As close to New York City's sordid crime scene as you're likely to get-or want to get. The first season of this stark, pull-no-punches cop show set the tough tone that continues to distinguish it from its many imitators 10 years later. Original cast members David Caruso (CSI: Miami), Dennis Franz, Sherry Stringfield (ER) and Amy Brenneman (Judging Amy) develop their distinctive, multifaceted characters in 22 slam-bang episodes. Includes audio commentaries, never-before-seen footage and a "making of" documentary. About 18 hours on 6 DVDs.
Within the first few minutes of the pilot episode, it's clear what made NYPD Blue
stand out from the rest of the cop show pack, as the characters express themselves in startlingly colorful language. This, combined with glimpses of nudity, earned NYPD Blue
the reputation as R-rated television--but just about every episode demonstrates the propulsive storytelling and superb ensemble acting that put substance behind the flash. The show revolves around two detectives: Tough, moralistic, but passionate John Kelly (David Caruso) and hair-trigger Andy Sipowicz (Dennis Franz), who wrestles with booze and racist tendencies. Caruso rose to prominence as the star, but his intensity bleeds too easily into preening self-righteousness; it's Franz, with a much more complex role, who really drives the show.
NYPD Blue's writers skillfully navigate both single-episode criminal cases (ranging from tense procedural sequences like Kelly slowly drawing a confession out of a man who killed a cab driver, to lighter cases like a stolen Oscar statuette) and storylines that stretch dizzily across the entire season. These sustained plots are the real meat of the show: Kelly's hardline ethics are humanized by watching him clumsily come to a professional relationship with his ex-wife Laura (Sherry Stringfield) and work through an affair with Officer Janice Licalsi (Amy Brenneman), who is herself entangled with mobsters; while Sipowicz's near-death in the pilot has repercussions that crop up throughout the series, threatening his sobriety and his developing relationship with a lawyer (Sharon Lawrence)--and then there's his tense relationship with African American Lt. Fancy (James McDaniel), which affords some trenchant looks at racism inside and outside the department. The writing, directing, and acting only gets more subtle and complex as the show goes on, making this set a must for any fan. --Bret Fetzer