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Music for the Third Ear [Hardcover]

Susan Schwartz Senstad (Author)
5.0 out of 5 stars  See all reviews (10 customer reviews)


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Book Description

February 10, 2001
Seeking asylum from distant conflict in Eastern Europe, Zheljka and Mesud are given refuge in Norway at the home of Hans Olav and Mette. Their arrival has profound consequences. Apparently settled into a childless middle age, Mette revisits her own unresolved family history in her frantic desire to establish a connection with Zheljka. All the while, Mesud and Zheljka try to reinvent their love for each other in the aftermath of a brutal war.

Both families struggle to acknowledge the unspoken pain in their lives as Zheljka's child, unwanted but not unloved, becomes the focus of a drama in which each of them will share.

Editorial Reviews

From Publishers Weekly

The harsh reality of the Yugoslav wars is brought home to a Norwegian couple in this searing first novel. Middle-aged Mette and Hans Olav Kaldstad live in bourgeois comfort. Mette, the daughter of Jewish survivors of Bergen-Belsen, carries within her a certain vulnerable estrangement from Norway's Lutheran norms: her dearest wish, to conceive a child, has never come true. The couple's quiet existence is interrupted when they take a refugee Bosnian couple into their home: Zheljka Nadarevic is a Croatian Catholic, who, during the war, was gang-raped by Serbian soldiers; her husband, Mesud, endured torture in a prison camp. Zheljka's grief didn't end with the rapesAshe gave birth to a son whom she named, out of shame and bitterness, Zero. Managing to flee Bosnia, she and Zero went to Italy, where Mesud later tracked her down, asking her to choose between him and the boy, whom she then gave up for adoption. The couple is uncomfortable in the Kaldstads' house, and they soon leaveAbut Mette, unsatisfied with the whole episode, goes to visit Zheljka, with whom she feels an affinity, and learns about her ordealAand about Zero. Mette's unfulfilled maternal impulses focus on the boy; upon intercepting a letter from his adoptive father, she plans to bring him to Norway. The novel, which deftly merges the personal with the political, unfolds through brief episodes, often told in flashback, from the characters' varying perspectives. Without becoming didactic, Senstad examines the poisonous consequences of wartime atrocitiesAthe Holocaust, the Yugoslav conflictAupon the lives of individuals thrown together in their aftermath. Senstad's intimate take on large-scale tragedy is indicated by a touching jacket photograph of a solemn child. (Feb.)
Copyright 2000 Reed Business Information, Inc.

From Library Journal

Hans Olav and his wife, Mette, a childless couple living in Oslo, Norway, extend hospitality to Zheljka and Mesud, a married couple seeking asylum from the Balkan War. The unhappy Mette hopes that her generosity will give meaning to what she feels has been a barren life. Instead, she is reminded of her own Jewish family history and her parents' escape from the Holocaust. Having the two families live together does not work out, and Zheljka and Mesud leave. During the war, Zheljka had been a victim of gang rapes, which are gut-wrenchingly described by Senstad. Mette discovers Zheljka's shameful secretDshe had given away the child she bore as a result of these brutal crimes. Mette intercepts a letter from the adoptive parents that says they can no longer care for the child. What ensues can best be described as a compassionate thriller. Like Chang-rae Lee's A Gesture Life (LJ 7/99), this debut novel uses rape as a symbol of moral chaos, portraying the effects on the people surrounding the victims. Highly recommended for all libraries.DMolly Abramowitz, Silver Spring, MD
Copyright 2001 Reed Business Information, Inc.

Product Details

  • Hardcover: 256 pages
  • Publisher: Picador; First Edition edition (February 10, 2001)
  • Language: English
  • ISBN-10: 0312266219
  • ISBN-13: 978-0312266219
  • Product Dimensions: 8.1 x 5.6 x 0.9 inches
  • Shipping Weight: 13.3 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #4,737,117 in Books (See Top 100 in Books)

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6 of 6 people found the following review helpful:
5.0 out of 5 stars Powerful, a must read!, April 10, 2001
This review is from: Music for the Third Ear (Hardcover)
Music for the Third Ear in eerie synchronous plotting seeks to and successfully connects two twentieth century holocausts, the Nazi atrocities and the Yugoslavian. Although fictional, it achieves an immediacy and a depth of understanding, particularly about the victimization of people from the Bosnian War. By putting names, faces, and personal histories in front of us, we can't avoid becoming emotionally involved.

I will just briefly outline the plot here. The details are important, but what lies underneath in meaning is more so. A Yugoslav couple, one a Bosnian Muslim and the other a Croatian Catholic reunite five years after the end of the Bosnia War in Rome. The woman has a son as a result of gang rape during the war, whom her husband forces her to give up to a childless Italian couple. The Yugoslavians immigrate to Norway, where they stay temporarily with a childless couple, the woman being the daughter of Jewish holocaust survivors. The child, in the meantime, has severe psychological problems and eventually becomes a pawn between the Italians, the Yugoslavs, and the Norwegian couple. Each family is already psychologically scarred, some as a result of war, some for other reasons.

The story is told in flashbooks. As we are taken through their lives what becomes painfully evident is that we can only watch, but are powerless to stop another tragedy in the making, even after war is long over. What makes it bearable at all, is the loving insight of the author, a psychotherapist, who tells the story in way that enhances our understanding and never intrudes.

The title is not entirely clear to me, but I gather that it relates to a method of psychotherapy described by the psychoanalyst, Theodore Reik, in which listening, not just with the ears, but with all of one's senses and one's soul, is revelatory and crucial to understanding and healing.

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4 of 4 people found the following review helpful:
5.0 out of 5 stars Legacy of the War in Bosnia, March 26, 2001
By 
Bonnie Miller (Sarajevo, Bosnia-Herzegovina) - See all my reviews
This review is from: Music for the Third Ear (Hardcover)
Susan Schwartz Senstad's riveting novel transcends a half century of history in which the outside world said, "Never again," then looked the other way while tens of thousands of civilians were tortured, killed, and displaced in another European genocide. The author weaves a disturbing tale of a couple who endured unimaginable and unspeakable horrors during the 1992-95 Bosnian ethnic cleansing and their relationship with another refugee victim of an earlier Holocaust, World War II. Susan Schwartz Senstad displays the deft hand of an accomplished novelist and the soul of an empathic family therapist in portraying the characters and the compelling plot. Mette, a well-meaning Norwegian child of Jewish parents, attempts to heal her half century of pain through her well-intentioned efforts to assuage the suffering of more recent survivors, Zheljka and Mesud from Bosnia. Embroiled in the clash of cultures and trauma is an innocent five year old boy, doomed to be the tragic character, whose emotional needs for maternal nurturing can never be fulfilled due to the violent history of his conception. We wish Senstad would wrap up the story in a neat little package with a happy ending of adjustment, forgiveness, and emotional healing. But like the physical and psychic wreckage which still haunts war victims, this expertly written novel has a more unpredictable and realistic ending. The novel is a poignant reminder that the scars of ethnic conflict remain for years after the hostilities end and the treaties are signed. For Americans who watched the Bosnian war from afar and only caught TV glimpses of Sarajevans burning their books and furniture for fuel or news photos of starved and tortured concentration camp victims, Susan Schwartz Senstad vividly brings the aftermath of this brutal conflict into our living rooms, our consciences, and our hearts.

[Bonnie Miller is a psychotherapist, educator, and social worker who has lived in Sarajevo and done humanitarian work all over Bosnia since 1999, collaborating closely with her husband, Tom Miller, U.S. Ambassador to Bosnia & Herzegovina. Among her professional contributions to the healing efforts in BiH are extensive, local language trainings, TV& radio programs as well as guidebooks for educators and parents.] Bonnie Miller, millert@bih.net.ba

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3 of 3 people found the following review helpful:
5.0 out of 5 stars Music for theThird Ear and for the Right Time and Place!, February 25, 2002
By A Customer
This review is from: Music for the Third Ear (Hardcover)
Susan Schwartz Senstad could not have written a more timely and powerful work of fiction. The book is about the aftereffects of the rape genocide/ethnic cleansing policies carried about by Slobodon Milosevij on a couple coming back from their ordeal who meet up with a child of Auschwitz survivors, looking to take them in and "fix" what happened to them. .... In this powerful intersection of the Shoah that could not happen again, with the one that has happened and is now being debated--like its predecessor--Schwartz Senstad understands the human need to rid ourselves of survivor guilt, the resilience of the survivors of the Balkans and of other atrocities, and the great silence that, for the victims, is often the only possible response to what has happened to them. In this short and powerful tale, the main character,Zhelijka, a Croation Catholic woman, endures deliberate cruel and constant mass rapes, until she becomes pregnant by an anonymous father. Zhelijka's soon-born son becomes the pivotal character in the story. She calls him "Zero" and despite her strong ties to her child, is finally forced to endure yet another horror--she allows her Muslim husband Mesud to put the child up for adoption. Ultimately, the rejected child re-enters the lives of the four adult characters, Zhelijka and Mesud and Mette (the first-generation holocaust survivor) and her Norwegian husban Hans Olav.A perfect book club book, which manages to transcend its sad moments with emotion writ large and beautifully, a la Alice Walker or Joyce Carol Oates. Destined for the Oprah show! Thanks to Picador, USA for publishing a paperback version that exceeds the beauty of "The Red Tent."
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Inside This Book (learn more)
First Sentence:
The mock old-fashioned door opened and there they were. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Hans Olav, Mette Kaldstad, Mount Igman
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