Amazon Best Books of the Month, March 2011
: In this laugh-out-loud funny memoir, Ben Ryder Howe, a burned out editor at the Paris Review
, spends his days concealing his apathy from his eccentric boss (George Plimpton!), avoiding the short story slush pile, and anticipating the day he will move out of his in-laws’ Staten Island basement. When Ben’s wife insists they buy a deli for her mother, he is skeptical but somehow energized by the risk involved, envisioning himself behind the counter at a profitable little deli providing bohemian customers with gourmet groceries. Instead, he ricochets from the magazine by day to the struggling deli by night, where his regular customers drink beer in the aisles, his mother-in-law, the “Mike Tyson of Korean grandmothers,” squares off with Mr. Tortilla Chip, and his pistol-packing employee, Dwayne, conducts X-rated phone calls with his girlfriends while ringing up customers. Howe’s daily interactions with a unique cross-section of humanity and his self-deprecating humor infuse My Korean Deli
with insight, hopefulness, and addictive entertainment.--Seira Wilson
From Publishers Weekly
Former senior editor of the Paris Review, Howe recounts his stint as owner and beleaguered worker of a Brooklyn deli in this touching memoir. Howe and his wife, Gab, the daughter of Korean immigrants, decide to buy a deli for her parents as a gesture of goodwill for the sacrifices they have made. His mother-in-law, Kay, whom he describes as the Mike Tyson of Korean grandmothers, is gung-ho from the start, and when a store is finally purchased in the Boerum Hill section of Brooklyn, she immediately takes charge. The work (including manipulating the devilish lottery machine) is more trying than Howe anticipated, not to mention dealing with the eccentric neighborhood characters who complain bitterly about any changes, from coffee prices to shelf rearrangements. Mostly working the night shift, Howe also maintains his position at the magazine. Both establishments are sinking ships: the deli hemorrhages money as bills pile up and revenue falters; the Review grows more disorganized, and subscribership plummets. Howe ably transforms what could have been a string of amusing vignettes about deli ownership into a humorous but heartfelt look into the complexities of family dynamics and the search for identity. (Mar.)
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