Conveying a sense of the diverse musical spirits prevalent at IRCAM, this collection of complementary papers combines reflections by composers on their own work with expert critiques. In a fresh exposition of IRCAM's developing new concept of orchestration and underlying compositional ideas-emerging hand in hand with the latest technology - Musical Thought at IRCAM offers a penetrating insight into the current profile of this eminent centre for musical creation.
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ONE OF THE most important features of IRCAM as an institute is that it provides a common meeting ground not only for scientists and musicians (a fact which has been much discussed) but one for composers and their colleagues (which has been discussed less) as well. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Fusione Fugace, Contemporary Music Review, Harwood Academic, United Kingdom, Pierre Boulez, Electric Etudes, Spectres Parisiens, David Wessel, John Chowning, Pierre Schaeffer, Rig Veda New!
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Front Cover | First Pages | Back Cover | Surprise Me!
ONE OF THE most important features of IRCAM as an institute is that it provides a common meeting ground not only for scientists and musicians (a fact which has been much discussed) but one for composers and their colleagues (which has been discussed less) as well. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Fusione Fugace, Contemporary Music Review, Harwood Academic, United Kingdom, Pierre Boulez, Electric Etudes, Spectres Parisiens, David Wessel, John Chowning, Pierre Schaeffer, Rig Veda New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | First Pages | Back Cover | Surprise Me!
Citations (learn more)
This book cites 5
books:
6
books
cite this book:
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- The Technology of Computer Music by Max V. Mathews on page 129
- Spoken Language Generation and Understanding (NATO Science Series C: (closed)) by J.C. Simon on page 129
- Peter Maxwell Davies by Paul Griffiths on page 87
- In Search of Musical Method by F. J. Smith in Back Matter
- Pierre Boulez by Dominiqu Jameux on page 10
- What's the Matter with Today's Experimental Music?: Organized Sound Too Rarely Heard (Contemporary Music Studies) by Leigh Landy in Back Cover
- Music, Myth and Nature, or The Dolphins of Arion (Contemporary Music Studies) by Francois-Bernard Mache in Back Cover
- Pierre Boulez: A World of Harmony (Contemporary Music Studies) by Lev Koblyakov in Back Cover
- Music and the Cognitive Sciences (Contemporary Music Review) by Stephen McAdams on page 132
- Tone Clock (Contemporary Music Studies) by Peter Schat in Back Cover
See all 6 books citing this book
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