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The Mystery of Samba : Popular Music and National Identity in Brazil
 
 
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The Mystery of Samba : Popular Music and National Identity in Brazil [Paperback]

Hermano Vianna (Author)
4.0 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

0807847666 978-0807847664 January 20, 1999
Samba is Brazil's "national rhythm," the foremost symbol of its culture and nationhood. To the outsider, samba and the famous pre-Lenten carnival of which it is the centerpiece seem to showcase the country's African heritage. Within Brazil, however, samba symbolizes the racial and cultural mixture that, since the 1930s, most Brazilians have come to believe defines their unique national identity.

But how did Brazil become "the Kingdom of Samba" only a few decades after abolishing slavery in 1888? Typically, samba is represented as having changed spontaneously, mysteriously, from a "repressed" music of the marginal and impoverished to a national symbol cherished by all Brazilians. Here, however, Hermano Vianna shows that the nationalization of samba actually rested on a long history of relations between different social groups—poor and rich, weak and powerful—often working at cross-purposes to one another.

A fascinating exploration of the "invention of tradition," The Mystery of Samba is an excellent introduction to Brazil's ongoing conversation on race, popular culture, and national identity.


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Editorial Reviews

From Library Journal

The "mystery" of the title is samba's transformation "from infamous outcast to (virtually official) national emblem." Brazilian anthropologist Vianna here casts a dry postmodern eye on issues of cultural invention and the identification of "authentic" folk idioms for political and commercial purposes. His long essay discusses Brazilian nation building, cultural mediators, essentialist attitudes, and individual cultural theorists. Vianna concludes that establishing the "Kingdom of Samba" was a complex process, not controlled by any one segment of Brazilian society. For contrast, readers should look at Alma Guillermoprieto's passionate Samba (LJ 1/90), a poetic report from an outsider allowed to participate in the dance. Both treatments enhance understanding. For large public and academic collections.ABonnie Jo Dopp, Univ. of Maryland Lib., College Park
Copyright 1999 Reed Business Information, Inc.

Review

This very readable book provides an interpretation of an aspect of the Brazilian culture that has remained unexplored until now.

Choice

An important contribution . . . . to today's lively multidisciplinary discussion about race, nation, and popular culture.

Estudios Interdisciplinarios de America Latina y El Caribe

Hermano Vianna's new book is a valiant effort to make sense of both [Brazil's music and culture].

Lingua Franca

A wonderfully knowledgeable and thoughtful investigation of how Brazil and samba helped create each other.

Alma Guillermoprieto, author of Samba

A subtle and convincing analysis of the connection between popular culture and its manipulation by the elite.

Thomas E. Skidmore, Brown University


Product Details

  • Paperback: 168 pages
  • Publisher: The University of North Carolina Press (January 20, 1999)
  • Language: English
  • ISBN-10: 0807847666
  • ISBN-13: 978-0807847664
  • Product Dimensions: 9.3 x 5.5 x 0.4 inches
  • Shipping Weight: 8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #308,013 in Books (See Top 100 in Books)

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6 of 6 people found the following review helpful:
5.0 out of 5 stars provocative & interesting read, November 30, 2004
This review is from: The Mystery of Samba : Popular Music and National Identity in Brazil (Paperback)
This is a straightforward, easy to read, enjoyable and informative book about how samba dance and music moved from a marginalized position to one now considered to be at the "heart" of Brazilian identity. Vianna, a scholar of music, introduces the reader to important samba musicians, intellectuals, and government officials in this story that centers around the rule of Getulio Vargas which began in the 1930s and lasted into the 1950s. Vianna connects samba to ideas of national identity and race, offering insight into why, despite the celebration of samba and Afro-Brazilian roots, Brazilians of African descent continue to face discrimination. This book would make a great read for non-scholars and students alike, who are interested in music, Brazil, and the African diaspora.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars Interesting, but requires some Brazilian "cultural literacy", January 18, 2010
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This review is from: The Mystery of Samba : Popular Music and National Identity in Brazil (Paperback)
Halfway through this book, I'd have agreed with the reviewer who complains that the dancer on the cover is misleading. But by the time I finished it, I could see an angle from which the cover was appropriate. Why do we take it for granted that samba and dancers like the one shown symbolize Brazil? -- this is the "mystery" of the title. Vianna describes how until the 1930s, samba was just a minor regional music from Rio, in a country with zillions of regional musics. "Brazilian music" of the day wasn't even folk music, but followed European trends. (If you don't believe me, check out Brazil's national anthem on Wikipedia -- it sounds like it's from an Italian opera by Rossini.) In Vianna's telling, during the 1930s and '40s samba was transformed into a national symbol as part of a conscious decision to build a "national myth," in an effort spearheaded by intellectuals like Gilberto Freyre. Another of Vianna's major arguments is that Brazilian national identity crystallized around the idea of racial mixture, with racial "purity" being regarded as a kind of defect. He provides some occasional interesting tidbits, too, such as that Carmen Miranda was a Portuguese national who never held a Brazilian passport.

As for the book's being a re-purposed Ph.D. thesis, it's much better-written than most others in that genre that I've read. The academic jargon is mostly in the first and last chapters. That said, though, you could find the book frustrating if you don't have a certain amount of "cultural literacy" about Brazil, beyond knowledge of recent popular music. The names of authors and other historical figures come fast and furious, with little or no explanation. If you don't know a little about, e.g., Noel Rosa, Pixinguinha, Heitor Villa-Lobos, and especially Getúlio Vargas, and at least recognize the names of folks like Machado de Assis and Euclides Da Cunha, you might want first to read a book or two about Brazilian cultural and political history before trying this one. Having heard of Frenchmen Blaise Cendrars or Darius Milhaud might also help. From my experience, even after reading several such books and listening to some older styles of music a lot of the name-dropping may go over your head anyway; but you may be less tempted to throw the book at the wall.

At a substantive level, I wished that Vianna had focused a little less on the influence of sociologist Freyre and rather more on the activities of the Vargas regime in elevating samba. The occasional factual error that I could recognize (such as that "Italian operettas by Bellini and Donizetti" were "playing to full houses in Lisbon" in 1808 (@18-19), i.e. when the composers were aged 7 and 10 respectively) made me worry that there were some others that I couldn't. The translation is generally smooth, though an allusion to a pun in some lyrics of rock group Titãs (@100) assumes you know the original Portuguese the joke is based on (I didn't). In summary, you'll be more satisfied if you think of this as a book about Brazilian social history, rather than as a book about music.
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8 of 11 people found the following review helpful:
3.0 out of 5 stars Are you an academic?, September 17, 2005
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This review is from: The Mystery of Samba : Popular Music and National Identity in Brazil (Paperback)
Then this strenuously researched and exhaustively detailed exegesis is for you. Footnotes in abundance! Dry as the Sahara!

Interested in an accessable overview of the history of the development of Afro/Brasilian music leading to what we now know as "samba"? Then don't be fooled by the ecstatic dancer on the cover, we're talking impenetrable doctoral thesis material here.

On that level, it's a great piece of source material with a lot of history to offer.

Want an informative yet easy read on the subject? Google it and almost any other offering will deliver.

-Carl (aka Carlinhos)...
(...)
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Inside This Book (learn more)
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First Sentence:
In 1926, "Elegant News," a regular social column in Rio de Janeiro's Revista de Semana, first recorded the presence in that city of a young anthropologist from the northeastern state of Pernambuco: Doctor Gilberto Freyre, as the columnist called him, making a special point of his title. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
blocos afros, national rhythm, samba schools, race mixing, national music, race mixture, cultural mixing
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Rio de Janeiro, Gilberto Freyre, Sao Paulo, Oito Batutas, United States, Afonso Arinos, Blaise Cendrars, Buarque de Holanda, Silvio Romero, Carmen Miranda, Oswald de Andrade, Paula Brito, Prudente de Moraes Neto, Catete Street, Minas Gerais, New State, Noel Rosa, Franz Boas, Gilberto Gil, Mello de Moraes Filho, New York, Aunt Ciata, Caetano Veloso, Euclides da Cunha, The Royal Diamond Contractor
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