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My Son, My Son, What Have Ye Done?


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Product Details

  • Actors: Michael Shannon, Willem Dafoe
  • Directors: Werner Herzog
  • Format: Multiple Formats, Anamorphic, Color, NTSC, Widescreen
  • Language: English
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: First Look Studios
  • DVD Release Date: September 14, 2010
  • Run Time: 93 minutes
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (28 customer reviews)
  • ASIN: B003JOOTW4
  • Amazon Best Sellers Rank: #201,885 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "My Son, My Son, What Have Ye Done?" on IMDb

Special Features

None.

Editorial Reviews

Amazon.com

The film takes place in Southern California, the story comes from an actual case, and the cast includes Willem Dafoe and Grace Zabriskie. It sounds like a David Lynch picture, except it isn't. Instead Lynch produced, while Werner Herzog directed. If Bad Lieutenant was Herzog's swamp noir, My Son, My Son is his desert noir. In another Lynchian touch, two cops (Dafoe and Michael Peña) provide entry into the San Diego-set story. Called to the scene of a murder, they meet actor Brad McCullum (Michael Shannon), who utters "Razzle dazzle" as they enter the flamingo-pink ranch house to find Mrs. McCullum (Zabriskie), dead by sword. Before Brad's fiancée, Ingrid (Chloë Sevigny), arrives, Herzog flashes back to Brad's days in Peru, where he found his "inner voice." The flashbacks continue to his participation in the famously matricidal Oresteia (Udo Kier plays the director). Combined with Ernst Reijseger's off-kilter score and Peter Zeitlinger's sun-bleached cinematography, it all exerts a certain queasy fascination, but Herzog's "whydunit" never really takes flight. Unlike Nicolas Cage's loopy lieutenant, Shannon invests Brad with a more recessive quality, which gives his madman greater credibility--at the expense of empathy. And yet… there's a scene with Shannon, Brad Dourif, and a tiny man in a tuxedo that offers the sort of what-the-heck magic that makes even the lesser films of Herzog and Lynch more interesting than most. Fortunately, there are enough of those moments to make the movie worthwhile, though not quite the messed-up masterpiece it might've been. --Kathleen C. Fennessy

Product Description

The first collaboration between legendary filmmakers David Lynch and Werner Herzog, My Son, My Son, What Have Ye Done is loosely based on the mysterious true crime story of a young stage actor who, obsessed with a Greek tragedy he's rehearsing, slays his own mother with a sword. Academy Award-Nominees Michael Shannon, Chloë Sevigny, and Willem Dafoe headline this psychological thriller written and directed by Herzog, produced by Lynch, and featuring Grace Zabriskie, Udo Kier, and Brad Dourif.

Customer Reviews

Even that much makes this film worthwhile though.
R. Schultz
Once you know the guy is insane (not hard to figure out) it doesn`t need to be illustrated over and over until you finally get to the end of the film.
Jay Holder
And it is, fascinatingly, as good as and different than an actual Lynch film.
Chris

Most Helpful Customer Reviews

14 of 17 people found the following review helpful By A Customer on September 20, 2010
Format: DVD Verified Purchase
In 2009, Werner Herzog delivered a stunning one-two punch with "Port of Call New Orleans" and this movie. I would rank "My Son, My Son" right up there with "Aguirre" in the Herzog canon. If you're looking for standard conventional Hollywood product, avoid this one. If you're looking for something that will keep you fascinated, confused, and thrilled by its originality, see it ASAP. As a portrait of insanity, "My Son, My Son" throws Hollywood's standard treatment of the subject in the wastebasket: You're never given an "explanation" for the main character Brad's descent into insanity, and he doesn't come off as a merely normal guy with some problems (let's face it, Russell Crowe in "A Beautiful Mind" is the most RATIONAL paranoid schizophrenic in the history of mankind!). I see and hear mentally ill individuals at the bus stop nearly every day, and their words make just as little sense as Brad's. This is a powerful, compelling, and sadly overlooked masterwork.
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2 of 2 people found the following review helpful By A fellow with a keyboard on June 29, 2012
Format: DVD
To appreciate this movie, you need to understand the point of its weirdness. I think David Foster Wallace said it best when describing another David Lynch film, Blue Velvet:

"Blue Velvet captured something crucial about the way the U.S. present acted upon our nerve endings, something crucial that couldn't be analyzed or reduced to a system of codes or aesthetic principles or workshop techniques. The movie helped me realize that first-rate experimentalism is a way not to 'transcend' or 'rebel against' the truth but actually to *honor* it. It brought home that the very most important artistic communications take place at a level that not only isn't intellectual but isn't even fully conscious, that the unconscious's true medium isn't verbal but imagistic, and that whether the images are Realistic or Postmodern or Expressionistic or Surreal or what-the-hell-ever is less important than whether they feel true, whether they ring psychic cherries in the communicatee."

The important question is whether it succeeds at ringing psychic cherries. I can't speak for you, but for me the scene (beginning around the 20th minute) where Ingrid is trying to "straighten" the bed, and Brad comes and sits on it and wants to play music for her, and the mom barges in with brownies, "I'm just so happy for you both. ... Brad, can't you see that Ingrid is trying to straighten the bed?", the momentary look back before she leaves, "can't she ever knock?", and then she barges in again a few moments later, this time with wine, and then the prolonged, eerily-adoring stare--hoo boy that was one of the creepiest and realest and most magical scenes I've seen.

You cannot watch this as a normal movie, expecting clear answers, logic, or even linearity.
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1 of 1 people found the following review helpful By Robert Beveridge HALL OF FAMEVINE VOICE on March 18, 2013
Format: DVD
My Son, My Son, What Have Ye Done? (Werner Herzog, 2009)

I have spent years singing Werner Herzog's praises every time I see one of his movies. I think the last of his movies I have less than an enthusiastic review to was The Mystery of Kaspar Hauser, and I saw that, what, ten years ago? (Actually, I looked it up--eight years ago, in August of 2005.) Man, I even defended, and strongly, Bad Lieutenant: Port of Call New Orleans. But every streak must come to an end, and the architect of this one's demise is the 2009 film My Son, My Son, What Have Ye Done?. (For the record: over the past ten years, I have seen nine Herzog films. This is the first to which I have given a below-average review.)

Supposedly based on a true story, the film tells us the tale of Brad Macallam (Michael Shannon, who like most of the cast stayed on with Herzog after BL:PoCNO wrapped to make this one), a man who seems to have gone insane during a recent trip to South America, and who just killed his mother (Twin Peaks' Grace Zabriskie) with a sword, taking the whole Stanislavsky thing a little too far (he's playing Orestes in a community-theater play). The bulk of the film is told in flashback, as detectives Havenhurst (Antichrist's Willem Dafoe) and Vargas (End of Watch's Michael Pena) try to piece together the events leading up to the murder by interviewing neighbors and tracking Brad, who left the scene before anyone realized he was the perp.
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11 of 16 people found the following review helpful By Dagmar on September 20, 2010
Format: DVD
One of the years best titles.
Werner Herzog puts Michael Shannon and Willem Dafoe under your skin, like an itch hard to scratch.

The extra material is great as well, with interviews with Werner and behind the scenes footage.
There is also a nice little short film narrated by Mr. herzog himself.

This film will keep you thinking for days
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Format: DVD Verified Purchase
OK not to happy with this movie, took to olongto get to the plot.. (WAS THER ONE) Who knows I fell asleep 3 times watching it!
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Format: DVD
The problem with Werner Herzog since he moved to the US is that he has tried to adapt to standard story telling film making after a long absence from anything like it (Berg's play Wozzeck, Nosferatu, etc in the 70's), and ended borrowing the worst tendencies in American cinema, including schematic scripts and cliches. Unlike in his docs, one has to strain to find a thematic or stylistic thread running through the film. Take the scene of the oatmeal tube running down the garage ramp during the siege of Brad's suburban home: the camera chases it as if it were a grenade, but there has been so little buildup in suspense, that the whole take feels out of place.

Also the flashback structure - Herzog has nothing new to add to what has become another cliche. The cinematography is unexceptional, limited mostly to still shots. Given Brad's arrogance and increasing lunacy, the love of his girlfriend Ingrid (played decently by ChloŽ Sevigny, given the flaws in the script) feels forced and artificial. There seems to be little tenderness of any kind between them, and I don't think the actors are to blame. His mother, played by Grace Zabriskie, an actress that has often worked with David Lynch, demonstrates the mastery of awkwardness she has displayed in some of his movies, such as Inland Empire, but overall her portrayal of Brad's mother is pretty realistic, specially in the scene with Brad and Ingried in his bedroom, where she stands at the threshold for what feels like hours. What in Inland Empire would be exaggeratedly sinister, here was plainly sad. Given her looks, you would think she's custom made for Lynch, a niche-character actress but here she has proven to be pretty versatile.
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