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Mystic Horseman Mass Market Paperback – March 1, 2008


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The Bone Clocks
David Mitchell's hypnotic new novel crackles with invention and sheer storytelling pleasure. Learn more

Product Details

  • Mass Market Paperback: 344 pages
  • Publisher: Mira (March 1, 2008)
  • Language: English
  • ISBN-10: 0778325148
  • ISBN-13: 978-0778325147
  • Product Dimensions: 6.6 x 4.2 x 1.1 inches
  • Shipping Weight: 5.6 ounces
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #1,058,614 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Dillon Black Bear, a middle-aged Lakota, submits his ranch to a reality TV makeover in Eagle's hard to swallow latest (following Ride a Painted Pony). Monica Wilson-Black, Dillon's ex-wife and Martha Stewart–style host of It Only Looks Expensive, convinces part-Sioux TV producer Ella Champion that Dillon and his run-down South Dakota Wolf Trail Ranch would make a great makeover project for Ella's hot series, Who's Our Neighbor? Dillon has his own stake: his Mystic Warriors Horse Camp needs an extreme-ish rehab for a summer program that brings horses into the lives of local at-risk Native American youth. Guest decorator Monica (who's battling cancer), their aspiring veterinarian daughter Emily and teen son D.J. converge on the ranch. It gives Dillon opportunity to reconnect with his family and forge a new love connection with Ella. Although Eagle excels in portraying everyday Native America, the merger of Hollywood with Lakota mystique doesn't quite come off. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Excerpt. © Reprinted by permission. All rights reserved.

Dillon Black slept with the horses.

Not the best bedfellows he'd ever had, but far from the worst. Most of them were heavy with foal, and there wasn't a nag in the herd. Having slept with his own kind of overdue female, Dillon would know. But some studs just naturally had it made. Others were only human.

South Dakota sod was not the most comfortable bed he'd ever had, either, but the view was incomparable. His blanket was made of stars. From where he lay on the rise above the Grand River, he could see every square foot of ground he truly cared about, even on the darkest night. The prairie was never fully dark or completely quiet. Something was always happening.

Lovemaking, for instance. The flat at the foot of his sleeping hill rolled all the way to the place where Earth spread her grassy hair about her shoulders, made her knees into two hills, opened her legs and let the night sky prevail. She took her voice from the coyote and her breath from the night breeze. She was enjoying herself. Dillon could feel it in her rocky bones, and it was all to the good, as long as the coyotes and the cats kept their distance from his mares. He kept his hunting rifle in plain view, hoping any predators who might be sitting on the fence would take it as reason enough to hang back. That and the fact that Dillon was actually wearing his glasses. He never missed when he remembered to wear his glasses.

And he was about to see a miracle happen not fifty yards away. Closer, if need be. Sugar, the baldface dun he'd been watching over, had already blown her water. She'd been up and down a few times, and she'd extruded two twiggy legs. She was down for the count now. Fifteen minutes, tops. But she was nervous, and it wasn't about the foal. It wasn't about Dillon, who knew better than to crowd a foaling mustang. There was something out there, something that was all teeth and claws. And for the next fifteen minutes there would be nothing the mare could do about it. Every part of her was committed now to giving birth.

Rifle in hand, Dillon eased his way down the slope. The mare had picked herself an open spot where she couldn't easily be trapped. All she needed was a little time, and she would have her baby on its feet and running with the herd, probably by sunup. She lifted her head and eyeballed her guardian, letting him know he was too close. He took her cue, squatted on his heels and laid the rifle on the ground.

From this angle, the mare seemed to float on the moonlit river, adrift in a spillway of stars. It was the perfect vision for a moment like this. Dillon and his partner called their ranch The Wolf Trail, after the Lakota name for the Milky Way. It was a grand gesture on the part of two Indian cowboys who'd hit the ground hard and earned their re-ride.

But what the hell? Wasn't this the Grand River? It flowed from past to present, gathering strength from winter's sleep and power from the spring equinox. The great Sitting Bull had lived and died on its banks only a few miles upstream. And tonight Dillon imagined the old man kicking some of those stars loose and sending them tumbling home to brighten the night for the granddaughter of one of his favorite horses, for such was the heritage of Wolf Trail Mustangs.

Sugar grunted. Scoffing at him, was she? Dillon shook his head. The mare had about as much time for a man as a mite right about now. Female heritage, the instinct to survive and produce another survivor, that was her be-all and end-all at the moment. In the moment, if horses had moments. If horses had wishes—if they were wishes… How did that go?

How about, If wishes were horses, Sitting Bull's people would ride? The descendants of Sitting Bull's people would ride the descendants of Sitting Bull's horses if Dillon's horse would get her wish and produce another survivor. That was the way it should go, would go, as long as Dillon kept the teeth and claws at bay.

"Easy, girl. I know there's something out there. It won't get past me, I swear."

Stop trying to get all philosophical and just listen to the night, Black Bear, he told himself. This night. It's all that counts right now.

Black Bear was an ancestral name, or part of one. His great-grandfather was Black Bear Runs Him, but the name had been shortened twice—first cut in half by some agency record keeper, and then halved again by Dillon's father, who'd lied about his name, age and anything else that might have kept him from enlisting in the army right around 1943. Surnames weren't part of Lakota tradition, but neither was record-keeping. Dillon would take his beloved grandfather's name one day, when he felt he'd earned it. He would make Dillon Black Bear legal. Like blood and the eternal river, it was a name that connected him to the Lakota circle, and he needed all the connections he could get. They kept his feet on the ground.

But tonight the notion of a river flowing out of the past was distracting. Mixing with an imagination like Dillon's, the current stirred up a fiery vision. Flames danced on the water, taunting him with the river's memory of another grand gesture. His damn fire, his dream afire. Whatever he couldn't remember about that night, the river remembered for him in a single reflection, indelibly etched in his brain. It showed him what was left of Dillon Black when he'd pushed himself up from the mud. A crazy drunk flipping God the flaming bird.

Remember when Dillon Black torched his house?

He'd had…what? Seven years to live it down? He had to be pretty close. Lucky seven. He still got razzed about it once in a while—first rule of Indian humor being you were allowed to give only as good as you were willing to take—but he would hate like hell for anybody to mention it in front of Emily.

His daughter was coming home for the summer. His home, his stomping grounds. The place where she was born. She'd lived with her mother for what was undoubtedly the better part of her life, but she was coming home because she believed in the horses and the sacred circle. And, wonder of wonders, she loved her dad. Whenever Monica had told the girl that she was just like her father, it generally meant she'd fucked something up. Some small thing, but the kind that could lead to a big thing unless Monica nipped it in the bud.

No way was Emily just like her father. The part of her life after they'd left him might have been—okay, was— better than the first part. But lately Dillon had begun to believe she took after the better part of him. Her horse sense, for one thing. Her interest in her father's people. Little things, maybe, but enough to convince him that he still had a better part, even though he'd split the sheets with his better half.

The mare's big body shuddered with the proof of her pain. Dillon felt it, just as he had the three times Monica had gone into labor, giving him two living children and one dead one. He couldn't share the intensity of the mare's pain, but he felt its depth and heat. She was doing fine. It wouldn't be long now.

It was good to have this birthing to occupy his mind, good to feel useful after the bad news he'd gotten earlier in the day. Nothing tragic—nobody had died or moved to Texas—but news of the kind of personal defeat that made him see the fire in the river. His grant proposal had been turned down, the one Emily had worked on with him when she'd stopped over at Christmastime. He should have been able to make it happen. He could have talked to a few people on the Tribal Council about the idea to expand the horse camp he'd put together with Emily last summer with a little help from one of the local churches. He thought he'd made a good presentation to the selection committee, and people had been shaking his hand over it ever since. It was all his daughter's doing, he'd told them. She was studying horses at Montana Western University. She was already ten times smarter about horses than her ol' man, and he'd been around them all his life. The grant money was in the bag, they'd said.

What bag? Emmie would be out of school for the summer soon, coming home to an empty bag and an empty promise. He hadn't asked for much—just enough to finish the kitchen and bathrooms in the old church building he'd been fixing up over the years, and a little more for supplies and camping equipment. Kids had been hounding him all winter about getting in on his next horse camp, but without financial backing, it would be hard to accommodate them all the way he wanted to, which would put a crimp in his daughter's plans for her big honors project for school.

Crimp. Not the complete kibosh. He had a little cash put away. He could round up a couple of tipis this year and add an overnight trail ride to the program. They'd had bigger ideas, though, the beginnings of an ongoing program. Flushed with last summer's success, Dillon had developed a sense of mission. He didn't want his generation to be the last to keep and know horses in some small but blessed semblance of the old Lakota way.

The foal's head appeared, slick and slender, glistening wet. Dillon's stomach quivered as the mare's muscles undulated with the final push. In a stunning split second, the slippery foal slid free of its frantic host. Mother and baby were especially vulnerable now. All they needed was a few minutes for the mare to catch her breath, transfer a last shot of her life's blood to her baby before it hauled itself up on wobbly legs and broke the cord and finally begin expelling the placenta, which could take a bit of time. The mare lifted her head and nosed her new baby.

But the coyotes smelled it, too. They were close. Dillon sensed the heat of their bloodlust and their stealthy advance before he could detect any movement. Then shadow slid past shadow. They were downwind, but the succulent smell of a fresh birth overpowered the scent of a mere man.

Dillon remained perfectly still while he rehearsed the shot in his mind's eye. When he moved, he was quick, sure and deadly accurate.


More About the Author

Kathleen Eagle published her first book, a Romance Writers of America Golden Heart Award winner, with Silhouette Books in 1984. Since then she has published more than 40 books, including historical and contemporary, series and single title, earning her nearly every award in the industry. Her books have consistently appeared on regional and national bestseller lists, including the USA Today list and the New York Times extended bestseller list.

Born in Virginia and raised "on the road" as an Air Force brat, Ms Eagle earned degrees from Mount Holyoke College and Northern State University. She taught at Standing Rock High School in North Dakota for 17 years.

Eagle's work is often singled out by book reviewers for its exceptional quality and appeal. THE NIGHT REMEMBERS was a Chicago Tribune Notable Book. SUNRISE SONG, THE NIGHT REMEMBERS, THE LAST TRUE COWBOY, and WHAT THE HEART KNOWS made the Library Journal "Five Best Romances of the Year" list. BookPage listed WHAT THE HEART KNOWS among its "Top Six Romance Picks" for 1999. THE LAST GOOD MAN was a finalist for the 2000 Minnesota Book Award for Popular Fiction--the only Romance so honored thus far. YOU NEVER CAN TELL was named to RWA's "Top Ten Favorite Books of the Year" list. She is an RWA RITA award winner.

Kathleen Eagle lives in Minnesota with her husband, who is Lakota Sioux. The Eagles have three children and three grandchildren.

Visit www.kathleeneagle.com for her latest news and http://ridingwiththetopdown.wordpress.com/ to blog with Kathleen and 8 fellow writers.

If you're a reviewer, visit NetGalley to request a digital galley for her latest book from Bell Bridge Books.

Customer Reviews

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Kathleen Eagle is an excellent writer about the American Indian.
Viki B. Sarff
Shows community coming together to honor the past and work for a future for Lakota youth.
IRRS
Complex characters, plot, and dialog made this a wonderful story and a great read.
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Most Helpful Customer Reviews

7 of 7 people found the following review helpful By IRRS on February 21, 2008
Format: Mass Market Paperback
Great storytelling crossed with memorable, realistic characters. Shows community coming together to honor the past and work for a future for Lakota youth. Lots of exploration of many different relationships. Never felt rushed. Great pacing and humor.
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3 of 3 people found the following review helpful By Viki B. Sarff on April 5, 2008
Format: Mass Market Paperback
This is a great book. You need to read Painted Pony first to better understand the relationships. Kathleen Eagle is an excellent writer about the American Indian. I think I've read all her books and really enjoy them.
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3 of 3 people found the following review helpful By Samuel Deutsch on March 27, 2008
Format: Mass Market Paperback
Katleen Eagle, once again shows her remarkable ability to write a novel that one cannot put down once they start reading. She can make a person want to quit his/her job and move out West and buy a ranch.
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1 of 1 people found the following review helpful By Deborah Haupt on June 18, 2008
Format: Mass Market Paperback
This particular imperfect hero is Dillan Black and his plight to fund a horse camp for kids of his tribe and how he's aided by the improbable duo of his ex-wife Monica (host of a decorating show) and a national syndicated producer of a reality TV show called Who's Your Neighbor Ella. As always her novels contain a lot of wit, beautiful settings and very touching sensual moments always with a moral.
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