20 of 20 people found the following review helpful:
5.0 out of 5 stars
WILLIE IN HIS SONGWRITING PRIME, March 24, 2000
By A Customer
This review is from: Nashville Was The Roughest (Audio CD)
Merle Haggard said in an interview that if he had to be jealous of one person in country music, that person would be Willie Nelson. Merle must have been thinking about some of the songs on this box set when he made that remark.
I have to agree with the music fan from Philly that this box set is a major release even though reviews have been less than stellar. It's not great from start to finish by any means but the critical reviews I've read have made too much of the lowlights and not enough of the highlights. The lowlights have mostly been attributed to "The Nashville Sound" which Chet Atkins, Willie's producer for some of this box set material, has been credited with pioneering. Country purists usually have a tough time with the Nashville Sound because it employs "violins" (not fiddles) and bland backup choirs. You will find that sort of thing on this set even though it wasn't the best setting for Willie. Chet Atkins has admitted that he didn't produce Willie properly but was forced to experiment because Willie just wasn't selling in this period. But the Nashville Sound is not the whole story of this set by any means.
Four songs into Disc 1 you have one of the greatest Willie songs of all time, "I Never Cared For You", and not a violin or choir in earshot. I first heard this song on Willie's recent "Teatro" album but the box set version is much better. This song is just the tip of the iceberg as far as quality songs are concerned. However, you have to be patient and really listen to these discs to get to the gems. On Disc 2, for instance, there is a great version of "San Antonio Rose" and a not-so-good, poppier version only two songs apart. The moral of the story is you don't know when or where you're going to find great songs. Besides the highlights listed above, I'd list some other standouts as "December Day", "Wild Memories",the Vietnam-themed "Jimmy's Road", a cover of Fred Neil's "Everbody's Talkin" (all Disc 4), "I Gotta Get Drunk", a cover of Joni Mitchell's "Both Sides Now" (both Disc 5), and "Rainy Day Blues" (Disc 6). You'll find many more.
The bonus to this box set is the vintage mid-60s live Willie concert recording on Disc 8. If you're a Willie fan, you know Willie was never a musical snob or purist with tunnel vision when it came to doing material. The cover versions of the Joni Mitchell and Fred Neil tracks listed above as well as all the material on the classic "Stardust" album from the late 70s attest to Willie's eclectic tastes. On this live disc, Willie is already covering the recent (at that time) "Yesterday" by the Beatles. Again, the live recording is a real bonus.
If you're a big Willie fan and have the dough to plunk down for this box set, it is well worth your investment. It's not a greatest hits in that everything in terms of artistic quality or even sales is programmed back-to-back. But some of Willie's greatest songs, artistically speaking, are definitely found throughout these discs.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
The Best of Willie, November 17, 1999
By A Customer
This review is from: Nashville Was The Roughest (Audio CD)
Does anybody out there realize what a major release this box set is? Apparently not, judging by the reviews, which seem to be lukewarm and condescending, at best. To my ears, much of this is as innovative and unique as anything in country in those years and Willie was in superb voice through all of it. The April, 1965 sessions were especially "right"; the recordings were as good as Willie (or anyone else) ever got it. Definately worth the cost and shows that the Nashville Sound was more than just excess chorus and strings. And oh yeah, the songwriting ain't half bad, either.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
A stunning album, May 16, 2001
This review is from: Nashville Was The Roughest (Audio CD)
The tracks originally recorded for the „Phases and Stages" album („Phases And Stages", „No Love Around", „Come On Home", „Sister's Coming Home", „Down At The Corner Beer Joint", and „I'm Falling In Love Again") are the highlight of this set. These recordings are absolutely unbelievable. „Phases And Stages" has always been one of my favorite Willie albums, but I believe if the whole album would have been recorded the same way as those few tracks, „Phases And Stages" might have become Willie's breakthrough album rather than „Red Headed Stranger". With just Willie on guitar, Bee Spears on bass and Paul English on drums, the sound is so intense and haunting, I haven't heard anything like that in a long time. I am convinced if Willie would have brought out „Phases And Stages" just like that it would have chanced the history of country music. Now maybe that sounds like a heavy statement, but I am convinced it is true. If anybody out there contemplates whether or not to buy this box, just do it. And if anybody needed further proof that Willie Nelson is a genius they could find it in these tracks.
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