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  • NEW Amelie - Amelie (2001) (Blu-ray)
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NEW Amelie - Amelie (2001) (Blu-ray)


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Product Details

  • Language: French
  • Subtitles: English
  • Region: Region A/1 (Read more about DVD/Blu-ray formats.)
  • Number of discs: 1
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (1,860 customer reviews)
  • ASIN: B002Q4TKZY
  • Amazon Best Sellers Rank: #375,648 in Movies & TV (See Top 100 in Movies & TV)

Special Features

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Editorial Reviews

Import Blu-Ray pressing/Region All. Jean-Pierre Jeunet's smash hit movie that transformed Audrey Tautou into an international star. A painfully shy waitress working at a tiny Paris cafe, Am‚lie makes a surprising discovery and sees her life drastically changed for the better! From then on, Am‚lie dedicates herself to helping others find happiness ... in the most delightfully unexpected way! But will she have the courage to do for herself what she has done for others? Special features: Making of Amelie/Audrey Tautou's funny faces/Storyboard comparison/Photo gallery/Trailers.

Customer Reviews

Good acting very well written story line very funny cute I liked it.
james avila
Audrey Tautou is beautiful as Amelie, every scene is full of vivid color and detail, and all the characters have extremely interesting faces and personalities.
Jessica A. Miller
This is one of my go to movies when I feel like just having a good time for a couple of hours.
Stephen M. Dryden

Most Helpful Customer Reviews

667 of 703 people found the following review helpful By Bernard on December 13, 2001
I have seen thousands of films in my life, and thought nothing could surprise me anymore on a screen. Amelie proved me I was wrong. Instead of writing another "best film ever" comment, I would like to give some indications for non-french speaking viewers, as the translation might have made some lines a bit obscure.
Amelie says to Colignon "Meme les artichauds ont du coeur" (Even artichokes have a heart). In french, "un coeur d'artichaud" (an artichoke heart) is a person that falls very often and easily in love.
Colignon calls Amelie "Amelie-melo" (pronounce "ah-may-LEE-may-low") which sounds like "un meli-melo", a muddle or mix-up.
In the cafe, people discuss about time and weather, as the same word "temps" means both "le temps qui passe" (time that passes) and "le temps qu'il fait" (the weather). So goes Hippolito's theory : they speak about the weather because they are afraid of the passing time.
Collignon says about his mother : "Elle a une memoire d'elephant, un elephant de mer" (literally: she has memory like an elephant, a sea elephant). A "sea elephant" is a sort of walrus, and "mer" (sea) and "mere" (mother) are pronounced the same.
When Amelie is in a theater, she watches "Jules & Jim", a movie by Francois Truffaut. There are many references to Truffaut in the movie : Claire Maurier plays the mother in "the 400 blows" and many scenes refer to "Bed and Board", which itself refers to Hitchcock's "Rear window". I still have to figure which was the movie whith Spencer Tracy driving without watching...
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178 of 187 people found the following review helpful By Daniel J. Hamlow HALL OF FAME on January 10, 2003
Format: VHS Tape
Like the star of Chocolat, the title character of this magical comedy also wants to heal people inside. But this particular healer is a daydreamer with an irresistible smile, a Louise Brooks bob hairstyle or an Audrey Hepburn-like bun when it's tied up, and will charm the pants off the iciest of souls.
The only-child of a tight-lipped, hard-hearted doctor father and a neurotic schoolteacher mother, Amelie Poulaine grew up being too much unloved, with a not too happy childhood. As a young lady, she becomes a waitress at the Two Windmills cafe, but other times spends her time in an imaginative world of dreams, not forming close ties with people, being terribly shy.
One day, she is watching TV when Princess Diana's death is announced. From then on, she decides to be a healer of sorts, whether it be uniting a man with childhood memories he left in a cubbyhole in the skirting board long time ago, trying to soothe the hearts of people, make people's lives better, or being an avenging angel. The scene where she helps a blind man across the street and describes what's going on is simply magical.
Amelie is also befriended by artist Raymond Dufayel, known as the Glass Man because of a disease that has given him very brittle bones. They communicate indirectly through a painting he's working on, particularly a young girl that Dufayel's trying to figure out.
Amelie meets Nino Quincompoix, a man who collects discarded, frequently torn ID card photos from a photo booth and puts the reconstructed pieces in an album. Included in there many times is a stern bald man whose pictures are always torn up. Amelie finds Nino's album and wonders who the bald man is. This is a mystery included in the film.
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319 of 351 people found the following review helpful By darragh o'donoghue on October 17, 2001
Before I urge you to rush out and revel in this romantic wisp of a movie, I must warn you that it is the kind of film that will make you either quake with bleary joy, or propel you out of the cinema with an ungovernable urge to smash things. If the words 'sugar', 'naive' or 'cute' are not in your vocabulary; if the mere sight of a bobbed gamine making eyes at you across the screen doesn't make your heart flutter; if scenes where lamps discuss their owner's love life with her paintings, or a young girl screams to save her suicidal goldfish don't enchant you, than, in the words of Gilbert and Sullivan, don't go.
If, however, you feel your spiritual home is in France, than 'Amelie' might just make you fall in love again. it is for those who love Paris in sunshine or rain; who palpitate at the very thought of tree-lined Parisian streets and cafes; who have experienced haunting musical epiphanies at night in empty Metro stations; who have read Raymond Queneau novels; who rejoice in street markets, Renoir paintings, or the sight of horses running in the Tour de France.
'Amelie' is a romantic comedy for those who prefer the chase to the clinch. its heroine is almost a ghost, unloved and friendless as a child, who presides disembodied over strangers' lives, linking characters, punishing baddies and deciding destinies in ways that seem supernatural to them. She can only observe others from a distance and act accordingly - her own life remains emotionally dead. Of the various Queneau-like mysteries, red-herrings, non-sequiters and paper trails strewn throughout the film, the most pressing and emotionally charged is - will Amelie find love and rejoin the real world?
The film is unashamedly nostalgic in its romantic vision of a vanished (never-was?
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