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Nart Sagas from the Caucasus: Myths and Legends from the Circassians, Abazas, Abkhaz, and Ubykhs
 
 
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Nart Sagas from the Caucasus: Myths and Legends from the Circassians, Abazas, Abkhaz, and Ubykhs [Hardcover]

John Colarusso (Translator)
4.0 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

October 14, 2002

The Nart sagas are to the Caucasus what Greek mythology is to Western civilization. This book presents, for the first time in the West, a wide selection of these fascinating myths preserved among four related peoples whose ancient cultures today survive by a thread. In ninety-two straightforward tales populated by extraordinary characters and exploits, by giants who humble haughty Narts, by horses and sorceresses, Nart Sagas from the Caucasus brings these cultures to life in a powerful epos.

In these colorful tales, women, not least the beautiful temptress Satanaya, the mother of all Narts, are not only fertility figures but also pillars of authority and wisdom. In one variation on a recurring theme, a shepherd, overcome with passion on observing Satanaya bathing alone, shoots a "bolt of lust" that strikes a rock--a rock that gives birth to the Achilles-like Sawseruquo, or Sosruquo. With steely skin but tender knees, Sawseruquo is a man the Narts come to love and hate.

Despite a tragic history, the Circassians, Abazas, Abkhaz, and Ubykhs have retained the Nart sagas as a living tradition. The memory of their elaborate warrior culture, so richly expressed by these tales, helped them resist Tsarist imperialism in the nineteenth century, Stalinist suppression in the twentieth, and has bolstered their ongoing cultural journey into the post-Soviet future.

Because these peoples were at the crossroads of Eurasia for millennia, their myths exhibit striking parallels with the lore of ancient India, classical Greece, and pagan Scandinavia. The Nart sagas may also have formed a crucial component of the Arthurian cycle. Notes after each tale reveal these parallels; an appendix offers extensive linguistic commentary. With this book, no longer will the analysis of ancient Eurasian myth be possible without a close look at the Nart sagas. And no longer will the lover of myth be satisfied without the pleasure of having read them.

Excerpts from the Nart sagas

"The Narts were a tribe of heroes. They were huge, tall people, and their horses were also exuberant Alyps or Durduls. They were wealthy, and they also had a state. That is how the Narts lived their lives. . . ."

"The Narts were courageous, energetic, bold, and good-hearted. Thus they lived until God sent down a small swallow. . . ."

"The Narts were very cruel to one another. They were envious of one another. They disputed among themselves over who was the most courageous. But most of all they hated Sosruquo. . . . A rock gave birth to him. He is the son of a rock, illegally born a mere shepherd's son. . . ."



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Editorial Reviews

Review


An excellent translation of a rare standard of Eurasian mythology, the work blends annotation and commentary to demystify the complex philosophical text. -- Library Journal



A new, important resource for those with a general interest in the lore of the North Caucasus, in comparative mythology, and in linguistics. . . . Colarusso's familiarity with the Indo-European traditions is seen in the copious commentaries and notes accompanying the sagas. Meticulous and at times very detailed, they not only serve as a guide to a better understanding of the sagas themselves, but provide an introduction to the vast field of Eurasian myth. . . . Colarusso is to be congratulated for this splendid contribution to the field, for his scholarship, for his devotion to the subject, and for bringing this collection of Nart sagas to us. -- Patricia Arant, Slavic and East European Journal

From the Inside Flap


"There is no comparable book in English. The translation looks quite fine! This is quite original work by one of the most prominent scholars of the Caucasus in this hemisphere, one who is also most knowledgeable in Indo-European mythology and is an accomplished linguist."--Edgar C. Polomé, author of Indo-European Religion after Dumeziland Language, Society, and Paleoculture

"Reminiscent of the Grimm fairytales and the Icelandic Eddas, these lively tales abound with giants and witches and dwarves and mountain-sized monsters born of rock, ice, and fire. This is a major new resource for students in mythology, linguistics, and folklore, for which John Colarusso provides a sober and expert commentary as guide."--Elizabeth Wayland Barber, author of The Mummies of Urumchi

"This book will introduce a wide readership to a unique and ancient relic of human lore still tenaciously preserved in the North Caucasus--a fabulous world of gods and goddesses, demigods and antigods, monsters and ogres, giants and lilliputians, witches and warlocks, Caucasian Medusas and tree-ladies. Further, it is timely in that the Northwest Caucasians are stirring from a long slumber and are grappling to reforge their identity and find their place in the comity of nations. Professor Colarusso has rendered this culture a great service, enriching world culture in the process."--Amjad Jaimoukha, author of The Circassians: A Handbook

"The translations offered by Colarusso include fascinating, strange, and sometimes grotesque mythic tales that show amazing parallels with Classical and other Indo-European stories. The characters are enormously interesting, especially the figure of Satanya, a powerful female heroine/goddess, which will have an instant appeal to those, scholars and general readers alike, now discovering Goddess myths. As pure narratives, these stories, with their tales-within-tales, giants, stolen brides, and wise elders, also command attention."--Richard P. Martin, Stanford University

"Reading this book was an exciting intellectual experience. These tales are extremely rich and thought-provoking. Doubtless many other readers will respond just as enthusiastically as I have, and recognize the importance of the Nart corpus--and Colarusso's commnentary on it--for their own research. This represents the first compendium in any language, to my knowledge, of Nart sagas from all of the Northwest-Caucasian-speaking peoples."--Kevin Tuite, Université de Montréal



Product Details

  • Hardcover: 560 pages
  • Publisher: Princeton University Press; First Edition edition (October 14, 2002)
  • Language: English
  • ISBN-10: 0691026475
  • ISBN-13: 978-0691026473
  • Product Dimensions: 8.9 x 6.1 x 1.6 inches
  • Shipping Weight: 2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,137,659 in Books (See Top 100 in Books)

 

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22 of 22 people found the following review helpful:
4.0 out of 5 stars Ian Myles Slater on The Amazing Narts, Now in English!, June 12, 2003
By 
Ian M. Slater "aylchanan" (Los Angeles, CA United States) - See all my reviews
(REAL NAME)   
This review is from: Nart Sagas from the Caucasus: Myths and Legends from the Circassians, Abazas, Abkhaz, and Ubykhs (Hardcover)
If you like mythology, but have never heard of the Narts, don't worry that you've overlooked something obvious; most translations of the stories about them have so far been into Russian, French, and German. On the other hand, you may have encountered references to them in studies of, for example, the Balder myth. Now a very full selection of the range of stories and characters is available, although not in the forms usually cited. Colarusso has excluded from this volume the Ossetian versions of the Nart stories, which have had a more prominent place in scholarly discussions of the mythologies and legends of the Indo-European peoples, providing instead a first real look for readers of English at the equally interesting versions from neighboring peoples.

For me, the volume was also a fascinating introduction to many of the cultures of the Caucasus Mountains and the coastlands of the Black Sea. Unexpectedly, but not too surprisingly in retrospect, the often rather ambiguous protagonist of one version may show up as the villain in a variant of the story told elsewhere!

The description and quotations provided in the posting here at Amazon are a fair representative of the stories of the heroes and (probably) faded gods who populate these ancient oral traditions. Although the total picture is both unusual and varied, the reader may find the stories hauntingly familiar, suggesting here a bit of Asgard, and there a little of Olympus, at another point the Finn Cycle, and elsewhere a touch of Robin Hood or the Border Ballads.

Some of the resemblances are probably coincidental, others suggests ancient contacts between civilizations, and the spreading and staying power of good stories. If Colarusso and others, notably Georges Dumezil, are correct, some reflect a common origin, before the dispersal of Indo-European speakers across Europe and Asia. (This view assumes that the Ossetian versions, in an Iranian language, are in direct descent, and the tellings in the non-Indo-European Caucasus languages are ultimately borrowings. A common origin for Proto-Indo-European and Proto-Northwest-Caucasian [Proto-Pontic] has been proposed, but is very problematic. And would be so ancient as to have little explanatory value, I would think, for the Nart stories!)

Unfortunately, Colarusso's frequent, and usually useful, comparisons to more widely known mythologies, notably those of Greece and Scandinavia, show heavy dependence on secondary sources, by which I mean reference works, not translations. Partly as a result, there are a number of trivial, but annoying, avoidable errors. Some examples: the son of Anchises and Aphrodite was Aeneas, not Adonis to go back to Robert Graves' "Greek Mythology," where Anchises and Adonis are in sequence as lovers of the goddess, and her offspring are postponed to a later chapter); Odin's raven-messengers, "Thought" and "Memory" (Huginn and Muninn) are confused with his brothers, Vili ("Will") and Ve ("Holiness" or "Shrine"). (I at first thought Colarusso might be citing a theory that they *should* be identified, which would be interesting; but apparently not.)

Those unfamiliar with any of the mythologies he cites (and I am not well acquainted with a number of them) should therefore treat his references with a little caution. Fortunately, the errors which I spotted did not make a great difference to his arguments and conclusions.

I would also view with reserve some of his suggested replacements for accepted etymologies, such as that for the Norse god Odin. (The usual etymology *is* a little odd-looking, but the required form has a Germanic parallel he doesn't mention; a long story.)

Despite these problems with non-Caucasus material, the book as a whole is richly rewarding for those with an interest in a "new" mythology.
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21 of 25 people found the following review helpful:
4.0 out of 5 stars The "Asiatic" Narts, September 6, 2004
By 
John David Ebert (San Francisco Bay Area) - See all my reviews
(REAL NAME)   
This review is from: Nart Sagas from the Caucasus: Myths and Legends from the Circassians, Abazas, Abkhaz, and Ubykhs (Hardcover)
In the story of Jason and the Argonauts, the crew of the Argo journey to the Black Sea in their quest for the Golden Fleece. While cruising past the northeast shore, they catch a glimpse of the Caucasus mountains, where Prometheus lies chained to a crag, while an eagle gnaws on his liver. Then they proceed onward to Colchis, a city located on the eastern shore of the Black Sea, just around the "corner" from the Caucasus mountains.
This geographic region is precisely the land of the Narts, whose myths and folktales John Colarusso has gathered together in this splendid collection. And in fact, the reader is delighted to discover, the Narts do indeed have a series of stories centering around a Prometheus figure named Nasran, whom they envision chained to the Caucasus for defying God. This is just one of the many overlaps between the myths of the Narts and those of peoples as remote from their region as the Norse at the Western end and the Vedic Indians at the Eastern. The character of Wotan, for instance, will turn up as "Wardana," a man who rides the fastest horse in the world (cf. "Sleipnir") and whose brother is named after the word for "raven," like Wotan's two ravens Hugin and Munin. Or Vishnu's avatar as the boar "Varaha," who comes into the world in order to rescue the goddess Earth from her kidnapping by a giant serpent demon is paralleled by the story of "Warzameg," who sets off to rescue the damsel Psatina, who has been kidnapped into the Underworld by a Lizard Man. Almost every story in this collection reveals such surprising echoes of the myths of surrounding Indo-European peoples.
But one of the most surprising things about the collection is the attitude that it reveals of the Narts toward their women. For all these surrounding Indo-European peoples, as any scholar of myth well knows, were patriarchal warriors who conquered, and discredited, the goddess-worshipping traditions of most of the societies that they came into contact with. As a result, the stories of the Greeks, the Norse, the Persians and yes, even the goddess-worshipping Hindus are filled with misogyny (this is true even of such non-Indo European, but Nordic, peoples as the Finns, for The Kalevala is nothing if not a story of a war against the witch-goddess Louhi, mistress of North Farm). It is appropriate, in this regard, to mention the role of Medea in the Jason story, for she is the daughter of the king of Colchis, and helps Jason out of nearly every scrape he gets into. In return, he simply betrothes himself to the daughter of the King of Corinth, telling her she should be grateful that he brought her to live in such a civilized country as Greece.
But as one soon realizes, after reading a handful of stories in The Nart Sagas, no Nart warrior would ever have been allowed to get away with treating his wife in such a brutal manner, for the Narts, almost alone amongst the Indo-Europeans (the other possible exception being the Celts) treated the Goddess with respect and near-equality. Sexual promiscuity amongst Nart women was tolerated, and male warriors were expected to put up with their indiscretions. And again and again, we come across stories in which the deeds of heroes like Warzameg are attributed to their having the favor of the goddess on their side. Whenever the male hero discredits, insults or otherwises abuses his wife, she withdraws her power, and disaster results, as in the story of the goddess Adif and her husband Psapeta, in which, after a quarrel, he loses his ability to drive his horses over a very narrow bridge made of linen, and falls to his death. Such warrior heroes as Shebatinuquo are suited up for battle and armed by their mothers (in this case, the goddess Setenaya) and we find references to the existence of Amazon women "who would ride forth with their menfolk to meet the enemy in battle."
The fact that women fare so well in this Indo-European society marks this particular ethnic group culturally as Asiatic, despite their being located just above the Black Sea, for as Bachofen pointed out in his Mutterrecht, the presence of matrilineal societies, and / or societies in which women fare as well as, or better, than men, indicates a survival into Western civilization of what is essentially an Asiatic ideal, namely, that the society is ruled by a god / king whose power is bestowed upon him by a goddess, as in the myth of Tanaquil. (Hercules, in his temporary service to the queen Omphale, is a vestigial survival of this practice in Greek culture, as is, most likely, the motif of the hero accomplishing his difficult tasks only with the help of a goddess (i.e. Jason and Medea; Theseus and Ariadne). In the Western myths, however, the goddess is rejected and left behind, as Aeneas leaves Dido to burn herself up on her funeral pyre in order to found what will later become kingless Rome. (Kingless, that is, because of the patriarchal rejection of an Asiatic goddess-powered institution: think of Osiris sitting on the throne of the body of Isis).
Colarusso has done a fine job in editing these stories together, and his rare attempts (rare, that is, among academic specialists) to point out comparative overlaps with the mythologies of other peoples is admirable, if not always successful. Some of his comparisons make better sense than others, but his attitude is the important thing here. Thanks, Professor Colarusso, for a job well done.
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5.0 out of 5 stars great epic stories, June 24, 2011
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This review is from: Nart Sagas from the Caucasus: Myths and Legends from the Circassians, Abazas, Abkhaz, and Ubykhs (Hardcover)
As a circassian(adige) I have enjoyed a lot when reading. It includes not only well known Sagas but also many others.
There are not many books about Northern Caucasia and circassians with high academic standards like Nart Sagas. Especially explanations in footnotes were very useful.Highly recommended to those who are interested.
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Inside This Book (learn more)
First Sentence:
The Narts were courageous, energetic, bold, and good-hearted. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
scaly giant, linen bridge, iron discus, golden hat, golden mustache, many blasphemies, luckless one, white elbow, felt cloak, underground house
Key Phrases - Capitalized Phrases (CAPs): (learn more)
West Circassian, Lady Setenaya, Lady Isp, Gunda the Beautiful, Northwest Caucasian, Little Gray, Nart Sana, East Circassian, Lady Tree, Kevin Tuite, Ayniwzh Nana, Bars Field, Milky Way, Princess Satanay, Black Sea, Blessed Peak, Old English, Old Khimish, Gundba the Beautiful, Little Black, Marchan Shaghy, May Allah, Nart Sasruquo, Tlabetsa the Short, Khimishuquo Pataraz
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