Musical Stages [Paperback]

Richard Rodgers (Author)

Book Description

Publication Date: March 21, 1995

Richard Rodgers (1902–1979) was sixteen when he formed his famous partnership with Lorenz Hart. The ensuing years of toil and disappointment nearly convinced the young composer to abandon the theater for the security of a salesman's job in the clothing industry, but the overnight success of The Garrick Gaieties in 1925 determined his career. Ultimately, Rodgers wrote the scores for over forty Broadway musicals and collaborated with two of the world's greatest lyricists, the brilliantly talented but tormented Hart, and the sturdier but equally inspired Oscar Hammerstein II. These partnerships contributed a tremendous legacy to the musical theater, including Babes in Arms, On Your Toes, Pal Joey, Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music.Musical Stages is more than the inside story behind Rodgers's prodigious successes; it is an honest, astute meditation on the influences and people who encouraged him. Filled with revealing glimpses of celebrities and packed with Broadway and Hollywood anecdotes, it also contains fascinating passages on the art of lyric writing and composing, and insights into the troubles and triumphs of collaboration. Through his songs Richard Rodgers has given pleasure to millions of people; Musical Stages is one more gift in that tradition.

Editorial Reviews

About the Author

Richard Rodgers (1902-1979) wrote the scores of more than forty Broadway musicals and collaborated with both Lorenz Hart and Oscar Hammerstein II. --This text refers to an alternate Paperback edition.

Product Details

• Paperback: 380 pages
• Publisher: Da Capo Press (March 21, 1995)
• Language: English
• ISBN-10: 0306806347
• ISBN-13: 978-0306806346
• Product Dimensions: 8.9 x 5.9 x 0.9 inches
• Shipping Weight: 1.3 pounds
• Average Customer Review: 4.8 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #4,160,389 in Books (See Top 100 in Books)

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9 of 9 people found the following review helpful:

5.0 out of 5 stars A MUSIC MAKER THAT SOUNDS VERY WELL ALSO IN PRINT, April 2, 1999

By A Customer

This review is from: Musical Stages (Paperback)

I was glad to see that this book is still available, so that other people can also enjoy it. I read "Musical Stages" in the early 80's, and my admiration for Mr. Rodgers increased considerably on learning about his personal and professional life in his own words. I was particularly delighted with stories like the one about "Blue Moon", which seemed destined to oblivion, but instead became one of his greatest hits ever. Or the ones about the way he worked with his partners Lorenz Hart and Oscar Hammerstein II, and how he dealt with Broadway and Hollywood people, producers, musicians, fellow composers... Above all, what strikes the reader most is the genuine love Mr. Rodgers always had for the stage. The anxieties, curiosities and goings-on involved in the production and staging of his Broadway works made me quite envious of those who were able to see the premieres of shows such as "On Your Toes", "Pal Joey", "Oklahoma", and so on, which Mr. Rodgers relates in such a vivid way. I was lucky enough, though, to see Yul Brynner in the 1978 revival of "The King and I" at the Uris Theater in New York. It was a magic moment I will treasure forever. Every person of good taste in this world owes a lot to this determined and sensitive man that managed to create a lot of the best music of this century, regardless of national, ideological or whatever boundaries you may think of. And, on top of that, Mr. Rodgers tells us his wonderful life story in a style that echoes the irresistible charm of his immortal melodies. For better enjoyment of this book, I recommend that you read it with your CD player on with, for instance, the soundtracks of Mr. Rodgers' shows and movies, or compilations and/or albums dedicated to his music by the likes of Billie Holiday, Ella Fitzgerald, Anita O'Day, Bing Crosby, Maurice Chevalier, Frank Sinatra and Tony Bennett. Like me, you will thank God for the existence of someone like Mr. Rodgers, and for the legacy he's given us.

5 of 5 people found the following review helpful:

5.0 out of 5 stars You absolutely must read this book, September 1, 2000

By A Customer

Amazon Verified Purchase

This review is from: Musical Stages (Paperback)

This book is an absolutely essential book for anyone who wants to understand musical comedy. I advise first reading a biography of Oscar Hammerstein and then jumping to this autobiography. I highly, highly recommend the book "Getting to Know Him : A Biography of Oscar Hammerstein II" by Hugh Fordin. The Rodgers auto-biogrophy is of the highest quality. Of course, it is a reflection of the author's upbringing and sense of decorum. Thus, Rodgers never mentions that Larry Hart was a homosexual despite their 20 year collaboration. Rodgers could easily have written an auto-biography that was four times as long, as his life was very full. The best part is the story of his childhood and the incredible persistance and focus he had to have to become a success. I advise, immediately after finishing this book, jumping into the suburb biography of Stephen Soundheim, to whit, "Stephen Sondheim : A Life" by Meryle Secrest

5 of 5 people found the following review helpful:

5.0 out of 5 stars Essential reading for musical theatre & film buffs!, October 18, 1999

By A Customer

This review is from: Musical Stages (Paperback)

Thoroughly readable and entertaining, this is one of the most interesting autobiographies in the musical theatre field. Yes, Rodgers can be less than frank about some subjects -- Larry Hart's private life and the questionable way Josh Logan was compensated for co-writing the libretto of SOUTH PACIFIC both get minimal coverage, but that was to be expected. (Could a man of Rodgers' time ever have written openly about Hart's homosexuality?) Otherwise, this is a one-of-a-kind look into the life and mindset of a genuine giant in 20th Century theatre. Rodgers was not afraid to make a few frank observations about people he had worked with, and his insights are still worth reading. If musicals are your thing, don't miss this one!