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64 of 64 people found the following review helpful:
5.0 out of 5 stars
Beautiful, May 18, 2002
I came upon Chanticleer through my interest in Renaissance polyphony. I bought their recording of Palestrina's Missa Pro Defunctis and was extremely pleased. I thought at first that they were explicitly dedicated to early music (I had only come across the Palestrina and this chant CD); my impression was that they were a kind of all-male version of the Tallis Scholars. I discovered, though, that they explore all types of music (from early to contemporary, even commissioning new works on a fairly regular basis). I was able to see them in concert a few weeks ago, and as always was impressed with their skill.This group really does do almost everything well. They have put to disc a recording of Tallis' If Ye Love Me (one of the English Anthems) that is wonderful and sublime. When I heard them a few weeks ago, they did a few 20th century Cuban folk songs that were just as enjoyable. They are known best (probably) for their smooth sound and great blending. There are never any rough edges to any of the voices - even the countertenors, who are really quite skilled, by the way - and their balance is delicate and precise. That same smoothness is present on this CD as well. At times it is hard to believe that several voices are singing; the pitch and intonation is so good that often the 6 or so could pass for one or two. As usual, they are quite sensitive to the dynamics of the vocal line - their approach is subtle, and not forced. The result is an hour or so of chant that is soothing and relaxing, but also engaging and never monotonous. The only drawback is this: as I understand the current state of "authentic" chant practice, Chanticleer's approach is probably not on the cutting edge of scholarly theory (they do not add some of the melismatic decorations that some groups use, for example). If you are really interested in that authenticity, the smooth voices might turn you off as well; many other groups use coarseness of the voices for texturing. Even if you are a stickler for those things, though, the visceral pleasure of listening to this recording will probably persuade you to put aside some of your ideas about "correct" practice. On the other end of the spectrum (listeners with not much chant experience) this CD works to great effect as well. Again, the disc is an easy one to listen to; it is quiet and reflective without being spiritless. This CD might be a good choice for first exposure to Gregorian chant. Highly recommended for all types of listeners. As per usual for Chanticleer, it is high quality work.
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