From Publishers Weekly
Harman, the skillful biographer of Fanny Burney and editor of Stevenson's poems, stories and essays, writes, "some things become less knowable about a subject the more data accrues around them." Stevenson's short life (1850–1894), plagued by ill health, took him from Edinburgh to California and finally to the South Seas, creating a romanticized reputation along the way. Celebrated as the accomplished essayist of Virginibus Puerisque and the bestselling author of Treasure Island and A Child's Garden of Verses, Stevenson frustrated his literary friends W.E. Henley and Sidney Colvin with a creative output that never produced their expected masterpiece. He also estranged them with his uxorious marriage to a strong-willed older American divorcée, Fanny Osbourne, whom Harman portrays sympathetically enough (especially the possibility of a failed pregnancy early in their relationship). Harman doesn't delve too deeply into the psychology of Dr. Jekyll and Mr. Hyde's author. In interpreting Stevenson the writer, she emphasizes his restless, multigenre dilettantism, which resulted in many false starts and incomplete plays, stories and novels. Stevenson's popularity as an author may always outstrip the biographical record, but this readable narrative of his kaleidoscopically colorful life helps narrow the gap. (Nov.)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* There are many Stevenson biographies, recently including Philip Callow's Louis (2001), Frank McLynn's Robert Louis Stevenson (1994), and Ian Bell's Dreams of Exile (1993). Do we need another? In the view of the biographer of Sylvia Townsend Warner (1995) and Fanny Burney (2001), yes, for exiled Scot and quintessential storyteller Stevenson has been underappreciated. He was, she says, an influential thinker often wildly ahead of his time. So she offers a deeply nuanced portrait of an amazingly complex figure. As she notes, Stevenson was an iconoclast and one of the least "Victorian" of Victorian authors. His interest in psychology anticipated the psychology craze of the twentieth century. Moreover, the form of writing he preferred--the short story and the novella--gained in popularity only after he died. Much of what Harman writes about will be familiar to anyone knowledgeable about Stevenson's life and work, but she offers her own interpretations. She is especially interested in Stevenson's preoccupation with the "double," the collaboration of his conscious and unconscious selves. Meticulously researched and well written, Harman's book presents Stevenson as both artist and man: brilliant and quirky, frail and indestructible, likable and exasperating, forever the outcast. One suspects that RLS, a thoroughly modern figure caught in the time warp of the wrong century, would have flourished in our own day. Myself & the Other Fellow is a worthy addition to the Stevenson canon. June Sawyers
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Copyright © American Library Association. All rights reserved







