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NIGHT BLOOM CL [Hardcover]

Mary Cappello (Author)
4.8 out of 5 stars  See all reviews (4 customer reviews)


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Editorial Reviews

From Publishers Weekly

Cappello, a professor of English at the University of Rhode Island, has a lovely way with images: the "night bloom" of the title is a Night-Blooming Cereus that after much care blossoms suddenly at night, a flower that occasioned spontaneous parties in the Cappello family. These beautiful images tend to pile up without cohering, however, and the material in this disjointed memoir is somewhat familiar, if elegantly composed. Cappello sometimes takes hold of a good idea and overdoes itAin a few paragraphs she ties together a cousin with a glass eye, her parents harping that a new toy "could knock your eye out," her father's insistence that she and her siblings always wear seat belts and the importance of the evil eye in Sicilian-American culture. Cappello quotes liberally from the diaries kept by her grandfather, John Petracca, which are sometimes touching with their descriptions of extreme poverty ("October 22, 1941. I am working and starving") and sometimes very mundane ("October 1, 1941. Got out of bed early. Inspected my garden"). Some of his journals and other writings were in English and some were in Italian, and the fact that Cappello does not read Italian (because she is a "bona fide product of assimilation") occasionally hampers full understanding. Ultimately, this isn't a coherent whole but rather a grab bag of ideas, beautifully expressed.
Copyright 1998 Reed Business Information, Inc.

From Booklist

Cappello, a third-generation Italian American, adds to the testimonies of American immigrant children and their offspring a sweet, elegiac recollection of her lineage in this country. She limns her grandfather, whose journals record gut-wrenching poverty and feelings of failure as he obsesses about his children's teeth and the impossible cost of a dentist; her father, who brutalizes his sons yet ministers to a delicately beautiful garden; and herself, coming to terms with lesbian sexuality and rising relatively rapidly into the middle class as an associate professor at an East Coast university. The literature of immigration has produced such notable works as the novels Giants in the Earth and Call It Sleep and other books in which strongly delineated characters emerge from the immigrant masses who mostly remain in the sweatshop ghettos of New York. Although it lacks such writings' stark impact, Cappello's book can take an honorable place among them. Whitney Scott

Product Details

  • Hardcover: 272 pages
  • Publisher: Beacon Press (November 30, 1998)
  • Language: English
  • ISBN-10: 0807072168
  • ISBN-13: 978-0807072165
  • Product Dimensions: 8.3 x 5.6 x 1.1 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #3,255,528 in Books (See Top 100 in Books)

More About the Author

Mary Cappello, a 2011 Guggenheim Fellow in Nonfiction, is a regular contributor to the world of literary nonfiction and experimental prose. Her four books include a memoir, a detour, an anti-chronicle (or "ritual in transfigured time"), and a lyric biography. She is the author of Night Bloom: An Italian/American Life (Beacon Press); Awkward: A Detour (a Los Angeles Times bestselling book-length essay on "awkwardness"); Called Back, and most recently, Swallow: Foreign Bodies, Their Ingestion, Inspiration and the Curious Doctor Who Extracted Them.

Called Back: My Reply to Cancer, My Return to Life, received a ForeWord Book of the Year Award and an Independent Publishers Award (IPPY). "Getting the News," an excerpt from Called Back that appeared in the Summer 2009 issue of The Georgia Review, won a GAMMA Award for Best Feature from The Magazine Association of the Southeast. Called Back was also a Finalist for a Lambda Literary Award, and a Publishing Triangle Award, the judges for whom described the book this way:


"The narrative of cancer has become disconcertingly familiar to us. But Mary Cappello turns the story inside out, folds it up, and deftly re-opens it into something new and rather marvelous. This is someone who reads Proust on the gurney while waiting to be wheeled into surgery. She brings us along for the ride, and it's a dizzying, discursive delight. With a bracing combination of intellectual and emotional acuity, Cappello explores the inanities and indignities of the medical establishment, the solitude and camaraderie of illness, the politics and poetics of cancer culture. "Most essays are finished before they've begun," Cappello cautions her undergraduate writing students. Her book is an essay continually striking off into unexpected terrain with giddy courage and wonderment. Called back across that grim border, Cappello brings with her a luminous gift."

Some of Cappello's recent essaying addresses Gunther von Hagens' bodyworlds exhibits (in Salmagundi); sleep, sound and the silence of silent cinema (in Michigan Quarterly Review); the psychology of tears (in Water~stone Review); the uncanny dimensions of parapraxis and metalepsis (in Interim), and the aesthetics of the short form. Her experimental prose piece, "Objective Correlatives: a trialogue on love" appearing in Hotel Amerika was just nominated for a Pushcart Prize, and her work has enjoyed numerous Notable Essay of the Year citations in Best American Essays. A recipient of the Dorothea Lange/Paul Taylor Prize from Duke University's Center for Documentary Studies and the Bechtel Prize for Educating the Imagination from Teachers and Writers Collaborative, Cappello is a former Fulbright lecturer at the Gorky Literary Institute (Moscow, Russia) and currently Professor of English at the University of Rhode Island where she teaches courses in Creative Writing, Literature and Medicine, nineteenth century American literature and culture, Literary Acoustics, and more. Her latest book-length project on a single theme is a foray into sound and mood, tentatively titled In the Mood.

For media features (from the LA Times to the New York Times, from Salon.com to the Huffington Post, to radio appearances in Vancouver and Australia),a schedule of appearances, reviews, and projects relative to SWALLOW, please visit www.swallowthebook.com

Cappello is interested, along with a number of other contemporary nonfiction writers, in restoring the word "essay" to its verb form. For more information, including interviews with Julie Bolcer for HERE! TV, NPR affiliate Celest Quinn for "Afternoon Magazine,"and Jean Feraca for "Here on Earth," go to her website: www.awkwardness.org,

or read more on her Faculty Homepage: http://www.uri.edu/artsci/eng/Faculty/Cappello.html

or visit her youtube channel, where a series of visual meditations on awkwardness can be found.






 

Customer Reviews

4 Reviews
5 star:
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4 star:
 (1)
3 star:    (0)
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Average Customer Review
4.8 out of 5 stars (4 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

3 of 3 people found the following review helpful:
5.0 out of 5 stars An insightful and poetic view of family and self, February 2, 1999
By 
Brad Bortner (Somerville, MA United States) - See all my reviews
(REAL NAME)   
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This review is from: NIGHT BLOOM CL (Hardcover)
Ms. Cappello has a rare talent for illuminating the complex -- and bringing out the poetic in the everyday -- nature of family and its effects on self. Her autobiography is an intimate view of her self actualization as a scholar, lesbian, and human being in the contextof her Italian American upbringing. Even though this is a very self directed work, it continues to push the reader to understand his or her own context and self. A very beautiful work.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars A beautiful and engaging journey!, December 6, 1998
By A Customer
This review is from: NIGHT BLOOM CL (Hardcover)
In a very poetic way, Mary invites us on a journey into herItalian-American heritage. We learn first hand, through the writingsof her grandfather, the life of first-generation Italians struggling to make a living in America. I was deeply impressed how Mary is able to see the strengths as well as the human frailties in her family members; in spite of the suffering, there is much to remember and honor. The themes in many ways are universal, and I felt a deep reverence and importance to understanding my own ancestral heritage. I kept having an image of a weaver weaving life currents - her ancestor's stuggles to survive, Mary's life with her violent-tempered father and agoraphobic mother, and her own journey to understanding who she is as a lesbian academic rising beyond the working class - with each individual thread important to the beauty of the tapestry. This book is poet psychology and is must reading for those who search for meaning and importance in their own lives. It is a great read!
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3 of 4 people found the following review helpful:
5.0 out of 5 stars An engaging, touching journey to self and other discovery, November 28, 1998
By A Customer
This review is from: NIGHT BLOOM CL (Hardcover)
I really enjoyed reading this memoir. Although the background is Italian-immigrant, the essays and stories are univeral in terms of how we integrate and transcend our past. The book is like watching a weaver working all the individual threads and colors that come together in a unique pattern. Mary weaves her story and the stories of her parents, siblings, and grandparent together and shows that we truly are a product of our cultures, what we become can and should never be separated from our heritage, and that beauty exists even in the darkest memories. Mary tells a story that ends with no ending; likewise, our own stories blossom as we search into our past. The book reads in some places like a journal; it is always poetic psychology, exploring her mothers agoraphobia, her fathers violent temperament, and her own process of discovering her self as a lesbian woman moving up from the working class in which she was immersed.

I highly recommend the book; it is a sweet complement to anyone's own process of self-discovery. ((:

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