From School Library Journal
Grade 5-8. Forrester picks up the story of Maddie Henry that she began in Sound the Jubilee (Lodestar, 1995). Forced to abandon the home they had made in Roanoke when the white owners returned after the Civil War ended, the Henry family is seeking land that they can farm. Their path crosses that of another small band of former slaves who tell them of a nearby town where an enlightened plantation owner is willing to sell land to Negroes. A home of their own secured, the family finds that there are still plenty of white people who are only too ready to make life difficult, if not impossible, for them. Maddie herself has much to contend with as she tries to care for a wild orphan girl, considers a marriage proposal, and attempts to earn the money that will enable her to head north to Oberlin College. Forrester writes with a sure touch, working the historical threads neatly into her story and making Maddie come alive for readers. It is not necessary to have read the previous novel to enjoy this one, but readers are apt to like the heroine so much they will want to read the earlier book as well. Other characters are not as fully developed, but they are believable as people. Smoothly written and evocative of its time, this book will find a ready audience among history lovers.?Elaine Fort Weischedel, Turner Free Library, Randolph, MA
Copyright 1997 Reed Business Information, Inc.
From Kirkus Reviews
A sequel to Sound the Jubilee (1995, not reviewed) that does not stand on its own, but which will be welcomed by readers of the first book. With the Civil War over, Maddie Henry and her family are free and hope to work their own land. But the small town of Willoughby, North Carolina, where they settle, is not exactly welcoming, and some of the young black men seem as determined to stir up trouble as the belligerent whites are. All Maddie wants is to continue her education, but she is tied down by Tibby, a mixed-race child whom she finds running wild in the woods, and to whom she becomes a sort of mother. Forrester assumes a knowledge of the characters and their relationships, and jumps right into the story without much explanation; still, readers of the earlier book will appreciate the author's willingness to allow for moral complexity: While some of the characters are either all good or all bad, neither blacks nor whites as a group are, and in the rebuilding of the South, there is blame and praise enough to go around. (Fiction. 10-14) --
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