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1 of 1 people found the following review helpful:
4.0 out of 5 stars Great photos from a master
Charlie Waite's black and white photographs are every bit as good as his colour work. I particularly appreciate his infrared work shown in this book. Although I am a digital photographer now and this book features only film based pictures, it is very educational just to look and absorb Charlie Waite's images. Well worth the price. Highly recommended (by me!)
Published on July 25, 2007 by J. P. Ryan

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8 of 30 people found the following review helpful:
1.0 out of 5 stars Design Is Not A Subject
In the nicest possible way, it is difficult to argue with successful published photographers who lead classes to exotic destinations, but let me try. Into every camera, besides film or flash card, is loaded the aesthetics of the medium. Each release of the shutter a photographer tests their knowledge of it and against what they see "In Their Minds Eye." The first part of...
Published on March 17, 2004 by Craig Carlson


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1 of 1 people found the following review helpful:
4.0 out of 5 stars Great photos from a master, July 25, 2007
By 
J. P. Ryan (Brisbane, Qld Australia) - See all my reviews
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Charlie Waite's black and white photographs are every bit as good as his colour work. I particularly appreciate his infrared work shown in this book. Although I am a digital photographer now and this book features only film based pictures, it is very educational just to look and absorb Charlie Waite's images. Well worth the price. Highly recommended (by me!)
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8 of 30 people found the following review helpful:
1.0 out of 5 stars Design Is Not A Subject, March 17, 2004
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Craig Carlson (Chula Vista, CA USA) - See all my reviews
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This review is from: In My Mind's Eye: Seeing in Black and White (Hardcover)
In the nicest possible way, it is difficult to argue with successful published photographers who lead classes to exotic destinations, but let me try. Into every camera, besides film or flash card, is loaded the aesthetics of the medium. Each release of the shutter a photographer tests their knowledge of it and against what they see "In Their Minds Eye." The first part of seeing with "The Mind's Eye" is choosing a subject to photograph and then coaxing design to help organize the image. Mr. Waite's travel snapshots of the world fall below this threshold. The SUBJECT takes a back seat to DESIGN. A few of the images, like the terra cotta face with water pipe at the mouth, page 101, is not worth film, paper or ink. Many of Mr. Waite's images are bad forgeries of SUBJECTS other photographers' have done with greater care and ability. Mr. Waite's travels took him to America and his subject was the jaws of an earth mover and rock. If he could have spent a few of his travel days moving through the "Grand Circle" in the Southwestern Landscape of America, he would not of included so many cliché photographs of Tuscany. When I buy a book, what I am thinking about is to revisit it, and feel the same way about the photographer's efforts as when I purchased it. For Mr. Waite's book "In My Mind's Eye, Seeing In Black & White", this purchase was returned for the lack of the latter. Craig Carlson, Chula Vista, California, carlson1@mail.sdsu.edu.
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In My Mind's Eye: Seeing in Black and White
In My Mind's Eye: Seeing in Black and White by Charlie Waite (Hardcover - Oct. 2003)
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