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2 of 2 people found the following review helpful:
3.0 out of 5 stars
Interesting but cold., January 24, 2002
This review is from: The Name of the Game (Will Eisner Library) (Hardcover)
Eisner's latest graphic novel is a sweeping, episodic study of the rise and fall of a prominent German Jewish family over several generations. It focuses on the way that marriage and children serve to build, trade on, and maintain the family's social prominence. Reminiscent of Booth Tarkington's THE MAGNIFICENT AMBERSONS, it's an absorbing story, but it's difficult to feel any emotional connection to the characters. Eisner's artwork is slicker than ever, but the odd use of prose text segments that information that could and should've been conveyed either in art and dialogue or in conventional captions is jarring, and sometimes makes the artwork (which could've used larger reproduction, in any case) feel squeezed. It's a peculiar choice for an author who's always been such a strong advocate of the storytelling potential of the medium. A richly observed drama, but not up to the high standards set by Eisner's best work.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Documenting the American experience, May 14, 2008
Eisner continues his graphic studies of American culture. In this case, he traces the rising and falling fortunes of an immigrant family, generation by generation. This isn't a happy story - Helen, for example, lives out a heartbreaking episode. It examines the falsehoods the prop up so many images of American success; very few people act as a feeling reader might wish. And, in many cases, death comes much too easily.
Eisner focuses on the community of Jewish immigrants. A naive reader might think of this as anti-Semitic, because of the prejudices and bad behavior of so many Jewish characters in this story. Quite the opposite, I think Eisner has a deep fondness and respect for these characters, even when they're not acting very respectable. Bad behavior isn't unique to any one group in this country, or even that much worse in one group than in another, most times. The dark side of cultural history needs to be told too, so I'm glad it's told with Eisner's underlying sensitivity.
His iconic visual style works well in this story. I have to admit, I'm not a great fan of the look - it's a little "cartoony" for my taste. That doesn't get in the way of appreciating the strength of his style, or of the emotional and social complexity of Eisner's stories. I recommend this to anyone looking a bit beyond the bam-pow genre of graphic novels, and especially to readers who doubt that graphic novels represent real literature. Those latter readers are in for an eye-opening and enjoyable surprise.
-- wiredweird
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
An extraordinary piece of work -- and no superheroes!, October 19, 2003
What "A Contract with God" was to the New York Jewish short story, this is to the multigenerational family saga. The 19th century was a time of heavy immigration by Ashkenazic German Jewish tradesmen and merchants from Western Europe, successors to the semi-aristocratic Sephardim of the previous century and predecessors to the poor Eastern European Jews of the 20th century. The Arnheims were part of that influx and they made their fortune and entered the ranks of the elite. Conrad, in the third generation, grows up used to the good things and not happy to find he's expected to take his father's place in the business world, nor to marry and produce heirs for the sake of the family name. And he lets his wife die in childbirth rather than lose that heir. The glamorous but frigid girl he marries second turns out to be no prize, either. His mother is a cold, calculating woman (who pressured him in the matter of his first wife), his homely eldest daughter isn't really wanted, and his younger daughter (a rebel in the 1950s) certainly doesn't get what she thinks she wants in life. The characterization and the family relationships are complex and true-to-life and it's interesting to watch as people age. This may be Eisner's masterpiece.
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