33 of 34 people found the following review helpful:
5.0 out of 5 stars
excellent figure studies, November 18, 2007
This review is from: My Nude (Photography) (Hardcover)
i own a fair number books that are collections of figure studies and use them for drawing projects since its difficult in a small town to find a model. this is one of the best due to the quality of the images and the variety of poses and models.
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8 of 8 people found the following review helpful:
4.0 out of 5 stars
Beautiful Girls. More Artistic Than Erotic., February 10, 2008
This review is from: My Nude (Photography) (Hardcover)
Overall I'd say the photos are very "tasteful" and more artistic than erotic. They are made up of unique atypical angles, poses, and compositions. Being that the photos are all from different artists there is a huge variation in style, which is nice - hardly any pictures look alike.
Some nit-picks I have are:
*The models' names aren't given on the photo page, However, you can get them from the back of the book.
* A couple photos are spread across 2 pages that split the model on the seam in a bad way visually. This is a pet peave of mine - don't split the main focal point on a seam!
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12 of 14 people found the following review helpful:
4.0 out of 5 stars
Female figure, in wonderful ways, January 24, 2008
This review is from: My Nude (Photography) (Hardcover)
This collection represents the best of a magazine's photo contest: present the best photographic nude. "Best" means as many different things as there are photographers, models, and cameras - that constraint hardly narrows things down.
I found a few trends here, all of which I liked. One trend I'll call the "scuptural." As on the cover photo, it uses all the flexibility of a superb athlete to align the vectors of a body's parts in ways that bring something new to the viewer. Muller (p.16), Schulz (p.44), and Doring (p.77) all capture camera angle and human figure in ways that cast beauty at the viewer long before they offer structural logic. Others, including Garbe (p.101) and Koltgen (p.27), create utterly literal abstractions from the play of curve and light. My favorites, though are just fun. Seeing a lady simply happy in herself (pp.15, 23, 64) or offering her physical presence as a statement of boldness (pp. 51, 32) carries a spirit that I find lovely.
As happens so often, the figures are all except one or two slim, twenty-ish, and Anglo in feature and figure. Don't get me wrong, they're beautiful (or at least pretty). I just want to know where all the other ladies went - and, whatever color, age, and shape, who the woman is inside the figure. That's just me wishing the book was different than it is, though. What it is offers visions from dozens of artists in appealing, un-challenging ways to see the female figure. The little bit of tie-me-up fetish stuff is ignorable, the rest is glorious.
-- wiredweird
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