From Publishers Weekly
Nothing is what it seems in this tight, funny and refreshing 1990s take on A Christmas Carol. The Scrooge here is architect Jimmy Gambar, favored by both a successful career and the love of a beautiful woman. But after Jimmy's egomania sparks a lovers' quarrel on New Year's Eve, and a potential one-night stand drops dead in his apartment, he encounters his very own ghost of days gone by: his big brother Gus "The Ghost" Gambuzza, a reputed gangster. In an odyssey that takes him from Soho through Brooklyn, Jimmy confronts the past he's been avoiding for most of his adult life. Carillo neatly balances the quirky and sometimes hilarious events of the long night with artfully arranged flashbacks. Through conversations, memories and Jimmy's subtly portrayed point of view, the members of the Gambuzza family grow and become more complex, as does Jimmy himself. What started out as a wild ride to get rid of a corpse ends up as a touching and believable story of family love and survival, a testament to Carillo's storytelling abilities.
Copyright 1996 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
When Jimmy Gambar, Brooklyn punk turned yuppie architect, breaks up with his girlfriend on New Year's Eve, abandoning a choice table at Windows on the World, he winds up in a downtown bar with a switchblade-packing whore who, in turn, winds up dead on the floor of Jimmy's Soho loft--an accident, yes, but dead all the same. Jimmy has no choice but to call his brother, Gus "The Ghost" Gambuzzo. So begins a long night's journey into day for the Gambuzzo brothers, who relive their misspent youths and sort through a closetful of unresolved emotions, all the while trying to figure out what to do with the stiff in the trunk. Reminiscent of the movie
After Hours, this nightmarish picaresque novel mixes elements of slapstick, the surreal, and the absurd, all delivered in rambunctious, wildly profane Brooklynese. If the result leans a bit heavily on blue-collar sentimentality, Carillo generates more than enough wacky energy to keep most readers from caring.
Bill Ott
--This text refers to an out of print or unavailable edition of this title.