From Publishers Weekly
By turns clever, hilariously ironical and sweetly earnest, English novelist Boyt's paean to the legendary singer and actress elevates hero worship to the role of self-improvement. As a sensitive, conscientious, overweight youngster growing up in London, Boyt—painter Lucian Freud's daughter, although her parents split up before she was born in 1969—learned early on through listening to Judy's thrilling, moving singing that the person with the strongest feelings in life is to be the best. Boyt (
Last Hope of Girls) moves through Judy's rich, complex career and increasingly unraveling personal saga while sounding important themes that resonated in Boyt's own life: being early stagestruck (Boyt reckons she attended almost 2,000 dance classes as a youth); feeling unwanted; needing to rescue others in crisis and to console; and dealing with the drama of drug addicts. Boyt has managed to interview many of the survivors in Judy's story, such as Liza Minnelli, Joe Luft and Mickey Rooney; she pilgrimaged to Judy's birthplace in Grand Rapids, Minn., and her burial site in Westchester, N.Y., and sifts obsessively through questionnaires she gave to fans to understand better Judy's personal connection with people. While lavish, Boyt's hagiography proves poetic and endearing.
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By definition, the memoir is a self-indulgent genre, as the author spins memories as remembered, perhaps not accurately, and definitely one-sided. Boyt’s exhaustive and exhausting memoir of her lifelong obsession with Judy Garland is marked with passages of beautiful writing and occasional spotlights of self-awareness. However, readers will be drawn to this train wreck of a painful, exasperating, yet utterly compelling life story of a woman wholly enamored of one of Hollywood’s greatest celebrities. Since her first viewing of The Wizard of Oz, Boyt has never let go of her single-minded obsession with Judy Garland, who died before Boyt was born. Boyt compulsively chases down every snippet of gossip, mundane details, and loose connections regarding Garland and relentlessly tweaks them to fit into her own life. Readers will ponder if the author is to be admired for never giving up her passion or scorned for refusing to see the truth. For readers who have ever wondered what a fantasy world would look like in print, look no further than this author’s backyard. --Stover Kaite Mediatore