Mythic Worlds, Modern Words: Joseph Campbell on the Art of James Joyce (The Collected Works of Joseph Campbell) [Hardcover]

Joseph Campbell (Author)

Book Description

Series: The Collected Works of Joseph Campbell | Publication Date: January 28, 2004

In 1927 Joseph Campbell was given clues to reading James Joyce’s labyrinthine Ulysses by its original publisher Sylvia Beach and, as he said, it changed his career. His discoveries became the foundation for his later work in comparative mythology. To analyze Ulysses and Joyce’s other works, he employed depth psychology, anthropology, religion, and art history as tools. A treasure for Joyce and Campbell fans alike, Mythic Worlds, Modern Words collects 60 years of Campbell’s writings, lectures, and other commentary on Joyce, including exchanges with his audiences and Campbell's 1941 Joyce obituary.

Product Details

• Hardcover: 320 pages
• Publisher: New World Library; First Edition edition (January 28, 2004)
• Language: English
• ISBN-10: 1577314069
• ISBN-13: 978-1577314066
• Product Dimensions: 8.8 x 5.8 x 1.3 inches
• Shipping Weight: 1.2 pounds (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #235,332 in Books (See Top 100 in Books)

More About the Author

Joseph Campbell was an American author and teacher best known for his work in the field of comparative mythology. He was born in New York City in 1904, and from early childhood he became interested in mythology. He loved to read books about American Indian cultures, and frequently visited the American Museum of Natural History in New York, where he was fascinated by the museum's collection of totem poles. Campbell was educated at Columbia University, where he specialized in medieval literature, and continued his studies at universities in Paris and Munich. While abroad he was influenced by the art of Pablo Picasso and Henri Matisse, the novels of James Joyce and Thomas Mann, and the psychological studies of Sigmund Freud and Carl Jung. These encounters led to Campbell's theory that all myths and epics are linked in the human psyche, and that they are cultural manifestations of the universal need to explain social, cosmological, and spiritual realities.
After a period in California, where he encountered John Steinbeck and the biologist Ed Ricketts, he taught at the Canterbury School, and then, in 1934, joined the literature department at Sarah Lawrence College, a post he retained for many years. During the 40s and '50s, he helped Swami Nikhilananda to translate the Upanishads and The Gospel of Sri Ramakrishna. He also edited works by the German scholar Heinrich Zimmer on Indian art, myths, and philosophy. In 1944, with Henry Morton Robinson, Campbell published A Skeleton Key to Finnegans Wake. His first original work, The Hero with a Thousand Faces, came out in 1949 and was immediately well received; in time, it became acclaimed as a classic. In this study of the "myth of the hero," Campbell asserted that there is a single pattern of heroic journey and that all cultures share this essential pattern in their various heroic myths. In his book he also outlined the basic conditions, stages, and results of the archetypal hero's journey.
Throughout his life, he traveled extensively and wrote prolifically, authoring many books, including the four-volume series The Masks of God, Myths to Live By, The Inner Reaches of Outer Space and The Historical Atlas of World Mythology. Joseph Campbell died in 1987. In 1988, a series of television interviews with Bill Moyers, The Power of Myth, introduced Campbell's views to millions of people.

Customer Reviews

Most Helpful Customer Reviews

46 of 47 people found the following review helpful:

5.0 out of 5 stars Joyce as a lens on Campbell, March 15, 2004

By 

Stephen L. Gerringer "bodhibliss" (Modesto, CA United States) - See all my reviews
(REAL NAME)   

This review is from: Mythic Worlds, Modern Words: Joseph Campbell on the Art of James Joyce (The Collected Works of Joseph Campbell) (Hardcover)

Joseph Campbell's encounter with the writings of James Joyce proved a major turning point in his life. After graduate work at Columbia (where he specialized in the Arthurian cycle, writing his thesis on "The Dolorous Stroke" delivered to the Grail King), he went to Paris to study medieval philology and Old French and Provencal.

In 1927 Campbell purchased a copy of Joyce's Ulysses (which was banned in the United States), but could make neither heads nor tails of it. (I have to admit it is reassuring, given Campbell's intellectual reputation, to know that he too was stumped on occasion). Joe, full of exuberant confidence, tracked down Joyce's publisher, Sylvia Beach, at Shakespeare & Co., to express his "high academic indignation." Beach introduced Campbell to a body of work from diverse authors (Schopenhauer, Dante, Vico, etc.) that opened his understanding to what Joyce was doing. In Joe's own words, "...that was almost the end of my interest in medieval philology." During the period of Campbell's studies in Paris and in Germany, Joyce was publishing snippets of early versions of Finnegan's Wake as a work-in-progress, in the journal "transitions" - so Joe was able to follow the evolution of this protean opus long before it attained its final shape. Referring to these sketches, Campbell said, "That's what taught me. And there you have it. It's funny how it changed my career."

Campbell was so sold on Finnegan's Wake - which most American critics dismissed as impenetrable, a self-indulgent exercise in literary masturbation - that in 1944 he authored, along with Henry Morton Robinson, "A Skeleton Key to Finnegan's Wake" - which remains influential in the field of Joycean criticism yet today. Anyone who spends any time with Campbell's work can't help but notice Joyce's influence on Campbell's thought: in fact, i'd go so far as to say an understanding of Joycean themes is essential to fully grasp Campbell's mythic perspective. That's not to say you won't "get Campbell" if you don't read Joyce - but both men are clearly swimming in the same ocean.

For nearly sixty years Campbell followed in Sylvia Beach's patient, helpful footsteps, presenting ever wider audience with clues to enrich the reader's experience and understanding of Joyce's work. Besides the Skeleton Key (which is the first book to list Campbell as author, five years before the appearance of "The Hero With A Thousand Faces" - which itself was tentatively titled "How to Read A Myth"), JC wrote essays and delivered lectures on the subject, many of which have been collected in Campbell's "Mythic Worlds, Modern Words: Joseph Campbell on the Art of James Joyce," originally published by the Joseph Campbell Foundation (JCF) in 1993.

The JCF released a new edition of "Mythic World, Modern Words" in late 2003. Edited by Joycean scholar Edmund L. Epstein, this volume has three major divisions, each examining one of Joyce's novels - "Portrait of the Artist as a Young Man," "Ulysses," and "Finnegan's Wake" - along with other bits and pieces by Campbell on the subject, including an enlightening question and answer session that concludes the book.

I love it!

The re-release is in every way superior to the original volume. The book is more compact, easier to handle, with a beautiful cover design of Andrea del Sarto's renaissance painting, "Daedalus and Icarus." Whereas chapter headings in the original volume looked more like titles typed at the top of the page of a college manuscript, in the current volume they are better designed and better placed

...but, most important to me, is the inclusion of an index (!), absent in the original volume.

There are so many Campbell gems buried in the pages of "Modern Worlds, Mythic Words" that the binding of my original volume is falling apart, so many times have I flipped through the pages in search of an ideal yet elusive quote. The index in the updated volume makes all the difference!

If you enjoy Joyce, "Mythic Worlds, Modern Words" is an ideal companion volume - but even if you've never read Joyce and never plan to, it's still an excellent survey of the work of the man critics claim is the most important author of the 20th century - and provides clarity and insight into Joseph Campbell's mythic perspective.

Here are a couple examples of thought provoking passages:

"In the field of consciousness research - and also in physics and astronomy - we are breaking past the cause-and-effect, mechanistic way of interpreting things. In the biological sciences, there is a vitalism coming in that goes much further toward positing a common universal consciousness of which our brain is simply an organ. Consciousness does not come from the brain. The brain is an organ of consciousness. It focuses consciousness and pulls it in and directs it through a time and space field. But the antecedent of that is a universal consciousness of which we are all just a part." (p.286)

or this gem, commenting on a passage from Joyce's Ulysses:

"Joyce says we are all in this vibration. The miracle of the Incarnation is the Magnificat of each one of us: Florry Christ, Stephen Christ, Zoe Christ, and so on - we are all particles of the Christ. Very frequently, you know, Joyce brings out key thoughts in a totally contrary kind of language and situation. So his essential message here - and this is the Gnostic message - is that the face of god is the face before you: your friend, a stranger, whomever." (p.151)

Much food for thought here!

7 of 7 people found the following review helpful:

5.0 out of 5 stars A great book, March 18, 2003

By A Customer

This review is from: Mythic Worlds, Modern Words: On the Art of James Joyce (Joseph Campbell Works) (Hardcover)

From his first encounter with Joyce's writings in Paris in 1927, Campbell remained deeply involved with the works of Joyce. He gave many lectures on Joyce, frequently read from his works, and published a number of articles on Joyce's works. This book provides a survey of Campbell's Joycean studies by conflating his articles and representative lectures, from his obituary notice on the death of Joyce in 1941 to lectures delivered within a few years of Campbell's death. Also included, in the "Dialogues" section, is a selection of Campbell's responses to questions from members of the audience at some of his lectures. Questions from listeners seemed to fire Campbell, and some of these exchanges provide a deeper insight into the material presented in the formal lectures. This book contains both elementary material and advanced analysis of the work of Joyce; it is, therefore, both an introduction to Joyce's major works and a major contribution to Joyce criticism. The whole provides a representative portrait of Joseph Campbell as a critic of Joyce. 304 pp. (From the back cover).

9 of 10 people found the following review helpful:

5.0 out of 5 stars Its return to print will delight Joyce and Campbell fans, April 5, 2004

By 

Midwest Book Review (Oregon, WI USA) - See all my reviews

This review is from: Mythic Worlds, Modern Words: Joseph Campbell on the Art of James Joyce (The Collected Works of Joseph Campbell) (Hardcover)

This informed and informative survey of the late Joseph Campbell's published writings and lectures on James Joyce will serve as both an introduction to Joyce's major works and as a critical survey of his literary, spiritual and psychological leanings. Mythic Worlds, Modern Worlds has been long out of print: its return to print will delight Joyce fans and Campbell readers alike.