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An Amazon Best Book of the Month, May 2014: Greg Iles has written a sprawling, gothic, suspenseful, emotional, page-turner of a book. In doing so, he’s confronted the darkest secrets of his home state of Mississippi. Shifting between the 1960s (not a pretty period in Mississippi history) and the present, it’s the story of a respected doctor accused of murdering his former nurse, an African-American woman who has returned to Natchez after many years up north. The doctor’s son, Penn Cage (featured in previous Iles novels), is a former prosecutor, now the mayor of Natchez, whose attempts to clear his father bring him face to face with a fringe KKK sect, men who personify the South’s historic evils. Packed to the point of overflow with racial politics, family secrets, illicit love, corruption, racism, brutality, and fear, this 800-page book is really a father-son story. Yet, as Iles suggests in the opening pages: “Perhaps we expect too much of our fathers.” Though it’s sometimes easier not to acknowledge life’s most uncomfortable truths, as one character puts it, “Sooner or later, everything comes to the surface, doesn’t it?” Smart, funny, and sexy, you’ll keep thinking about it long after the violent final pages. --Neal Thompson
Greg Iles’s long-awaited new novel is a big deal, and I do mean big. In this age of 140-character tweets and text messages, there’s something wonderfully old-fashioned about the pleasure of losing yourself in the fully realized, immersive fictional world of a 788-page story. I’m reminded of Larry McMurtry’s Lonesome Dove (945 pages), or the great sagas of Herman Wouk, James Michener, and James Clavell. The best big novels, like Iles’s instant classic, Natchez Burning, pull you in so deep that you’re utterly transported; they don’t seem long at all.
I’ve always been a big fan of Greg Iles’ work. From Spandau Phoenix to Turning Angel, and his most recent, The Devil’s Punchbowl (just to name a few favorites), he never repeats himself. He’s a graceful writer who knows how to tell a gripping, fast-moving story—without sacrificing texture or fully fleshed-out characters.
The central plot of Natchez Burning starts with Mayor Penn Cage, an attorney Iles introduced in 1999’s The Quiet Game, learning that his father, the town’s most beloved physician, is about to be charged with murder. The victim? Dr. Cage’s former nurse, Viola Turner, who came home to Natchez to die after a nearly 40-year absence.
Did his father assist in Viola’s suicide? Penn would believe it: his father did the same for Penn’s own wife when she was dying of cancer, years before. But as the town’s corrupt district attorney pursues the case, it becomes clear that Viola’s death was no gentle passage into that good night. In fact, a crusading local reporter has video evidence that Viola died in pain and fear. Penn refuses to believe his father had anything to do with that.
Iles weaves this multi-generational web like a master, keeping Penn Cage at the center even as we see his father, Dr. Tom Cage, in both past and present, along with the many citizens of Natchez and its sister community in Louisiana, just across the Mississippi River.
Natchez Burning is an epic, a saga, but it’s also a thriller. We feel the panic and terror of young Jimmy Revels as he walks into the Double Eagles’ trap in 1968. And the rage and despair of Lincoln Turner, Viola’s son, who doesn’t know the truth of his own origins. We feel Caitlin Masters’ desperate need to tell the story through the newspaper she publishes. Sustaining all of this tension for almost 800 pages is no small feat. It’s a testament to Greg Iles’s power as a storyteller.
Iles doesn’t tie up all the loose ends. Natchez Burning is just the first installment in what promises to be an extraordinary trilogy built upon the premise that, in some pockets of the South, the Civil War hasn’t ended. “Appomattox hadn’t ended anything,” a character thinks early in the story, in a scene set in 1968. “[It] had merely heralded an intermission. ” As William Faulkner said (and this book’s narrator quotes), “The past is never dead. It’s not even past. ” In Natchez Burning, the sins and unpunished crimes of the generations who fought integration and civil rights are visited upon their children and grandchildren, claiming victims almost half a century later.
This book was about two hundred pages too long. Through out the book I kept thinking there is way too much dialog and some of the phrasing was a little bizarre. Read morePublished 1 hour ago by kathleen mauri
This novel was quite entertaining and kept my interest but the 800 pages were often repetitious and needed editing. Read morePublished 22 hours ago by Chris Felcher
So authentic you can almost feel the heat and tension of how things were back in the day. of course I'm a Penn cage fan and have read all of them and 'm looking forward to the... Read morePublished 23 hours ago by Sharon
Wow, this book is good! If you want an interesting chronicle of the civil rights movement as it developed in the South -- cast in an interesting and compelling story line, this is... Read morePublished 1 day ago by Archie Carroll
Welcome back Greg Iles!
This book continues the story of Penn Cage, taking place in a post-Katrina Mississippi. Read more