Customer Reviews

Mystic Chords Of Memory: The Transformation of Tradition in American Culture

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Ranges from John Adams to Ronald Reagan, from the origins of Independence Day to the Vietnam memorial,from the Daughters of the American Revolution to NAACP.
This book was so easy to read b/c it was written by a Pulitzer-Prize winning professional who KNOWS how to engage the reader.
It's in chronological order so you can choose the time periods at your discretion to read about.
This is a thoroughly comprehensive book, which is almost an Encyclopedia Americana, only in highly interesting narrative form. After reading this book, I felt that I truly understood the nature of the American life and it's main historical figures as human beings.
Only complaint was that all the photos were b&w, and there weren't enough.
NYT Book Review said: "Brilliant, idiosyncratic, presented with superlative style laced with refreshing wit."
TIME said: "Fascinating...a subtlle and teeming narrative."

Michael Kammen questions this possibility and suggests that all meaning about the past is suffused with concerns for the present and shaped by the memory of significance. No area of historical study in the last twenty years has been more important than the nature of memory. The analysis of how stories about the past become a master narrative, and what lessons those teach to those interested in the subject has been a growing area of concern in American history. This book helps to pull those ideas together into a coherent discussion.

At a fundamental level Kammen's subject is the memory of memory, and his entrée point is the cultural institutions that commemorate the past. He asserts that his goal is to discover how "the United States became a land of the past, a culture with a discernable memory (or with a configuration of recognized pasts)" (p. 7). Kammen ranges broadly across the American landscape in time and space, focusing attention on museums, historic sites, patriotic groups, antiquarian groups, and other self-styled keepers of the nation's identity. His discussion of Colonial Williamsburg, as well as other depictions of the past, is an especially interesting aspect of the "Mystic Chords of Memory."

Divided chronologically into four main parts; throughout he offers a level of detail that sometimes strangles his central thesis. That thesis might best be characterized by a concern for "the public's willingness to accept mythical history that is patently unreal." He seeks "genuine remembrance" and laments that "not enough people pay attention to scholarly history" (respectively pp. 129, 137, and 38). Perhaps it is just as well that his thesis is submerged since it has the ring of academic whining. Far too much scholarly work is inaccessible to the interested adult non-historian. At the same time, historical works routinely reach large audiences but almost all are written in an engaging manner and the authors may not necessarily be academically trained historians.

Clearly Michael Kammen makes many important observations in this massive work. It is an important benchmark in American historiography and a worthy reading experience for anyone seeking to understand how its inhabitants remember and interpret the nation's past. At more than 700 pages of text, and another 100 or so of references, it is a substantial tome whose size will dissuade many from fully exploring on its ideas. Too bad, for it is well worth the time.

This is a very important work to understand how Americans developed their heros and create national myths. It was suggested by my doctoral advisor as valuable for my research into public history. Kammen explores how select groups and people in American History gain a public reputation and are used to define what it means to be an American. I found this work most helpful in placing Lincoln's rise to fame in the context of other memorial issues around the country.