Top positive review
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Thank You Natalie
on May 17, 2014
I first saw Natalie Merchant in concert in 1992 (Brekeley ca.) as part of 10,000 maniacs, and bought all their albums the next day. I thought she hit her peak in 1995-2001 with her solo albums, Tigerlily, Ophelia, and Motherland. Each of those albums left me wanting more of that type of music. So I was a bit dissapointed when she switched genres and released folk albums in 2003 & 2010. Now the reason I say I was a "bit" dissapointed is that those albums were actually pretty good. I'm not a big fan of folk, but Merchant did it right, and I listen regularly to those albums as well.
Nevertheless, I have yearned for something new from Merchant of the genre that made me fall in love with her. What I got was something better. I don't know how to even classify this album. Sure it's got some of that rock/pop sound of her earlier days, but it's has overtones of the folk she has done for the past decade. What a beautiful blend. Leave it to Merchant to remind us that music is an art, and as an artist she has come into her own with this album. It's brilliant. I loved it from the first run through and it just gets better with each listen.
Granted, you won't see this album on the typical charts that the media puts out to tell you what you should buy, but for people who love music that is well written and sung from the soul, this is a must have. I only hope that the people who listened to Merchant at the begining of her solo career, but gave up on her when she went folk, will give this album an honest chance (more than just a single play through).
The only down side of this album is that, like an addictive drug, I just want more. Please keep writing and recording Natalie, and thank you for the album I have waited 13 years for.