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My Word!: Plagiarism and College Culture [Hardcover]

Susan D. Blum
3.8 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

January 29, 2009

"Classroom Cheats Turn to Computers." "Student Essays on Internet Offer Challenge to Teachers." "Faking the Grade." Headlines such as these have been blaring the alarming news of an epidemic of plagiarism and cheating in American colleges: more than 75 percent of students admit to having cheated; 68 percent admit to cutting and pasting material from the Internet without citation. Professors are reminded almost daily that many of today's college students operate under an entirely new set of assumptions about originality and ethics. Practices that even a decade ago would have been regarded almost universally as academically dishonest are now commonplace.

Is this development an indication of dramatic shifts in education and the larger culture? In a book that dismisses hand-wringing in favor of a rich account of how students actually think and act, Susan D. Blum discovers two cultures that exist, often uneasily, side by side in the classroom. Relying extensively on interviews conducted by students with students, My Word! presents the voices of today's young adults as they muse about their daily activities, their challenges, and the meanings of their college lives. Outcomes-based secondary education, the steeply rising cost of college tuition, and an economic climate in which higher education is valued for its effect on future earnings above all else.

These factors each have a role to play in explaining why students might pursue good grades by any means necessary. These incentives have arisen in the same era as easily accessible ways to cheat electronically and with almost intolerable pressures that result in many students being diagnosed as clinically depressed during their transition from childhood to adulthood. However, Blum suggests, the real problem of academic dishonesty arises primarily from a lack of communication between two distinct cultures within the university setting. On one hand, professors and administrators regard plagiarism as a serious academic crime, an ethical transgression, even a sin against an ethos of individualism and originality. Students, on the other hand, revel in sharing, in multiplicity, in accomplishment at any cost.

Although this book is unlikely to reassure readers who hope that increasing rates of plagiarism can be reversed with strongly worded warnings on the first day of class, My Word! opens a dialogue between professors and their students that may lead to true mutual comprehension and serve as the basis for an alignment between student practices and their professors' expectations.


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Editorial Reviews

Review

"Like Margaret Mead among the Samoans, Blum views her subjects—digital natives—as an exotic species. She notes their constant use of email, text messaging and the Internet. She declares them to be 'the wordiest and most writerly generation in a long while' and anoints their conversational tendency to quote TV shows and films an admirable form of 'intertextuality.' They are 'storming the barricades' of a new digital future, she claims, using the Internet to engage in collaborative work and to expand their knowledge base. She finds the hapless faculty members charged with teaching such students 'embattled and bewildered.' In other words: Get Twittering, grandma. Blum also embraces various postmodern theories of plagiarism. Internet-savvy, intertextual ingénues don't steal words; they engage in 'patchwriting' and 'pastiche,' constructing essays the way they create eclectic music playlists for their iPods. This practice, she argues, can be viewed as a form of homage or reverence as much as theft. In fact, as Ms. Blum’s research demonstrates, students today view writing — however we might define such a thing in a 'pastiche' culture — as a purely instrumental activity: a means to an end."—Wall Street Journal



"Susan D. Blum is genuinely interested in understanding her students and brings great care and compassion to her discussion of plagiarism. She generously draws on student interview segments throughout My Word! to illuminate today's campus climate. I especially like that Blum locates acts of cheating within the wider sociocultural context rather than regarding them simply as failures of personal morality."—Cathy Small, Northern Arizona University, author of My Freshman Year



"The prevalence of plagiarism among American college students affects all members of the university community in negative ways. The very phrase 'university community' implies a set of shared values; the existence of a culture of plagiarism among undergraduates undercuts that comfortable belief. And equally bad, finding ways to prevent plagiarism unproductively consumes instructors' and administrators' time and energy. To solve these problems, it is essential to understand what student plagiarism is: why they do it, why all our remedies fail, and why we need to care about it. This is the task undertaken by Susan D. Blum in My Word! Everyone who is a member of a university community will find insights here: Students will come to better understand why faculty and administrators are asking these impossible things of them; faculty and administrators will learn why their demands—simple enough to them—don't work for many students. Engagingly and clearly written and persuasively argued, My Word! is a book that raises and answers some of the most vexing questions addressed by members of modern academic communities."—Robin Lakoff, University of California, Berkeley

From the Back Cover

"Susan D. Blum is genuinely interested in understanding her students and brings great care and compassion to her discussion of plagiarism. She generously draws on student interview segments throughout My Word! to illuminate today's campus climate. I especially like that Blum locates acts of cheating within the wider sociocultural context rather than regarding them simply as failures of personal morality."-Cathy Small, Northern Arizona University, author of My Freshman Year

"The prevalence of plagiarism among American college students affects all members of the university community in negative ways. The very phrase 'university community' implies a set of shared values; the existence of a culture of plagiarism among undergraduates undercuts that comfortable belief. And equally bad, finding ways to prevent plagiarism unproductively consumes instructors' and administrators' time and energy. To solve these problems, it is essential to understand what student plagiarism is: why they do it, why all our remedies fail, and why we need to care about it. This is the task undertaken by Susan D. Blum in My Word! Everyone who is a member of a university community will find insights here: Students will come to better understand why faculty and administrators are asking these impossible things of them; faculty and administrators will learn why their demands--simple enough to them--don't work for many students. Engagingly and clearly written and persuasively argued, My Word! is a book that raises and answers some of the most vexing questions addressed by members of modern academic communities."--Robin Lakoff, University of California, Berkeley


Product Details

  • Hardcover: 240 pages
  • Publisher: Cornell University Press; 1 edition (January 29, 2009)
  • Language: English
  • ISBN-10: 0801447631
  • ISBN-13: 978-0801447631
  • Product Dimensions: 6 x 0.8 x 9 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,049,424 in Books (See Top 100 in Books)

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Customer Reviews

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Most Helpful Customer Reviews
9 of 9 people found the following review helpful
4.0 out of 5 stars the culture of plagiarism January 10, 2010
By Almelle
Format:Hardcover
In this book, anthropologist Susan Blum explores the diverse meanings of plagiarism and intellectual property, and the context within which students decide to take shortcuts on assignments.

In her first section, she overviews the history of plagiarism, the development of intellectual property rights, and the way that proper citation varies by context. Next, she quotes interviews with students about the culture of college, how they cite others in speech and online ("intertextuality"), and where they draw the ethical lines on cheating. Third, she outlines the increasing over-involvement of students in extra-curriculars for the sake of their future 'careers,' which she suggests lead many students to burn-out and short-cuts.

Blum's contextualization of plagiarism and sympathetic exploration of self-reported student culture are valuable, and I recommend TAs and professors peruse this book in order to understand the context in which students make a decision to cheat or sloppily cite.

However, as reviewer Eilonwy commented, Blum seems at points to simply legitimate cheating as a cultural form. A greater discussion of how academics and administrators can challenge and shape student ethics in this area would be valuable, as would more observation of student paper-writing in order to supplement her second-hand transcripts of student-student interviews.
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17 of 23 people found the following review helpful
2.0 out of 5 stars No Excuses--for Plagiarism or this Apologist's Approach October 19, 2009
By Eilonwy
Format:Hardcover
Blum begins with a superficial overview of the history of "owning" ideas, but quickly moves to explanations of why today's college students don't see anything wrong with taking materials not their own. These ideas would be a lot more compelling if Blum weren't so one-sided in her selection of evidence. For example, although she produces lots of quotations from students who admit to falsifying college application materials in order to win a spot at the prestigious institution they feel they deserve to join, she also labels them as a generation committed to sharing, due to their prefence for "performative" selves rather than "authentic" selves. She misses the irony that these students don't feel impelled to "share" what they think they deserve--high grades, college entrance, prestigious careers, high salaries. They only feel other people should "share" with them. Blum has somehow mistaken a sense of entitlement for a sense of communalism. Extending the study beyond the walls of a single privileged university might have been useful too (though Blum is very upfront about this limitation to the study).

Later chapters explore the pressures students face as they apply to high profile colleges. The evidence this section includes is accurate but well presented elsewhere. What it has to do with plagiarism is never well explained. The likelihood, however, that readers will stick with her through all the pablum to her useful concluding pages seems slim.

The final short chapter outlines the obvious argument that convincing people to comply with a rule, also entails explaining the rule--in this case the rule against plagiarism. Blum seems to think she is saying something relevatory. She isn't. Composition and Rhetoric and English professionals have been making this claim for years.

Despite the annoyingly apologist argument she "performs," if the book convinces anyone from disciplines outside of English to pay attention to plagiarism and how to educate students to value the practice of crediting sources, it is probably a worthwhile endeavor.
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3 of 5 people found the following review helpful
5.0 out of 5 stars Plagiarism and it's Relationship to Current Culture August 18, 2010
Format:Hardcover|Amazon Verified Purchase
What is really good about Susan Blum's book is that she goes way beyond the technicalities of plagiarism. She outlines important issues of today's students and their culture. As a result, this book is important reading for many of today's students, teachers and parents.

First, Blum outlines plagiarism along with the variations of plagiarism that range from failure to use proper footnotes to simply buying a paper to turn in as one's own. She also discusses the history and practices of various authors. For example, would one expect to see piles of footnotes on a Bobby Dylan album?

And then, Blum brings up the role and importance of "patchwork writing" where the writer creates a sort of unique essay by stringing together other writer's ideas while failing to make proper citations (not unlike this review). But the student who does this still becomes a better writer. For example, partial imitation is regularly used by children trying to become more adult like.

Blum gives many examples of how today's students are less interested in "forging a unique identity" but very interested in sharing and getting along with their peers. Group studying is more popular than ever. And the idea of turning in a fellow student for plagiarism is pretty much taboo. This cultural shift explains why students are less interested in the finer points of "originality" and plagiarism.

Blum also reveals how the current huge demand for students to engage in extra curricular activities has forced students to become expert time managers along with focusing on getting the job done, no matter what.

And then Blum outlines the high stakes for today's students; getting a job after graduation to pay off the big loans taken out to pay tuition that is higher than ever...
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