This is the story of one user's experience at a virtual-reality community called LambdaMOO. A MOO--short for multiuser dungeon, object oriented--is a virtual place where participants can construct human-like graphical representations of themselves to interact in a simulated world. Author Julian Dibbell begins by relating the facts surrounding the case of Mr. Bungle, a character who committed the crime of "virtual rape" in this fantastic electronic world, shocking LambdaMOO's members. However, the thread of discussion about this case is minimal and the book ultimately becomes Dibbell's diary of his "research" of this virtual world, which grows gradually more obsessive, and how it affects his RL (real life).
Dibbell offers glimpses of his RL between rich, colorful, and entertaining chapters describing the online community's gossip, his interactions and relationships with the other members, and his first experience with cybersex. What is interesting is that the brief snatches of RL are bland and boring, written in a kind of script format with little more than stage directions for descriptions. This device, plus Dibbell's discussions of his dreams about the MOO, show the reader how deeply involved Dibbell becomes in this community. The turning point comes when Dibbell's membership at LambdaMOO threatens to ruin one of his closest RL relationships. --Cristina Vaamonde
From Publishers Weekly
It is a world that inhabitants dub "tiny," but its role in their lives is large. In the online community of LambdaMoo, Netizens occupy virtual living rooms and hot tubs, form close friendships and make mortal enemies, trade witticisms and discuss their lives for as many as 70 hours per week. Dibbell's account of this group is similarly large and ambitious. He eschews cliche and, in rich and active prose, frames a world that raises new questions by blurring the line not only between cyberspace and real space but between speech and action, intimacy and distance. What, for example, is the proper punishment for a virtual rapist, who wields only words as his weapon and sits hundreds of miles from his victim? Yet, for all its sociology, Dibbell's book never wanders too far from the personal. In its most compelling passages, the author contemplates fumbling toward virtual ecstasy and its impact on his real-space relationship. In a tone oscillating between invested and detached, Dibbell has written a sprawling, dazzling book, accessible to the least initiated and full of insights for the most wizened. If a complaint can be leveled, it's that he limits our view of the actual goings-on in Lambda, sacrificing the chaotic charm the book might have had without this filtering. Still, Dibbell's insight, intelligence and emotional depth make his interpretation one to behold and savor. Agent, Mark Kelley.
See all Editorial Reviews
Copyright 1998 Reed Business Information, Inc.