Customer Reviews

Nanny McPhee (Full Screen Edition)

5 star:		(138)
4 star:		(41)
3 star:		(10)
2 star:		(6)
1 star:		(2)

 

 

That's what Mr. Cedric Brown (Colin Firth), the widower father of seven children who'd take the team Olympic Gold for mischief-making does. Working at a funeral parlor with two silly assistants, Mr. Jowl and Mr.Wheen (Derek Jacobi), he relies on nannies to look after his offspring, but his childrens' antics are all to drive away the nannies; in the case of Nanny Weston, they make as if they were eating the youngest, an infant.

Mcphee (Emma Thompson) arrives at the Brown resident one stormy night, and her profile silhouetted outside the door reminds me of the shudder one thinks when Alfred Hitchcock's profile is shown on his show. If the Wicked Witch of the West from The Wizard of Oz and Mary Poppins were thrown together, one would get Nanny McPhee. She's clearly no beauty, as she has two warts on her face, a swollen nose, and a tooth that hangs over her lower lip. She also carries a crooked staff which she taps on the floor in order to conjure magic.

She wastes no time in getting the kids well-behaved, especially in a scene where the children have invaded the kitchen in defiance of their father punishing them. Her way is akin to forcing a PS2 junkie to keep playing games until he either gets bleeding controller blisters or his eyes pop out of his skull. Result, he'll have had enough.

Brown is gratified that her only conditions are that she teach his rambunctious kids five lessons and that she requires Sunday afternoons off. The lessons include saying please and thank you, going to bed on time, getting up on time, and doing what they're told. And mysteriously, when one of the lessons are learned, her warts disappear until...

Brown though is quite ineffectual in enforcing discipline in the household, as he is wishy-washy and too busy at his job. It's clear that the death of his wife, whom he still talks to via the empty chair she used to sit in, is still affecting him. His oldest, Simon says that he doesn't care about or spend time with them like he did when their mother was alive. But he is living off an allowance from his forbidding Aunt Adelaide, and if he doesn't marry by the end of the month, she'll cut him off. The children will be sent to foster homes or put to work in the workhouses. He's desperate enough to choose Selma Quickly, a disreputable and loudmouthed woman whose taste in colours are a garish dayglo fuschia and green, as a prospective new wife. Why not Evangeline, the scullery maid who's learning to read and is concerned about the children?

Three performers from Love Actually are reunited. They are Colin Firth, Emma Thompson, and Thomas Sangster, who played Liam Neeson's son. Thompson provides the film's sole center of stability and rationality, a soothing contrast to the stiff eccentricity of Angela Lansbury's Aunt Adelaide, and Celia Imry's vulgar Quickly.

McPhee's five lessons are values that seem to have been lost on the kids of today's era. In fact, they seem to have more in common with the wild jungle mentality the Brown children have in the beginning. She tells her charges: "When you need me, but do not want me, then I will stay. When you want me, but do not need me, then I have to go." Nanny McPhee effectively joins the ranks of Mary Poppins and Charlie and the Chocolate Factory in instilling good manners and values in children.

In the past few years, it seems like all of the movies that are safe to take young children to are computer generated animation films full of adult humor. The kids are entertained by the animation - the parents by the adult humor. "Nanny McPhee" thankfully breaks the mold with a sweet story for everyone in the theater. Children identify with the young actors in the film and the story never drags. The six-year old who accompanied me is usually one who loves action cartoons, killing, shooting, etc. When we left the theater he said, "That's the best movie I ever saw!" Thanks, Ms. Thompson, for reminding us about what children SHOULD be watching at the movies!

I saw this movie 10 minutes ago in a hotel room. Immediately, I go to Amazon.com to see if I can buy it. This is how good the movie is. You want to own it and watch it again and again. The story is good (no doubt, if you have read the book). The director is good. Just love it. Highly recommended.

Emma Thompson shines in her wonderful adaptation. Colin Firth, of course, plays the same British befundled love-sick hero he is in every film and Angela Lansbury should NEVER retire. I loved everything about this film from story, costumes, and casting. If you're looking for a fun enjoyable film you can take the whole family to--look no further. Nanny McPhee has just the magic stick for you!

"When you need me, but do not want me, then I will stay. When you want me, but do not need me, then I have to go."

"Nanny McPhee", the new film written by and starring Emma Thompson, and the producers of "Love Actually" and "Four Weddings and a Funeral", is a delightful film, suitable for the entire family. Even if you don't have kids, this film should help bring back memories of all of the great children's books you read and loved.

Cedric Brown (Colin Firth, "Love Actually"), the hapless father of seven children and a recent widower finds his family falling apart. Unable to spend much time at home, he works long hours trying to keep his funeral parlor afloat, leaving the children in the care of nannies, a scullery maid, Evangeline (Kelly McDonald, "Love Actually") and a cook (Imelda Staunton, "Vera Drake"). The children, lead by Simon (Thomas Sangster, "Love Actually"), are an unruly bunch and take great pride in their ability in scaring all of the nannies away. They realize they have set a new record. It only took 3 hours and 14 minutes to get rid of Nanny #17. Distraught, Cedric finds that the Village Nanny agency will no longer help him. Then, Nanny McPhee (Emma Thompson), a snaggle-toothed, overweight woman with two moles on her face, shows up at the door. She immediately begins to teach the children how to behave, using a mixture of magic, common-sense and insight. Soon, Great Aunt Adelaide (Angela Lansbury) arrives and insists that Cedric marry again, or she will no longer provide support to the family. It is up to the children and Nanny McPhee to make things right.

Emma Thompson has proven she has a great deal of skill writing screenplays. First, the adaptation of "Sense and Sensibility" and now "Nanny McPhee". Blending the best elements and ideas from successful family films, without a huge amount of treacle or gaggles of children running wild, Thompson has created a delightful story sure to appeal to young and old. Parents should run to the closest theater playing this film, with or without their children, steering clear of films like "Cheaper by the Dozen". Set in an indeterminate time, I am going to guess the early 1900s, due to the lack of telephones, televisions and radios, and the clothing; the film is set in a sleepy country village in England. The family home, a rambling Victorian with many gables, has seen better days, is filled with bright colors peeling in many places, mismatched furniture and toys, is very messy, but it feels like home. The time and place add immeasurably to the fanciful nature of the film and help to transport us to this fantasy world.

Emma Thompson is also very good as the mysterious Nanny McPhee. Comparisons to "Mary Poppins" will be inevitable, but Thompson makes this character slightly unique by adding humor to the role. She is magical and pops up to address other characters with no notice, driving poor Mr. Brown (Firth) a little batty. Startling him, she always apologizes by saying "I did knock", which soon becomes a funny joke. She is also stern, but not mean, and unwilling to put up with any of the children's shenanigans. Of course, she is there to teach the children how to behave, they are an extremely unruly group, and she does this with a mixture of insight, kindness and tough love. When the children claim to have the measles, she soon serves them a viscous "Measles Medicine" which is sure to cure them of playing sick in the future. Early on, she announces to Mr. Brown that she has five lessons to teach the children, if they should learn more that is up to them. Clearly, they learn a lot more.

Colin Firth is equally amusing as the battle weary father. He is funny at times, but his role is more the romantic, as he has to find a woman to marry, to ensure that they continue to receive Aunt Adelaide's money. Initially, he decides upon Selma Quickly (Celia Imrie), the widow of one of his clients, and is prepared to go through with the marriage to this hideous woman, until the children come to the rescue. Colin Firth has long played the dashing romantic lead and this persona works well here. When he finds the situation slipping out of his control, his haggard nature is funnier because Firth is usually a romantic lead. To watch this dashing figure deal with a gaggle of unruly children, yet also pine for his lost wife, Firth is extremely effective making us feel for his character.

Kelly McDonald is also quite good as Evangeline, the young woman who works for the family, but also cares for the children and cares for Mr. Brown as well. Derek Jacobi, Imelda Staunton and Angela Lansbury round out the cast of amusing characters.

Of the children, the most notable is Simon, played by Thomas Sangster (Liam Neeson's son in "Love Actually"). He is quite good at leading the unruly children into mischief. He also, ultimately, becomes the one who will make the choice to make everything right again.

"Nanny McPhee" is like watching a great children's book come to life. The time, setting and feel of everything in the film help to make the magical elements believable and this helps to make everything more enjoyable and interesting. The story is predictable, you will probably be able to guess the final outcome, but "Nanny" takes us on an unpredictable journey to this conclusion.

The children in "Nanny" are as destructive as the kids in "Cheaper by the Dozen", and other films of that nature, but these children learn real lessons, and help make real changes in their life. It seems more real, which given the fantasy elements of the film, is remarkable. Everything in "Cheaper" is just so phony and unnatural it resembles a big cartoon and any lessons those children might learn seem superficial. Nanny McPhee teaches them real lessons, lessons they will need in life, lessons that will make a difference in their life.

When Nanny McPhee first meets Mr. Brown and the children, she tells them "When you need me, but do not want me, then I will stay. When you want me, but do not need me, then I have to go". Well, Nanny McPhee, we need you. We need you. Don't go. Tell us more stories. Save our children from endless hours of dreck and mindless pabulum. Save them from the inevitable "Cheaper by the Dozen 3" and "Yours, Mine and Ours 2".

After this movie was over the audience clapped. I loved every minute of it. I came away light-hearted and smiling. With a world full of dark smut and sadness at every turn I found the magical world of Nanny McPhee a delightful change. It was just what I wanted to see.
Don't go to pick it apart, go for child in you, you won't be sorry.

my 6 and 9 year olds loved it! it stars emma thompson who also wrote the screenplay based on a children's book. therefore expect it to be sufficiently eccentric/quirky with her great british humor. the kids also are great as is colin firth.

good family humor with a nice "moral" woven in.

Colin Firth plays Cedric Brown, the father of seven boisterous and slightly out of control children whose sole mission in life is to get rid of the endless string of nannies that their father tries to bring in to train them. After the recent death of their mother, the children--led by the clever and devious Simon, are sure that their father will remarry an evil stepmother who will treat them badly and further alienate them from the sole parent they have left. In order to avoid this occurrence, and entertain themselves in the process, they think up any number of methods to terrorize each person who comes in to try to bring order to their wayward lives. After the resignation of the 17th nanny, the agency that Mr. Brown uses "Nannies of Distinction" refuses to send him another. A whisper in the air tells Mr. Brown "what you need is Nanny McPhee." Fortunately for Mr. Brown, nothing could be closer to the truth.

Nanny McPhee brings a bit of magic along with a lot of order when she appears in the Brown household. Her mission is simple: teach the children five lessons and ensure that she is no longer needed. She tells Simon, "When you need me but do not want me, then I must stay. When you want me and no longer need me, then I have to go." She teaches the children to say please and thank you, to go to bed, wake up, and get dressed when their told, to listen, and to love.

A bit of a fairy tale, the magic interspersed throughout Nanny McPhee made it charming and cute. It's not a new tale to have boisterous children in need of control brought to heel by a firm nanny, but the magical elements and transformation of Nanny McPhee from a witchlike hag to a beautiful governess add an unexpected twist. I thoroughly enjoyed this movie and would recommend it to parents, children, or anyone in the mood for a bit of fantasy.

I have seen this movie three times. It is just great. Emma Thompson is just the best screen writer and actress that ever has been. Her choice of Colin Firth to play Brown was right on the mark. The whole cast was just perfect. This is one of the best movies that I have seen in a long time. Then, anything with Emma Thompson or Colin Firth in it has to be the best. I can't wait to get the DVD. I recomend every one see it.

-Nanny McPhee- [delightfully played w/dreadful hag make-up by Emma Thompson] isn't pretty, doesn't sing, & her medicine *isn't* served w/a spoonful of sugar ... but she's a terrific nanny nonetheless. She's no Mary Poppins but then again, the Brown children aren't the sweet moppets of the Banks family. For 1 thing, there are *7* of them ... & no mother to rein in their gleeful attempts to drive away every female authority figure.

When the local agency refuses to help him after his 17th nanny quits, Mr. Burns [Colin Firth, charming & befuddled in a quiky role *far* from Mr. Darcy, but hinting at What Might Have Been had Darcy been poor] is told that who he needs Nanny McPhee. From there it's a quick hop, skip & danc[ing donkey] to the entrance of the stout nanny w/2 HUGE moles, 1 oversized incisor, & the unsettling abiliy to ... just appear when needed. Or not; she's just *there* when she evidently feels needed. Only the scullery maid Evangeline [the winsome Kelly Macdonald in a fascinating turn as the pretty but *quite* unsuitable maid, who can't even read] understands that it's grief, not mean spirits, that has led the Burns children to misbehave.

When Simon [a complex role nicely fulfilled by Thomas Sangster] leads the others in a futile atempt to drive Nanny McPhee away -- an attempt, in fact, which boomerangs beautfully -- the lesson is well-learned. & despite the dark fears of the 2nd-oldest son Sebastian [Sam Honywood aptly playing the 'mad scientist' child] that 'All Stepmothers are Evil', Nanny McPhee teaches the kids that fear -- not nannies -- is the real enemy.

All in all, a sweetly confectionary fantasy which teaches w/o being dull ... the kids *&* the audience!