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An Amazon Best Book of the Month, May 2014: Greg Iles has written a sprawling, gothic, suspenseful, emotional, page-turner of a book. In doing so, he’s confronted the darkest secrets of his home state of Mississippi. Shifting between the 1960s (not a pretty period in Mississippi history) and the present, it’s the story of a respected doctor accused of murdering his former nurse, an African-American woman who has returned to Natchez after many years up north. The doctor’s son, Penn Cage (featured in previous Iles novels), is a former prosecutor, now the mayor of Natchez, whose attempts to clear his father bring him face to face with a fringe KKK sect, men who personify the South’s historic evils. Packed to the point of overflow with racial politics, family secrets, illicit love, corruption, racism, brutality, and fear, this 800-page book is really a father-son story. Yet, as Iles suggests in the opening pages: “Perhaps we expect too much of our fathers.” Though it’s sometimes easier not to acknowledge life’s most uncomfortable truths, as one character puts it, “Sooner or later, everything comes to the surface, doesn’t it?” Smart, funny, and sexy, you’ll keep thinking about it long after the violent final pages. --Neal Thompson
Greg Iles’s long-awaited new novel is a big deal, and I do mean big. In this age of 140-character tweets and text messages, there’s something wonderfully old-fashioned about the pleasure of losing yourself in the fully realized, immersive fictional world of a 788-page story. I’m reminded of Larry McMurtry’s Lonesome Dove (945 pages), or the great sagas of Herman Wouk, James Michener, and James Clavell. The best big novels, like Iles’s instant classic, Natchez Burning, pull you in so deep that you’re utterly transported; they don’t seem long at all.
I’ve always been a big fan of Greg Iles’ work. From Spandau Phoenix to Turning Angel, and his most recent, The Devil’s Punchbowl (just to name a few favorites), he never repeats himself. He’s a graceful writer who knows how to tell a gripping, fast-moving story—without sacrificing texture or fully fleshed-out characters.
The central plot of Natchez Burning starts with Mayor Penn Cage, an attorney Iles introduced in 1999’s The Quiet Game, learning that his father, the town’s most beloved physician, is about to be charged with murder. The victim? Dr. Cage’s former nurse, Viola Turner, who came home to Natchez to die after a nearly 40-year absence.
Did his father assist in Viola’s suicide? Penn would believe it: his father did the same for Penn’s own wife when she was dying of cancer, years before. But as the town’s corrupt district attorney pursues the case, it becomes clear that Viola’s death was no gentle passage into that good night. In fact, a crusading local reporter has video evidence that Viola died in pain and fear. Penn refuses to believe his father had anything to do with that.
Iles weaves this multi-generational web like a master, keeping Penn Cage at the center even as we see his father, Dr. Tom Cage, in both past and present, along with the many citizens of Natchez and its sister community in Louisiana, just across the Mississippi River.
Natchez Burning is an epic, a saga, but it’s also a thriller. We feel the panic and terror of young Jimmy Revels as he walks into the Double Eagles’ trap in 1968. And the rage and despair of Lincoln Turner, Viola’s son, who doesn’t know the truth of his own origins. We feel Caitlin Masters’ desperate need to tell the story through the newspaper she publishes. Sustaining all of this tension for almost 800 pages is no small feat. It’s a testament to Greg Iles’s power as a storyteller.
Iles doesn’t tie up all the loose ends. Natchez Burning is just the first installment in what promises to be an extraordinary trilogy built upon the premise that, in some pockets of the South, the Civil War hasn’t ended. “Appomattox hadn’t ended anything,” a character thinks early in the story, in a scene set in 1968. “[It] had merely heralded an intermission. ” As William Faulkner said (and this book’s narrator quotes), “The past is never dead. It’s not even past. ” In Natchez Burning, the sins and unpunished crimes of the generations who fought integration and civil rights are visited upon their children and grandchildren, claiming victims almost half a century later.
This was not as good as the other Penn Cage novels . . . the ending took way too long and was too far-fetched for my liking. Read morePublished 40 minutes ago by Colleen Myers
This is the first book I've read by this author and it won't be the last. I didn't want it to end, it was that engaging. Will choose another and start soon!Published 5 hours ago by Karl B
Overall I liked the book but I hated the ending. Everything starts with this basic question that never gets answered. Read morePublished 7 hours ago by Kindle Customer
I love Greg Iles's books, his characters and his plots. In the end though I could not finish this one. Read morePublished 20 hours ago by gamay
Good and worth reading, but the main character was so intent on saving one person, but look at the innocent people that got killed instead. Read more
Best writer ever. Thrilling. To the very end. Greg Isles Knows Mississippi people of all shades of color. Makes fiction seem real because much of it is realPublished 1 day ago by dot
A must read. Exciting to the end. Once you start you won't put it down. Ends with more still to be learned.Published 1 day ago by rogah
Years ago Iles was my favorite author, then an accident almost took him from all of us. Now he's back and in his usual form of writing fantastic page-turning novels about the... Read morePublished 1 day ago by R. Buickerood