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The most helpful favorable review
The most helpful critical review
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Classic melodic pop rock
This is one of the great early albums from Pittsburgh's king cool of melodic pop rock. Great tunes, memorable choruses, nice harmonies and Donnie's powerful screaming vocals are real, old fashioned rock and roll. This is a great record at a bargain price. You can't go wrong buying this CD along with "Live at Nick's Fat City," which has more of the super hits of the...
Published on June 8, 2005 by Robert E. Chomos
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3.0 out of 5 stars
not as great as i expected
I really like this artist, and was all excited about an album between his Ah! Leah! and Fortune albums, but it seemed to be the most purposely commercial and quickly put out album I'd ever heard from him, and since. I think its a contractual obligation album, and not even close to King Cool or High and the Mighty, or even Fortune. Not bad, but a background album, instead...
Published 5 months ago by pickyguy
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Classic melodic pop rock, June 8, 2005
This review is from: No Muss No Fuss (Audio CD)
This is one of the great early albums from Pittsburgh's king cool of melodic pop rock. Great tunes, memorable choruses, nice harmonies and Donnie's powerful screaming vocals are real, old fashioned rock and roll. This is a great record at a bargain price. You can't go wrong buying this CD along with "Live at Nick's Fat City," which has more of the super hits of the under-appreciated Donnie Iris. "Follow That Car" is an amazing composition guaranteed to lift your spirit and get your toes tapping. I love the great harmonies on "I Want You Back," which is my favorite song on this album. "Injured in the Game of Love" and "10th Street" are classics that you will remember fondly forever. Enjoy!
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3.0 out of 5 stars
not as great as i expected, September 13, 2011
I really like this artist, and was all excited about an album between his Ah! Leah! and Fortune albums, but it seemed to be the most purposely commercial and quickly put out album I'd ever heard from him, and since. I think its a contractual obligation album, and not even close to King Cool or High and the Mighty, or even Fortune. Not bad, but a background album, instead of a shut up, I'm playing music type.
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