From Publishers Weekly
This literary, almost novelistic treatment of the 100 days between Napoleon's escape from Elba and his capitulation after Waterloo uses the period as a lens through which to examine his character in general. By so doing, Coote (A Play of Passion: The Life of Sir Walter Raleigh) manages to give the reader a panoramic view of the emperor's life, not simply a focused study of the events of the Hundred Days. From Napoleon's unwillingness to concede the impossibility of even his most far-fetched plans to his megalomaniacal identification of Europe's destiny with his own, Coote illustrates the increasingly disastrous consequences of Bonaparte's temperament and character by comparing episodes of his return to power (such as the Additional Act, the Champs de Mai and the battle of Waterloo) to those of his initial rise (the Code Napoleon, the coronation in Notre Dame and the battle of the Bridge of Lodi). Throughout, Coote's prose is a delight, and his knack for description and characterization make men like Talleyrand, Fouché and Louis XVIII almost palpable (of Fouché, he writes, "dressed in plain black clothes amid all the brilliant decor and brighter uniforms of the palace and its courtiers, Fouché gave the uncomfortable impression of being a monk disguised in evening dress, of being something other than what he seemed"). Overall, this accessible work is reminiscent of the finest classical Roman histories and biographies. Although Coote's volume will be of great interest to those already familiar with Napoleonic history, he provides enough background information to make such familiarity unnecessary.
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A fittingly impetuous conclusion to his controversial impact on history, Napoleon's return to power in 1815--nullified by the Battle of Waterloo--was chronicled in Napoleon biographer Alan Schom's
One Hundred Days (1993). Coote (
Samuel Pepys, 2001) traverses the same terrain in a more popular, less scholarly manner, spicing a fast-moving story with pithy characterizations of the main figures involved. Napoleon's escape from exile and return to France with several hundred followers confronted officials of the shakily restored Bourbon regime, from local prefects to the ministers of Louis XVIII, with a decision about whether to turn coats or not. Coote smoothly dramatizes Napoleon's progress to Paris where, reenthroned as emperor, he politically posed as the liberal that the wars he previously conducted had prevented him from being. Singed by experience, the victors of 1814 rejected the new and improved Napoleon, declared him an outlaw, and mobilized. Sketching in attributes of Napoleon--charisma and egotism--that propelled the madcap adventure, Coote delivers a splendidly flowing rendition of the tragic affair.
Gilbert TaylorCopyright © American Library Association. All rights reserved
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