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Mute (Body Language)
 
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Mute (Body Language) [Paperback]

Raymond Luczak (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

Body Language April 1, 2010
Silence is always a powerful statement, but even more so in the hands of Raymond Luczak, who demonstrates in his third collection what it s like to navigate between the warring languages of confusion and clarity. As a deaf gay man in the hearing world, he lends an unforgettable voice to his reality of ache and loss beyond the inadequate translation of sound.

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Mute (Body Language) + Men With Their Hands + Eyes of Desire 2: A Deaf GLBT Reader
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Editorial Reviews

About the Author

Raymond Luczak is the author or editor of more than ten books, including Assembly Required: Notes from a Deaf Gay Life (RID Press) and Eyes of Desire 2: A Deaf GLBT Reader (Handtype Press). His novel Men with Their Hands won first place in the Project: QueerLit 2006 Contest. A playwright and filmmaker, he lives in Minneapolis, Minnesota.

Product Details

  • Paperback: 64 pages
  • Publisher: A Midsummer Night's Press; 1 edition (April 1, 2010)
  • Language: English
  • ISBN-10: 0979420865
  • ISBN-13: 978-0979420863
  • Product Dimensions: 5.7 x 3.9 x 0.2 inches
  • Shipping Weight: 1.6 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #337,296 in Books (See Top 100 in Books)

More About the Author

Raymond Luczak (pronounced as written but with a silent "c") is the author and editor of ten books, including ASSEMBLY REQUIRED: NOTES FROM A DEAF GAY LIFE (RID Press) and MEN WITH THEIR HANDS: A NOVEL (Rebel Satori Press). His work as a poet have appeared in ST. MICHAEL'S FALL (Deaf Life Press) and THIS WAY TO THE ACORNS (Tactile Mind Press). Four of his full-length stage plays have been collected in WHISPERS OF A SAVAGE SORT AND OTHER PLAYS ABOUT THE DEAF AMERICAN EXPERIENCE (Gallaudet University Press). He edited the anthologies EYES OF DESIRE: A DEAF GAY & LESBIAN READER (Alyson) and EYES OF DESIRE 2: A DEAF GLBT READER (Handtype Press). A Midsummer Night's Press will publish his third collection of poems, MUTE, in the spring of 2010.

Luczak was raised in Ironwood, a small mining town in Michigan's Upper Peninsula. Number seven in a family of nine children, he lost much of his hearing due to double pneumonia at the age of seven months. After high school graduation, Luczak went on to Gallaudet University, in Washington, DC, where he earned a B.A. in English. He learned American Sign Language (ASL) and became involved with the Deaf community.

In 1988, he moved to New York City. In short order, his play SNOOTY (available in his collection WHISPERS OF A SAVAGE SORT) won first place in the New York Deaf Theater's 1990 Samuel Edwards Deaf Playwrights Competition, and his essay "Notes of a Deaf Gay Writer" won acceptance as a cover story for CHRISTOPHER STREET magazine. (The essay was expanded into his memoir ASSEMBLY REQUIRED.) His novel MEN WITH THEIR HANDS won a first-prize award from the Arch and Bruce Brown Foundation for Full-Length Fiction 2003 in the spring of 2004. The book has gone on to win first place in the Project: QueerLit 2006 Contest; Rebel Satori Press will publish it in December 2009. A playwright and filmmaker, Luczak now lives in Minneapolis, where he has just completed his next novel.

His web site is www.raymondluczak.com. He maintains a blog at http://deafwoofbarks.blogspot.com/ .

 

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6 of 6 people found the following review helpful:
5.0 out of 5 stars This Book Made Me Hear My Heartbeat Differently, July 3, 2010
This review is from: Mute (Body Language) (Paperback)
First, let's talk appearances. The cover of Raymond Luczak's mute is perfectly intimate - with a hint of isolation. Two lovers press their ears together with their eyes closed while along the top of the cover, a lone tree weathers winter in a field. Quite easily one of the most breathtaking covers of any recent book of poetry. It's a pocket-sized book, which is a good thing, because I carried it around with me for weeks after its arrival. You might say I had a schoolboy crush on the book... but in the months since I've read it (several times now, in fact), that crush has blossomed into a full-on love affair, and I can say that Mute ranks as one of my all-time favorite contemporary books of poetry.

It doesn't matter if you've known someone who is deaf or who is gay. This book is about that great canyon that can exist between us, and about how we attempt to bridge that canyon. But the specific experiences here are what set the poems apart. "How to Fall for a Deaf Man," a wise choice for the opening poem, is a powerful introduction to the challenges of the butterflies-in-the-stomach that comes when one man falls for another, one who is hearing, and one who is deaf. These lines ripped my heart out and brought tears to my eyes: "Do not worry whether you should/continue buying CDs or downloading music/or listen to the radio in the morning./Your ears and voice are a gift/as much as his eyes and hands are." The tone is big-brotherly, Godly, fatherly. The tone is a patient lover placing a gentle hand on his new partner, feeling his heartbeat, and saying, "Just love me. The rest will fall into place."

Who doesn't want a love like that? Who can't relate to that?

"1989" is another favorite. Let me rephrase. "1989" is maybe my favorite lost-love-that-maybe-never-was poem ever. "I hadn't mastered the language of ache," Luczak writes, which makes me recall the years of my own unraveling into love's dangerous hands. Luczak recalls memorizing the timbre in this lover's voice. Tell me that notion isn't like seeing the face of God?

I've mentioned two poems. I could write about all 29, but I want you to discover them for yourself. Buy this book if you love poetry. Buy this book if you love a man, or if you love a person who is deaf, or are scared of loving a person who is deaf, or if you are scared of loving anyone at all. It will make your heart sing... you'll hear it internally and memorize its timbre.

And you'll never be the same.

Bryan Borland
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