
Amazon.com's Significant Seven
James Frey graciously agreed to answer the questions we like to ask every author: the Amazon.com Significant Seven.
Q: What book has had the most significant impact on your life?
A: Tao te Ching by Lao Tsu. Completely changed how I think, behave, live my life. Nothing else comes close.
Q: You are stranded on a desert island with only one book, one CD, and one DVD--what are they?
A: The book would be the Tao te Ching, the CD would be some compilation of love songs from the 70s and 80s, and the DVD would be highlights from the history of the Cleveland Browns.
Q: What is the worst lie you've ever told?
A: No way I can answer that.
Q: Describe the perfect writing environment.
A: I've been working at the same desk since I started writing. It's old and beaten-up and black. The rest of my workroom is empty, except for some crazy sh-- on the wall in front of me: pictures of people I admire, reproductions of artwork I dig, sayings that motivate me, things like--bare your soul, be bold, page a day motherfu--er page a day. I listen to music while I work, have a pile of nicotine gum and a couple cans of diet coke. My dogs are usually a couple feet away from me. I've always worked this way, probably always will.
Q: If you could write your own epitaph, what would it say?
A: "Loved, lost, laughed, left."
Q: Who is the one person living or dead that you would like to have dinner with?
A: Winston Churchill
Q: If you could have one superpower, what would it be?
A: Immortality.
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Starred Review. Frey achieves another stylistic coup as he develops a narrative thread begun in 2003's
A Million Little Pieces. He chronicles his journey out of the terrifying darkness of addiction, and the friend he meets along the way, Leonard. A gangster, raconteur and mentor, Leonard was introduced in
Pieces as one of Frey's new rehab friends. Here, he pushes Frey out into the world, pampering him one moment, giving him tough love the next. As in
Pieces, Frey's style throughout is loose, untraditional yet perfectly crafted: "[Leonard] offered me his hand and said good, I'm fucked up too, and I like fucked-up people, let's sit and eat and see if we can be friends. I took his hand and I shook it and we sat down and we ate together and we became friends." There's something mesmerizing about the endless tumble of words, the nonstop spilling out of Frey's troubles and triumphs. In the hands of a less capable writer, all of this cool, tight narration might numb the reader and distance the experience. Instead, this book packs a full-body emotional wallop. Frey's eye is keen for detail: the inside of a county lockup; the flat, gray Chicago winter; an out-of-control Super Bowl party in Los Angeles; the grind of living day to day—all come alive in his sparse, powerful prose. At its core, this is an examination of a friendship. Frey's extraordinary relationship with Leonard is alive, a flesh-and-blood bond forged in the agony of rehab and sustained through honesty and trust.
Agent, Kassie Evashevski at Brillstein/Grey Entertainment. (June)
--This text refers to an out of print or unavailable edition of this title.