The Napoleon of Notting Hill (Dover Books on Literature & Drama) [Paperback]

G. K. Chesterton (Author)

Book Description

Series: Dover Books on Literature & Drama | Publication Date: February 1, 1991

A comical futurist fantasy, first published in 1904, about a tradition-loving suburban London community of the 1980s at war with its modernizing neighbors. Chesterton's splendid storytelling gifts and his sympathies for the plight of small nations trying to remain independent are strongly in evidence. 7 illustrations by W. Graham Robertson. New Introduction by Martin Gardner.

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Product Details

• Paperback: 208 pages
• Publisher: Dover Publications; Dover edition (February 1, 1991)
• Language: English
• ISBN-10: 048626551X
• ISBN-13: 978-0486265513
• Product Dimensions: 8.4 x 5.4 x 0.4 inches
• Shipping Weight: 7.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (19 customer reviews)
• Amazon Best Sellers Rank: #499,057 in Books (See Top 100 in Books)

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24 of 24 people found the following review helpful:

5.0 out of 5 stars Great Introduction to the Creative Mind of G. K. Chesterton, September 29, 2004

By 

Michael Wischmeyer (Houston, Texas) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: The Napoleon of Notting Hill (Dover Books on Literature & Drama) (Paperback)

This short book, The Napoleon of Notting Hill, written 100 years ago, is a futuristic fantasy, a political satire, a prophetic tale, and a comic novel, all intertwined. Published in 1904, The Napoleon of Notting Hill was G. K. Chesterton's first novel. It has been called the best first novel by any author in the twentieth century.

It has been some years since my first reading of The Napoleon of Notting Hill. Once again I find it to be enjoyable, humorous, highly entertaining, and decidedly thought provoking.

The setting is London in the year 1984, 80 years in the future. Chesterton had tired of endless predictions of futuristic technologies. His future London is identical to Edwardian London - all technological advance halted in 1904. One change is notable: the people have lost faith in political revolutions. Only slow, gradual change, akin to Darwinian evolution, was fashionable. No one was interested in voting, and consequently, democracy had withered away. A ruling monarch, a king, was selected in some capricious, random manner from the governmental class. All was well until Auberon Quin was chosen to rule as king.

As a lark, the new King designs colorful, medieval style uniforms, required dress for all governmental representatives of the London boroughs on official occasions. Reluctantly, city officials comply with the king's ridiculous wish to revitalize local patriotism. Unexpectedly, the Provost of Notting Hill, a sober young man named Adam Wayne, a man without humor, takes the King's command seriously. An attempt by other London boroughs to route a major thoroughfare through Notting Hill leads not only to acrimony, but to actual warfare.

The first chapter is Chesterton's scholarly criticism and friendly ridicule of contemporary (that is, early 1900) prophecies of scientific and technological changes, especially the more utopian futuristic projections, and is titled Introductory Remarks on the Art of Prophecy. The actual story does not commence until chapter two.

This inexpensive Dover edition includes a lengthy, interesting introduction by Martin Gardner. The artist W. Graham Robertson penned seven full page ink drawings and a map of the seat of the war.

26 of 29 people found the following review helpful:

5.0 out of 5 stars It offends postmodern sentiments and leaves you aghast., July 28, 1998

By 

Clark Massey - See all my reviews

This review is from: The Napoleon of Notting Hill (Dover Books on Literature & Drama) (Paperback)

The theme of the Napoleon of Nottingham Hill is that it is better to live a short exciting life than a long boring one. GKC would argue that the moment when you are most lucid and the world is convinced that you are mad is exactly when you are the most sane. The Napoleon of Nottingham Hill is the story of how an irrational war among London's suburbs finally gives meaning to the lives of moderns who have become so board with living. The book also explains what humor is and how man can stand proud without sinning. If you read one book by GKC, let it be this book.

12 of 13 people found the following review helpful:

5.0 out of 5 stars A wise and exuberant fantasy, August 24, 2001

By 

Oliver Kamm (London United Kingdom) - See all my reviews
(REAL NAME)   

This review is from: The Napoleon of Notting Hill (Dover Books on Literature & Drama) (Paperback)

Chesterton is one of the neglected giants of 20th-century English literature. This book ought to be considered a minor classic of both fantasy and political allegory. It tells the story of the consequences of a decree issued on a whim by a bored governor that London be devolved into districts corresponding roughly to its ancient boroughs, and each given municipal rituals in order to instil a sense of civic belonging. This joke takes on a life of its own, as the citizens of the "new" boroughs take the battle - eventually, literally a battle - to each other. The Napoleon of the title is Adam Wayne, an enthusiastic *citoyen* who takes the new arrangements with great seriousness - and whose territorial aggrandisement and downfall mirror Napoleon's career. The point that Chesterton intimates - in a vastly more effective, because more subtle, way than more explicitly political novelists, such as Upton Sinclair - is that small and knowable communities are a desirable and indeed virtuous focus of our loyalties, but that the aggrandisement of power and territorial ambition tend to corrupt. While fashionable literary opinion (Wells, Shaw, Wyndham Lewis and so many others) was about to take a terrible wrong turning in favour of the totalitarianism of Right or Left, Chesterton's essential and very English sense of moderation formed, and continues to express, a most effective and beautifully written counterpoint.