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Trade in Natalie Wood Collection (Splendor in the Grass / Sex and the Single Girl / Inside Daisy Clover / Gypsy / Bombers B-52 / Cash McCall) for a $11.25 Amazon.com Gift Card that can be redeemed for millions of items store wide. See more Movies & TV eligible for trade-in
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Most Helpful Customer Reviews
33 of 36 people found the following review helpful:
4.0 out of 5 stars
Original Aspect Ratios!,
By
This review is from: Natalie Wood Collection (Splendor in the Grass / Sex and the Single Girl / Inside Daisy Clover / Gypsy / Bombers B-52 / Cash McCall) (DVD)
I wish these had been released as separate DVDs, but the most important thing is that this is the first time many of these films have been released on video in their original aspect ratios!
Since Amazon's listing can only handle one aspect ratio, the films are presented as follows, and all are anamorphic presentations: Bombers B-52 - 2:35:1 Cash McCall - 1.85:1 Splendor in the Grass - 1.85:1 Gypsy - 2.35:1 Sex and the Single Girl - 1.85:1 Inside Daisy Clover - 2.35:1 Note that this is the first time Cash McCall has been seen in its original aspect ratio since its theatrical release; even Turner Classic Movies only has a pan & scan 1.33:1 copy.
28 of 30 people found the following review helpful:
5.0 out of 5 stars
Long-awaited collection of films is finally here,
This review is from: Natalie Wood Collection (Splendor in the Grass / Sex and the Single Girl / Inside Daisy Clover / Gypsy / Bombers B-52 / Cash McCall) (DVD)
Even though this is called a Signature Collection, the artwork I have seen doesn't indicate the same classic style that is present on the other Warner signature collections. The last one to be released was the Burt Lancaster Signature collection late in 2007. This set shall contain six films.
SPLENDOR IN THE GRASS (1961) - Directed by Elia Kazan stars Natalie Wood and Warren Beatty as young lovers during the 1920's who can't be together due to society's external pressures and the internal pressures of the girl's fragile mental state. SEX AND THE SINGLE GIRL (1964)Directed by Richard Quine. Natalie Wood stars as Helen Gurley Brown. A writer at a tabloid magazine (Tony Curtis) wants to interview Miss Brown, but the only way he can do so is to masquerade as a patient. INSIDE DAISY CLOVER (1965) Directed by Robert Mulligan. Set in the 1930's Daisy is a teenager who becomes a star against the odds. She has to find a way to deal with her newfound fame. Christopher Plummer plays the studio executive that controls Daisy's every move. GYPSY (Deluxe Edition) (1962) Directed by Mervyn LeRoy. Story of the burlesque queen includes a great performance by Rosalind Russell as her stage mother and Karl Malden as the agent/family friend. Gypsy is not the center of attention of the act or of the family until her sister - the real star up to that point - elopes at the ripe old age of 13. That younger sister is played by Ann Jillian. BOMBERS B-52 (1957) - Directed by Gordon Douglas. Stars Karl Malden as Master Sergeant Chuck V. Brennan who has a strong dislike for hot-shot Colonel Jim Herlihy, the commanding officer of the 329th Bomber Squadron. When Herlihy takes a liking to Brennan's daughter (Natalie Wood) the dislike grows even more. Usually these kind of films have the enlisted man liking the officer's daughter. This reverses things a bit. CASH MCCALL (1960)directed by Joseph Pevney. James Garner plays the title character - an entepreneur who has already had an affair with Natalie Wood's character. When they meet again it is when McCall is trying to buy her father's company. Brainstorm, Natalie Wood's final film, shall be released separately. There is no word on extra features yet.
11 of 12 people found the following review helpful:
4.0 out of 5 stars
Remembering natalie Wood,
By
This review is from: Natalie Wood Collection (Splendor in the Grass / Sex and the Single Girl / Inside Daisy Clover / Gypsy / Bombers B-52 / Cash McCall) (DVD)
A generation of moviegoers identify Natalie Wood with Maria, the character she portrayed in the Academy Award-winning "West Side Story" (1961). Her film career dates back to the 1940's, when she appeared as a child star in several films, the most famous, "The Miracle on 34th Street" (1947), when she was only nine.
"The Natalie Wood Collection" continues the admirable policy by Warner Home Video of assembling movies featuring popular stars into box sets. The six feature films in this new collection are a mixed bag. "Bombers B-52" (1957) is a routine love story costarring Efrem Zimbalist, Jr., as Wood's love interest and Karl Malden as her career military father who objects to their romance. Unfortunately, Wood is overshadowed here by CinemaScope photography of jet planes doing intricate aerial maneuvers. "Cash McCall" (1960), heavy on soap opera, costars James Garner in the title role of a business tycoon who thrives on buying and selling companies for profit. McCall's acquisition plan for Grant Austen's (Dean Jagger) company is complicated when he learns that Austen's daughter (Wood) is the same girl with whom he once had a summer romance. "Sex and the Single Girl" (1964) pairs Wood with Tony Curtis in a romantic comedy with supporting roles by Henry Fonda and Lauren Bacall. Two show business films, "Gypsy" (1962) and "Inside Daisy Clover" (1965), go behind the scenes of vaudeville and motion pictures, respectively. In both, Wood starts out as an average girl who, because of looks and drive, blossoms into a star while learning that stardom has its dark downside. The best film in the set is "Splendor in the Grass" (1961). Written by William Inge ("Picnic") and directed by Elia Kazan ("A Streetcar Named Desire," "On the Waterfront"), it marked the screen debut of Warren Beatty. He and Wood portray teenage lovers filled with lust who are ripped apart by the repressive small-town mentality of 1920's Kansas. The chemistry between the two leads is excellent, and Wood turns in one of her best performances in a Romeo-and-Juliet tale where social class forms the barrier. The characters are all well faceted, and the supporting cast exceptional (Pat Hingle, Sandy Dennis, Barbara Loden). No film of the era illustrated better the conflict between sexual desire and repression. Its theme of rebellion against parental authority would find its way into films increasingly throughout the 1960's.
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