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Music Theory for Guitarists: Everything You Ever Wanted to Know But Were Afraid to Ask (Guitar Method) Paperback – May 1, 2005


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Music Theory for Guitarists: Everything You Ever Wanted to Know But Were Afraid to Ask (Guitar Method) + Guitar Aerobics: A 52-Week, One-lick-per-day Workout Program for Developing, Improving and Maintaining Guitar Technique + Guitarist's Guide To Scales Over Chords-The Foundation Of Melodic Guitar Soloing(Bk/Cd)
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Product Details

  • Series: Guitar Method
  • Paperback: 104 pages
  • Publisher: Hal Leonard; Softcover with CD edition (February 25, 2008)
  • Language: English
  • ISBN-10: 063406651X
  • ISBN-13: 978-0634066511
  • Product Dimensions: 9 x 0.3 x 12 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (165 customer reviews)
  • Amazon Best Sellers Rank: #4,188 in Books (See Top 100 in Books)

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Customer Reviews

4.4 out of 5 stars

Most Helpful Customer Reviews

169 of 172 people found the following review helpful By Aaron Meier on September 22, 2007
Format: Paperback Verified Purchase
I have been a musician all of my life, since the age of 4, and a guitarist for a decade, since the age of sixteen. I was in high school orchestra and took guitar lessons for a few years, but at no time during any of this did any of my instructors really help me understand music theory. I tried learning a few times by myself, but that always ended in frustration.

Then I found this book. "Music Theory for Guitarists" is the most in-depth, intuitive, and well thought out book on the subject that I have ever come across. After reading this book and completing the exercises in it, I now feel confident in my grasp of music theory in a way I thought would never happen.

This book deftly guides the reader through the journey from the most basic of basics to much more complex topics, such as chord substitution and reharmonization. It also includes an entire chapter on learning to find the key center of songs, which is an incredibly useful skill to have since you can't always tell by ear what key you are in.

Perhaps the most in depth part of this book...the author analyzes the major and minor scales, and all of their modes, in depth. He gives each scale and mode its own section, discussing the nuances of what sets each apart from the others, and giving ideas for how and when to apply it in real world situations. He also goes into detail about building and identifying chords and harmonizing the major and minor scales (a section that has completely reinvented the way I look at writing music.)

I cannot say enough about this book. It has opened my eyes to a subject I thought I was too "stupid" to grasp, and showed me that I was only unable to learn because it had never been presented to me correctly.
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245 of 255 people found the following review helpful By William L. Whitman on August 27, 2005
Format: Paperback
After 35 years of self taught guitar and knowing a fair amount about music theory, I found this book to be the clearest, most concise and comprehensive overview of theory I've ever read. This is "must have" for any guitarist who wants to move beyond groping the neck and develop an organized approach to your music.
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47 of 50 people found the following review helpful By musicurious on October 22, 2008
Format: Paperback
I think the irony with many standard guitar methods, at least the better ones, is that they usually expect you to have a basic knowledge of music theory to allow the exercises to really sink in from the very beginning. Conversely, I think the irony with starting a music theory course or method is that it normally expects you to have already begun contextualizing the material on the instrument of your choice before you can even begin to make practical sense of the material and apply it. It seems very much like a Catch-22.

What Tom Kolb manages to do in the opening chapters of this book is quickly and thoroughly provide the vital concepts you need to really get going with both: a diagram of the fretboard with all of the notes on it (without the high register), a nice explanation of the different types of notation, the terms you need to begin to develop your musical language abilities, scales and key signatures, intervals, and triads (the most basic chord forms). He uses a bottom-up approach; however detailed or complex the material gets, he usually manages to apply it to the larger context. And I use the word "usually" because it's very apparent that music theory becomes an infinitely large topic the more you cover. The latter chapters contain some very heady concepts that require playing experience to contextualize.

This book is loaded with material, and can be challenging depending on how much you invest yourself in it. If you use a healthy balance of memorization and application all the way through, there is no doubt that you will benefit.
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44 of 48 people found the following review helpful By Snowman on August 3, 2005
Format: Paperback
If you are like me and have been searching for a music theory tool that is tailored for the guitarist, look no further. This is it. This book breaks down music theory in a simple, easy to understand fashion. It has taught me, so it must work!
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33 of 36 people found the following review helpful By Donald A. Gibson on January 26, 2007
Format: Paperback Verified Purchase
This is truly a remarkable book. It covers a wide range of areas important to any musicial regardless of their instrument. I brought it obviously to improve my skill on the guitar, but I've learned so much more with regard to the theory behind music.

As a musician and student with Music as my Major in college, one of the most important chapters in the book for me was chapter# 4 (Intervals). I struggled with intervals constantly. But now I am becomming much better at identifying them. I had not seem this thing called "interval shapes" which is in chapter 4, and was not aware that being able to identify shapes would allow me to achieve the interval I was looking for. There is so much more to this book that I will tell you if you're a serious musician or even if you're not, this is the book for you; hands down!
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84 of 99 people found the following review helpful By Aaric on January 7, 2010
Format: Paperback Verified Purchase
The problem with this book is that while it does a good job of defining things, it doesn't provide the necessary context to explain why they matter. For example, there's a thorough treatment of different keys. But what exactly does it mean to say that a given song is in the Key of C versus the Key of A? The book doesn't provide the basic information about how different musical elements fit together. There's a Wheel of 5ths to show the order of flats and sharps. Great. How do I use that to inform my actual playing?

As someone with zero knowledge of music theory, there's still more that I need to know prior to being able to take advantage of this book. The title led me to believe that it included "Everything," i.e. those foundational pieces, but it really doesn't. Unless you already understand music theory, get a different book. This one may do a good job of taking your theory knowledge and applying it to guitar, but it comes up in short in teaching those basics in context.
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