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"Bar-Efrat's...book is relatively free of such technical jargon, and when these terms do appear, they are simply and clearly explained.....the book is particularly useful to introduce those who may already be somewhat familiar with the Bible to basic concepts involved in reading it as narrative, although they are left hanging if they want to pursue such concepts much further....his narratological insights remain valuable, and his own writing style is accessible to a wide range of readers."- George Aichele, The Bible and Critical Theory, Vol. 1, Number 3, 2005
"Bar-Efrat’s…book is relatively free of such technical jargon, and when these terms do appear, they are simply and clearly explained…..the book is particularly useful to introduce those who may already be somewhat familiar with the Bible to basic concepts involved in reading it as narrative, although they are left hanging if they want to pursue such concepts much further.…his narratological insights remain valuable, and his own writing style is accessible to a wide range of readers."- George Aichele, The Bible and Critical Theory, Vol. 1, Number 3, 2005
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Most Helpful Customer Reviews
19 of 20 people found the following review helpful:
5.0 out of 5 stars
The Best Second Book on Narrative Criticism,
This review is from: Narrative Art in the Bible (JSOT supplement) (Paperback)
Those who have been introduced to biblical Hebrew narrative by simpler books such as those by Robert Alter, Adele Berlin, or Jacob Licht will find a great next step in this masterful work. Bar-Efrat treat the standard subjects of narrative criticism (plot, setting, characters) in beautifully developed chapters. The depth of application to the biblical text is superior to the more introductory works listed above. He is particularly fond of the Books of Samuel and is a brilliant reader of this literature. Those who carefully digest Bar-Efrat's work will have their reading of the Samuel, Daul , and David stories transformed. A tremendous addition to this study is Bar-Efrat's final chapter on "style." Here he develops an understanding of narrative criticism which reveals its vital connections to other contemporary literary methods, particularly rhetorical criticism.
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