From Publishers Weekly
With art that looks like a hybrid of Norman Rockwell and Jack Kirby, artist Ross has become the preeminent painter of superheroes of his generation. This lavish coffee- table tribute puts him into a pantheon as exalted as the superbeings he depicts. The son of a preacher and an illustrator, Ross was always captivated by superheroes, but it wasn't until he discovered the use of live models in art school that he was able to realize his visions of Superman, Batman, Wonder Woman and the rest. Like Rockwell, Ross uses photographs to set up lighting and staging-a process documented in a section at the end of the book-and like Rockwell, he favors otherworldly lighting effects that somehow serve to make his figures more realistic. Like Kirby, he has an innate belief in the iconic power of superheroes that gives them a dimension far beyond the usual four-colored adventures. Whether in Kingdom Come, a renowned tale of the twilight of the superheroes; his own oversized stories written with Paul Dini; or countless posters, covers and commissions, Ross's vision of beings so powerful they verge on arrogant will make viewers glad they don't exist in the real world. Kidd's text is laudatory but never cloying, and the book includes numerous studies, sketches and photos to show Ross's method. While collectors and fans gush over Ross's output, the sheer weight of pictures of every superteam in DC's universe does become somewhat numbing by the end. Still, the immense power of Ross's best images cuts through any clutter, and this volume deftly showcases just that.
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From School Library Journal
Adult/High School-This is a coffee-table tribute to the work of the cartoonist. Kind of an odd blend of Norman Rockwell meets Saturday morning cartoons, Ross's gouache painted art glows on the pages. Interspersed with quotations by the artist and those who know him, Kidd's sparse text takes readers on a brief tour of Ross's childhood to his early days in advertising and comic books, finally ending with the limited series "Kingdom Come" (Warner, 1998), which combined hyper-realistic artwork with unusually complex storytelling. The book not only displays samples of finished works but also includes sketches, photographs of live models, and comic art dating back to the 1930s. For a humorous touch, Kidd includes samples of Ross's childhood art, with pieces ranging from rough copies of comic covers to endearing sculptures of Batman and others made out of construction paper. Ultimately, Ross is an artist who quests to reuse and redevelop classic characters like Superman and Wonder Woman and elevate their stories to a level more sophisticated readers can enjoy. High goals, but this man makes it work.
Matthew L. Moffett, Northern Virginia Community College, AnnandaleCopyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.