfield had gone classical, I was concerned that he created something totally experimental and far afield from his previous works that I enjoy so much. I was pleased he chose to start with the next evolution of "Tubular Bells" and then take off from there.

It all works for me. I'm so glad Mike Oldfield's creativity is alive and well.

This album immediately separates itself from the rest of the MO discography because it is truly in the classical genre. Being so, the amazing thing I experienced was that I could still tell that it carried the distinctive Mike Oldfield musical "stamp." This showed me that Mike has truly succeeded in creating his own identifiable sound, regardless of genre.

I found the work to be highly enjoyable, profoundly moving and emotionally stirring. Mike has always had the ability to make music sing; to take us on a musical journey that crescendos, then receeds, bending and pulsing as it fills the heart, never the mind - THIS IS MUSIC TO FEEL DEEP DOWN IN YOUR SOUL.

I was not bothered by the initial musical reference to the Tubular Bells theme. To those who it bothers - get over it! It was worked in perfectly and expanded so as to feel new again and fresh. I feel that this work fits in easily and justifiably with his other "masterworks" - namely Tubular Bells, Ommadawn, Incantations, Tubular Bells II & Songs of Distant Earth. Music of the Spheres now joins this select group for me. All of these works have the touch of genius and mastery and elevate Mr. Oldfield to a lofty position in field of modern music.

From here - where? Who knows. Have we ever been able to predict Mike's next musical step? No - he is his own man and has earned the right to be so. All we can do is be grateful for whatever else he graces us with during his time on this earth.

This album is incredible. The one thing I love about Amazon is the music that's recommended that one would most likely never come across. Harbinger is one of my favorites! Mike Oldfield is a talented artist. Looking forward to hearing more of his music.

Music of the Spheres is the most stunning piece of music I have heard in a very long time. The more I listen to it, the more I love it. The world has a new classical genius. From the opening note to the closing, this is music which will stir you and leave you in awe.

Like others before me, this album reminds me of a movie score. It is sweeping, grand, intimate, majestic, and overall just plain good. The 'overture' Harbinger hits on all of these qualities, while Animus is at once plaintive and contemplative and then tremendously grandiose. It reminds me of the writing of Basil Poledouris. Silhouette brings out the closest thing to a lead guitar, while still retaining the classical tone, and could be the love song of the album. Shabda follows up with a choral section that sounds straight out of Karl Jenkins' Adiemus. The Tempest blends much of what we've heard together so far. On My Heart sounds like it belongs in the middle of an Enya album. Aurora is an uptempo that reminds me of something that would sound good in a desert epic film. Prophecy has a sinister majesty all its own. Harmonia Mundi sounds like it escaped from James Horner's Braveheart score. The Other Side is an exotic, brooding desert piece that could be right at home in Maurice Jarre's Lawrence of Arabia. Empyrean blasts the trumpet fanfare one more time, and Musica Universalis hearkens back to the end of part one from Tubular Bells to close the album out.

So why the one star deduction? Because it all follows the Tubular Bells formula, and it has the ghosts from that album appearing constantly throughout, making it almost a Tubular Bells 4. One has to wonder if Mike can't get his first album out of his head. Certainly he has done spectacular work that didn't follow that formula, and it makes me wish he had resisted this time. After all, we have Tubular Bells 1, 2, 3, 2003, and Orchestral. That seems enough.

Mike Oldfield has had a great music career, but his latest work "Music of the Spheres" is a departure from the more electronic syhthenthised sounds of the past to a more classical style piece with Mr. Oldfield's mixing of voice, guitar and piano intertwined. The music is actually one powerfull work from end to end completely circular. If you haven't heard this music you are missing the most romantic and powerfull works, that has been recently created.

One of the best cd's i now own. This is an Orchestral venture that is a timeless piece of music that takes you on a journey of so many emotions. I feel it is the best creation Mike has composed. I write this so that Mike Oldfield receives more of the credit he so rightfully deserves. This cd has brought us much enjoyment and